Anne Etheridge

Emmanuelle, the heavenly spirit of Love, explores her girlfriends' relationships.

An aging widower and a duck encounter helpful and hostile characters as they search for a place and a reason to live.

Back from a tour of duty, Kelli struggles to find her place in her family and the rust-belt town she no longer recognizes.

When a car crash leaves Frannie immobilized, she is brushed off by everyone she can count on. With nowhere else to turn and desperate for help, she turns to an unlikely source, her ex Devon.

She started as a fashion model, and lived in Paris, Milan & New York. Her beauty has been captured by the world's top photographers for Vogue, Elle, Harpers Bazaar, and others. She appeared in commercials and now walks regularly the catwalk of the world's most prestigious fashion shows. She immediately identified with the character of Emmanuelle. The beautiful, gracious and sensual woman who projects peace and love on everyone that she encounters. She takes on the role of a confidant and uses her knowledge of love and sensuality to bring peace and understanding to others. With the help of Emmanuelle, a late night radio talk show host opens herself up to the sexual possibilities with a secret admirer.

Emmanuelle is haunted by a seemingly spectral poet, who awakens within her lust for life. As she pursues this vision of artistic beauty, her friends become afraid that Emmanuelle is losing her mind. No one could be prepared that the answer to who that poet holds the answer to so much more.

19 year old Linnéa leaves her small town in Sweden and heads for Los Angeles with the aim of becoming the world's next big porn star, but the road to her goal turns out to be bumpier than she imagined.

Shari Lewis was a dancer, singer, and magician but is best known as the ventriloquist behind sock puppets Charlie Horse, Hush Puppy and, of course, Lamb Chop. This lively doc charts the life, loves, and career hits and misses of this spunky perfectionist, who forever changed the face of children’s television.

Feature documentary about humor and the Holocaust, examining whether it is ever acceptable to use humor in connection with a tragedy of that scale, and the implications for other seemingly off-limits topics in a society that prizes free speech.

Feature documentary about humor and the Holocaust, examining whether it is ever acceptable to use humor in connection with a tragedy of that scale, and the implications for other seemingly off-limits topics in a society that prizes free speech.

The annual Student Body President election at wildly eclectic and diverse West Beach High pits the quirky, much-beloved incumbent Sissy Frenchfry against handsome, charismatic -- and socially intolerant -- transfer student Bodey McDodey, who enacts a devious plan to restore the "status quo."

When a bachelorette party at Emmanuelle's house is interrupted by a mysterious loner, strange things begin to happen. The party guests start changing one by one into blood-sucking sexual predators with only Emmanuelle to tame the situation. Will she save her friends or will she fall under the spell of the Prince of Darkness?

Beautiful aspiring rock star Jude is stuck in a rut - relegated to recording commercial jingles and lost in a series of one night stands. When she is evicted from her Brooklyn apartment, she is forced to move into the Hamptons home of her wealthy - and selfish - father Paul Lombard, an over-the-hill, Sinatra-esque crooner angling for a musical comeback.

In 2012 Dalya and her mother Rudayna fled Aleppo for Los Angeles as war took over. Months before, Rudayna learns a secret that destroys her marriage, leaving her single at midlife. Arriving in LA, Dalya enrolls as the only Muslim at Holy Family Catholic High School. Can mother and daughter remake themselves while holding on to their Islamic traditions?

Based on a true story of two brothers in 1970's Ohio. It tells of their abandonment by their alcoholic parents and how the brothers turned to each other for support.

A Boy Named Sue chronicles the transformation of a transsexual named Theo from a woman to a man over the course of six years. Following Theo's physiological and psychological changes during the process, as well as their effects on his lesbian lover and community of close friends, A Boy Named Sue tells a story about gender identity, relationships, and how even things that seem permanent can change.

In Southeastern Ohio, April works in a scrap yard. Daphany waits for customers in a fast food window. Lee spends the day waiting for school to be over. But the local circus school offers a departure from daily tedium and checked-out adults

The slice-of-life story of how an exterminator attempts to connect with his clients and the consequences of these connections.

A girl flees a makeshift tent city. A man finds a trombone. A worker watches the ocean from under a moving house, while its owner gazes at the view from her shifting living room. In ten very short stories, residents of the destroyed Mississippi Gulf Coast act out atmospheric scenes of everyday life and the relentlessness of labor in their extreme landscape.

Old friends of Emmanuelle’s visit her at the haunted villa she has rented for the summer. After holding a séance, the ghosts of the previous owner and his mistresses begin to possess the group, and open them up to the possibilities of love that lies dormant in the group.

Emmanuelle is training a talented artist in the art of understanding and portraying female sexuality.

High-powered attorney Jesse is being stalked by an ex-convict. She goes to see Emmanuelle for physical and emotional support.

Day Is Done is a carnivalesque opus, a genre-smashing epic in which vampires, dancing goths, hillbillies, mimes and demons come together in a kind of subversive musical theater/variety revue. Running over two-and-a-half hours, this riotous theatrical spectacle unfolds as a series of episodes that form a loose, fractured narrative. The video comprises parts 2 through 32 of Kelley's multi-faceted project Extracurricular Activity Projective Reconstructions, in which trauma, abuse and repressed memory are refracted through personal and mass-cultural experience. The source material is a series of high school yearbook photographs of "extracurricular activities," specifically those that represent what Kelley has termed "socially accepted rituals of deviance." Kelley then stages video narratives around these found images.