John Entwistle

Through concert performances and interviews, this film offers us a comprehensive look at the British pioneer rock group, The Who. It captures their zany craziness and outrageous antics from the initial formation of the group in 1964 to 1978. It notably features the band's last performance with long-term drummer Keith Moon, filmed at Shepperton Studios in May 1978, three months before his death.

After a series of traumatic childhood events, a psychosomatically deaf, dumb and blind boy becomes a master pinball player and the object of a religious cult.

Featuring one of the last public appearances by Keith Moon, the 1977 Kilburn show is a long-sought holy grail for fans of The Who, performing before a select audience on December 15, 1977 at Kilburn. Also included is a much earlier never-before-seen rarity and one of the band's personal favorites, The Who's powerhouse London Coliseum gig from 1969.

The Who performed at the Chicago Amphitheater in Chicago, Illinois on December. 8th, 1979. The concert was broadcast live to several local movie theaters. The general consensus was that this show was the best on the 1979 tour. The show was visually stunning. Many times Pete Townshend or Roger Daltrey would move to the front of the stage and direct the cameraman to focus in close, then unleash a mic twirl or scissors kick for the hungry crowd.

Featuring performances by popular artists of the 1960s, this concert film highlights the music of the 1967 California festival. Although not all musicians who performed at the Monterey Pop Festival are on film, some of the notable acts include the Mamas and the Papas, Simon & Garfunkel, Jefferson Airplane, the Who, Otis Redding, and the Jimi Hendrix Experience. Hendrix's post-performance antics -- lighting a guitar on fire, breaking it and tossing a part into the audience -- are captured.

A celebration of 30 years of The Who.

In this 1999 documentary, Pete Townshend, Roger Daltrey and John Entwistle discuss the making of what many consider the Who's greatest testament to Townshend's songwriting talent: their classic album "Who's Next." Others close to the group weigh in with insights about the late Keith Moon's importance to the band. The retrospective also features unseen performances of tunes from the platter, including "Won't Get Fooled Again" and "Baba O'Riley."

Documentary about the first 20 years of the Rolling Stones with interviews and a lot of rare archive footages all over the world, pictures, TV and live songs 1962-1982 ("Satisfaction", "Jumpin' Jack Flash", "Time Is On My Side" and many more). Hosted by punk star Nina Hagen. Interviews of Mick Jagger, his brother Chris, his father Joe, Keith Richards, Bill Wyman, Ron Wood, Ian Stewart, Bianca Jagger, Paul McCartney, Marianne Faithfull, Rod Stewart, Wendy O'Williams (from the Plasmatics), Diana Ross and Bill Graham (manager).

A documentary on The Who, featuring interviews with the band's two surviving members, Pete Townshend and Roger Daltrey.

Mod rockers the Who are captured live by director Murray Lerner at the legendary Isle of Wight festival in 1970, attended by 600,000 people. All the old classics are included in a typically energetic set; Moon the Loon, Roger the Dodger and Pete... the guitarist. And John Entwistle on bass. This is the first DVD release, without the extra material found on the DVD/Blu-ray re-release of 2006.

Wind in the Willows is a rock musical based on the legendary children's novel by Kenneth Grahame. Eddie Hardin (Spencer Davis Group) adapted the classic novel and, together with Zak Starkey (Ringo Starr's son!) co-wrote a breath-taking stage project! A first-class cast - with world-renowned musicians like Jon Lord (Deep Purple), Donovan, Ray Fenwick (Ian Gillan Band), Maggie Bell (Stone the Crows, Alex Harvey), Tony Ashton (Roger Chapman), and Don Airey (Ozzy Osbourne, Judas Priest) - makes this stage performance a perfect enjoyment!

