Fredrik Neij

Fredrik Neij

Hans Fredrik Lennart Neij, alias TiAMO, is the co-founder of The Pirate Bay, and the Swedish Internet service provider and web hosting company PRQ. Neij was one of the defendants in The Pirate Bay Trial which began on 16 February 2009. He and other operators of The Pirate Bay were charged with assisting users in copyright infringing practices. His time during the aforementioned trial has been captured in the documentary film TPB AFK by Simon Klose.

  • Title: Fredrik Neij
  • Popularity: 1.2518
  • Known For: Acting
  • Birthday: 1978-04-27
  • Place of Birth:
  • Homepage:
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Fredrik Neij Movies

  • 2006
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    Steal This Film
    Steal This Film

    5.6 2006 HD

    Steal This Film focuses on Pirate Bay founders Gottfrid Svartholm, Fredrik Neij and Peter Sunde, prominent members of the Swedish filesharing community. The makers claimed that 'Old Media' documentary crews couldn't understand the internet culture that filesharers took part in, and that they saw peer-to-peer organization as a threat to their livelihoods. Because of that, they were determined to accurately represent the filesharing community from within. Notably, Steal This Film was released and distributed, free of charge, through the same filesharing networks that the film documents.

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  • 2013
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    TPB AFK: The Pirate Bay - Away from Keyboard
    TPB AFK: The Pirate Bay - Away from Keyboard

    7.207 2013 HD

    TPB AFK is a documentary about three computer addicts who redefined the world of media distribution with their hobby homepage The Pirate Bay. How did Tiamo, a beer crazy hardware fanatic, Brokep a tree hugging eco activist and Anakata – a paranoid hacker libertarian – get the White House to threaten the Swedish government with trade sanctions? TPB AFK explores what Hollywood’s most hated pirates go through on a personal level.

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  • 2007
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    Steal This Film II
    Steal This Film II

    6.3 2007 HD

    These are strange times indeed. While they continue to command so much attention in the mainstream media, the 'battles' between old and new modes of distribution, between the pirate and the institution of copyright, seem to many of us already lost and won. We know who the victors are. Why then say any more?

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