In his home studio and revisiting old haunts in Shepherds Bush and Battersea, Pete Townshend opens his heart and his personal archive to revisit 'the last great album the Who ever made', one that took the Who full circle back to their earliest days via the adventures of a pill-popping mod on an epic journey of self-discovery. But in 1973 Quadrophenia was an album that almost never was. Beset by money problems, a studio in construction, heroin-taking managers, a lunatic drummer and a culture of heavy drinking, Townshend took on an album that nearly broke him and one that within a year the band had turned their back on and would ignore for nearly three decades. Contributors include: Pete Townshend, Roger Daltrey, Ethan Russell, Ron Nevison, Richard Barnes, Irish Jack Lyons, Bill Curbishley, John Woolf, Howie Edelson, Mark Kermode and Georgiana Steele Waller.

25min short documentary about Soho strippers which was banned on its first release by the British Board of Censors as head scissor man at the time John Trevelyan believed it was far too positive in its portrayal of the exotic dancers and feared it would serve as a recruitment film for the stripping scene

The Who perform a live set at The Summit, Houston, Texas on 20 November 1975. Probably the best 'official' bootleg ever. All the classics including Substitute, I Can't Explain, My Generation & Won't Get Fooled Again.

The Who & Special Guests: Live at the Royal Albert Hall is a concert film of The Who's concert on November 27, 2000 at the Royal Albert Hall in London to benefit the Teenage Cancer Trust. Bryan Adams, Noel Gallagher (Oasis), Kelly Jones (Stereophonics), Kennedy, Eddie Vedder (Pearl Jam) and Paul Weller joined the Who on stage for a once-in-a-lifetime performance. The concert was also released on CD as Live at the Royal Albert Hall.

Presenting the best moments of speeches, performances and backstage scenes from the annual Rock and Roll Hall of Fame ceremonies.

1968 was a time of soul searching for the band - with three badly performing singles behind them they needed a big new idea to put them back at the top and crucially to hold them together as a band. Inspired by Indian spiritual master Meher Baba, Pete Townshend created the character of Tommy, the 'deaf, dumb and blind boy'. Broke and fragmenting when they started recording, the album went on to sell over 20 million copies. In this film, the Who speak for the first time about the making of the iconic album and how its success changed their lives.

The Who's seminal double album 'Tommy', released in 1969, is a milestone in rock history. It revitalized the band's career and established Pete Townshend as a composer and Roger Daltrey as one of rock's foremost frontmen. The first album to be overtly billed as a 'rock opera', 'Tommy' has gone on to sell over 20 million copies around the world and has been reimagined as both a film by Ken Russell in the mid-seventies and a touring stage production in the early nineties. This new film explores the background, creation and impact of 'Tommy' through new interviews with Pete Townshend and Roger Daltrey, archive interviews with the late John Entwistle, and contributions from engineer Bob Pridden, artwork creator Mike McInnerney plus others involved in the creation of the album and journalists who assess the album s historic and cultural impact.

Elaborate mixed-media production documenting the Who's 1996/97 tour of the USA with special guests Billy Idol and PJ Proby.

The Who's landmark album, Who's Next, in a new remix by Steven Wilson, featuring bonus tracks from the 10 disc super deluxe box set. Includes stereo, 5.1, and Atmos mixes.

A compendium of TV and concert appearances from French Television, showcasing the prowess and power of The Who in their earlier days. Highlights include "Pictures of Lily", "Can't Explain", "My Generation", "Substitute" and many others.

The story of Roger Daltrey (vocals), Pete Townshend (guitar), John Entwistle (bass) and Keith Moon (drums): The Who, one of the most original, creative and relevant British bands of the sixties and of the entire history of pop music.

A Celebration: The Music of Pete Townshend and The Who, also known as Daltrey Sings Townshend, is a music event and later album documenting a two-night concert at Carnegie Hall in 1994. It broke Carnegie Hall's two day box office gross record, and was the fastest sell-out in the historic venue's history. The concert also raised money for Columbia Presbyterian Babies Hospital. This event was produced by Richard Flanzer and Roger Daltrey of English rock band The Who in celebration of his fiftieth birthday. The Who's music was arranged for orchestra by Michael Kamen, who directed The Juilliard Orchestra for the event. Pete Townshend, John Entwistle, Eddie Vedder, Sinéad O'Connor, Lou Reed, David Sanborn, Alice Cooper, Linda Perry, The Chieftains and others performed as special guests.

Mod rockers The Who are captured live by director Murray Lerner at the legendary Isle of Wight festival in 1970, attended by 600,000 people. All the old classics are included in a typically energetic set; Moon the Loon, Roger the Dodger and Pete... the guitarist. And John Entwistle on bass.

Series of three short 'Pop Films' directed between 1966 - 67 for French television by Philippe Garrel. Includes footage of The Living Theater in rehearsal, interviews with Julian Beck and Judith Malina, Donovan in concert and The Who in the studio recording 'Pictures of Lily'. Re-broadcast on INA in 1984.

The Who’s 1982 tour, which was all in North America apart from two warm-up dates at the Birmingham NEC in England, was their last to feature Kenney Jones on drums and the band did not tour again until 1989. The tour promoted the recent IT’S HARD album, which had been released in June 1982, and the set list included a number of tracks from that album, some of which the band would only play live on this tour. This concert film features the show from the second of their two nights at New York’s Shea Stadium and was filmed on 13 October 1982.

Sixteen performances, which total 73 minutes, of previously unreleased performances from the 1969 Woodstock Festival. This is the follow-up to 2009's Woodstock: Untold Stories Melanie: "Mr. Tambourine Man/Tuning My Guitar" (6:18) Joan Baez: "Oh Happy Day" (3:59) Joan Baez: "I Shall Be Released" (3:38) Santana: "Persuasion" (2:55) Canned Heat: "Woodstock Boogie" (8:38) The Grateful Dead: "Mama Tried" (2:53) The Who: "Sparks" (5:25) The Who: "Pinball Wizard" (2:51) Jefferson Airplane: "Volunteers" (2:53) Jefferson Airplane: "Come Back Baby" (5:56) Country Joe and the Fish: "Not So Sweet Martha Lorraine" (4:23) Crosby, Stills & Nash: "Helplessly Hoping" (2:27) Crosby, Stills & Nash: "Marrakesh Express" (2:55) The Paul Butterfield Blues Band: "Everything's Gonna Be Alright" (8:53) Sha Na Na: "Book of Love" (2:07) Jimi Hendrix: "Spanish Castle Magic" (7:09)

2 hours of musical performances from Woodstock which weren't included in the original Woodstock film. Joan Baez: "{I Live} One Day at a Time" (4:17) Country Joe McDonald: "Flying High" (2:21) Santana: "Evil Ways" (3:56) Canned Heat: "I'm Her Man" (5.33) Canned Heat: "On the Road Again" (10.49) Mountain: "Beside the Sea" (3:38) Mountain: "Southbound Train" (6:17) The Grateful Dead: "Turn on Your Love Light" (37:44) Creedence Clearwater Revival: "Born on the Bayou" (5:12) Creedence Clearwater Revival: "I've Put a Spell On You" (4:10) Creedence Clearwater Revival: "Keep on Chooglin" (9:25) The Who: "We're Not Going to Take It" (9:07) The Who: "My Generation" (7:36) Jefferson Airplane: "3/5 of a Mile in 10 Seconds" (5:40) Joe Cocker: "Something's Coming On" (4:14) Johnny Winter: "Mean Town Blues" (10:52) Paul Butterfield: "Morning Sunrise" (8:26) Sha Na Na: "Teen Angel" (3:21)

Additional musical performances from the 1967 Monterey Pop Festival in California, shot for the film Monterey Pop (1968) and released on the Criterion Blu-ray The Complete Monterey Pop Festival.

The Who reunite for the first time at Wembley

Based on the life and death of Gov't Mule bassist Allen Woody, and the making of a double-disc tribute album (Gov't Mule's The Deep End , Volumes 1 & 2) featuring a host of legendary bass players. Throughout the film, director Mike Gordon (of Phish, who also plays on the album) interviews Woody's family and bandmates and also discusses the philosophy and technique of bass playing with a number of the instrument's legends, including Chris Squire, Les Claypool, John Entwistle, Flea, Bootsy Collins, Mike Watt, Roger Glover and others.

Widely considered one of the greatest bands ever, rock legends The Who bring down the house in this 1982 concert recorded at Toronto's Maple Leaf Gardens during the group's North American tour. Former Small Faces drummer Kenny Jones and keyboardist Tim Gorman join guitar-god Pete Townshend, lead singer Roger Daltrey and bassist John Entwistle onstage. Selections include "My Generation," "Pinball Wizard," "Squeeze Box" and more.

Concert of the Who's first filming of the Rock Opera «Tommy» at London's opera house, the Coliseum, 14 December 1969. At this point, the Who were in full stride, playing behind Tommy and making waves where ever they went. This performance, as rough and raw as it seems, is the Who at their all-time nastiest. Opening with the powerful «Heaven And Hell», the group slays each number — «I Can’t Explain», «Fortune Teller», «Tattoo» — before ascending the mountain of conceptual copiousness.

Just seven years after wrapping up one of rock's first farewell tours, The Who returned to the stage in 1989 with another first: the classic album show. It was the 20th anniversary of Tommy, which seemed like a good excuse to book a bunch of stadiums and play the album along with a healthy dose of Who classics, aided by a mere 12 other musicians. This is The Who live at the Universal Amphitheater in Los Angeles, 24 August 1989.

An intimate portrait of the legendary bass guitarist for The Who. This documentary includes the last footage ever recorded with John Entwistle, and features interviews with Pete Townshend, as well as other major figures in rock history.

A 1968 event put together by The Rolling Stones. The film is comprised of two concerts on a circus stage and included such acts as The Who, Taj Mahal, Marianne Faithfull, and Jethro Tull. John Lennon and his fiancee Yoko Ono performed as part of a supergroup called The Dirty Mac, along with Eric Clapton, Mitch Mitchell, and Keith Richards.

Live Aid was held on 13 July 1985, simultaneously in Wembley Stadium in London, England, and the John F. Kennedy Stadium in Philadelphia, United States. It was one of the largest scale satellite link-ups and television broadcasts of all time: watched live by an estimated global audience of 1.9 billion, across 150 nations. "It's twelve noon in London, seven AM in Philadelphia, and around the world it's time for Live Aid...!"

The Who presents their last concert of the 1982 "Farewell" tour in Toronto, Canada, 1982.

1 Heaven And Hell 2 I Can't Explain 3 Water 4 I Don't Even Know Myself 5 Young Man Blues 6 Overture / It's A Boy 7 1921 8 Amazing Journey 9 Sparks 10 Eyesight To The Blind / Christmas 11 Acid Queen 12 Pinball Wizard 13 Do You Think It's Alright? 14 Tommy, Can You Hear Me? 15 There's A Doctor / Go To The Mirror 16 Smash The Mirror 17 Miracle Cure / I'm Free 18 Tommy's Holiday Camp 19 We're Not Gonna Take It 20 See Me, Feel Me 21 My Generation

The Who - Live at the Silverdome

This film celebrates the long and successful collaboration of Elton John and Bernie Taupin, including a compilation of Elton John performances and in-depth interviews with both men.

In this crazy, chaotic gospel of chance, aspiring filmmakers Chris Stamp and Kit Lambert set out to search for a subject for their underground movie, leading them to discover, mentor, and manage the iconic band known as The Who and create rock 'n' roll history.

An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.

A 2-disc collection of live and TV performances by The Who. Before this release, several other bootleg DVDs had compiled the 1960s Who footage, with varying degrees of success. It's difficult, however, to imagine a better, more comprehensive one than this two-DVD collection, which assembles almost four hours of live, mimed, promo, interview, and documentary clips from various sources. The image and sound quality are usually as good as, or better than, what's seen or heard on those previous compilations.

This live rendition of The Who’s full-blown rock opera about a deaf, dumb, and blind boy was performed live in 1989 at The Universal Amphitheatre in Los Angeles, with special guests Elton John, Phil Collins, Billy Idol, Patti LaBelle, and Steve Winwood.

Organized by Paul McCartney and the United Nations, these concerts were in response to the 1975-79 Khmer Rouge’s reign, where three million persons perished in Cambodia. During the concerts, McCartney brought three generations of popular musicians together. The older generation included McCartney and the Wings, The Who and members of Procol Harum. The middle generation was represented by Queen and members of Led Zeppelin. Most notably, there was the new generation of mainly New Wavers and Punk Rockers, such as The Pretenders, Elvis Costello and The Attractions, Ian Dury and the Blockheads, The Clash, and The Specials.

Rhino Records is proud to present a 3-DVD boxed set showcasing one of the greatest live bands ever-The Who. Disc one features a live rendition of their full-blown rock opera about a deaf, dumb, and blind boy. Tommy was performed live in 1989 at The Universal Amphitheatre in Los Angeles, with special guests Elton John, Phil Collins, Billy Idol, Patti LaBelle, and Steve Winwood. Disc two contains the band's second rock opus, this time built around the story of a young mod's struggle to come of age in the mid-60s. This live version of Quadrophenia, from the 1996/1997 U.S. Tour was the first time it was performed as Townshend and Daltrey had visualized it, with live action and featuring a then-unknown Alex Langdon in a spellbinding performance as Jimmy, the disillusioned Mod.

4 × DVD, The broadcast of the biggest benefit concert in history, organized by Bob Geldof and Midge Ure to raise funds for Ethiopian famine relief. This entry is for the compilation box set released in 2004.

A celebration of rock 'n' roll in the shape of a compilation of classic artists and songs, featuring the likes of Jerry Lee Lewis, Dion and Dick Dale who all featured in the Rock 'n' Roll America series, alongside songs that celebrate rock 'n roll itself from artists such as Tom Petty (Anything That's Rock 'n' Roll), Joan Jett (I Love Rock 'n' Roll) and Oasis (Rock 'n' Roll Star).

In this 1999 documentary, Pete Townshend, Roger Daltrey and John Entwistle discuss the making of what many consider the Who's greatest testament to Townshend's songwriting talent: their classic album "Who's Next." Others close to the group weigh in with insights about the late Keith Moon's importance to the band. The retrospective also features unseen performances of tunes from the platter, including "Won't Get Fooled Again" and "Baba O'Riley."

After a series of traumatic childhood events, a psychosomatically deaf, dumb and blind boy becomes a master pinball player and the object of a religious cult.

Shouya Ishida starts bullying the new girl in class, Shouko Nishimiya, because she is deaf. But as the teasing continues, the rest of the class starts to turn on Shouya for his lack of compassion. When they leave elementary school, Shouko and Shouya do not speak to each other again... until an older, wiser Shouya, tormented by his past behaviour, decides he must see Shouko once more. He wants to atone for his sins, but is it already too late...?

Based on the 1973 rock opera album of the same name by The Who, this is the story of 60s teenager Jimmy. At work he slaves in a dead-end job. While after, he shops for tailored suits and rides his scooter as part of the London Mod scene.

Based on the 1973 rock opera album of the same name by The Who, this is the story of 60s teenager Jimmy. At work he slaves in a dead-end job. While after, he shops for tailored suits and rides his scooter as part of the London Mod scene.

Based on the 1973 rock opera album of the same name by The Who, this is the story of 60s teenager Jimmy. At work he slaves in a dead-end job. While after, he shops for tailored suits and rides his scooter as part of the London Mod scene.