Pauline Acquart

Set during a sultry summer in a French suburb, Marie is desperate to join the local pool's synchronized swimming team, but is her interest solely for the sake of sport or for a chance to get close to Floriane, the bad girl of the team? Sciamma, and the two leads, capture the uncertainty of teenage sexuality with a sympathetic eye in this delicate drama of the angst of coming-of-age.

With her baccalauréat under her belt, Audrey decides to continue her studies at Rennes university. She leaves the family nest, her best friend since childhood, and her boyfriend. Her new roommate introduces Audrey to political activism. From disillusions to difficulties, Audrey crosses paths with the young members of GRAL, a squatter group, who propose a different way of living and offer a new vision of the world. She decides to join them, becoming increasingly radical in the process.

Priests and educational institutions try to put an end to a forbidden love between a 16-year-old student and his 40-year-old teacher.

Maglone and Juliette are 19. After graduating from high school, Juliette has decided to study the visual arts. She has made new friends whom she invited to her cottage in Normandy in order to introduce them to Maglone. “Juliette and I have known each other since the sixth grade. I don't know her squad, but... are my friend's friends also mine?”

The story revolves around 22-year-old Laure, who is trying to find her feet. After performing brilliantly in her literature studies, she enrols as a communications officer in the Naval Fusiliers. She will quickly have to adapt to and assimilate the rules that apply within the institution. But Laure is a determined woman, and she has a thirst for knowledge – still. A thirst to learn to get to know and be comfortable with herself, and to find her place.

Women and men are lost in their thoughts at random hours of the day and streets of the city. From this sudden intimacy, the murmurs of their little inner voice let us hear the anxieties of love.

They’re all nuts. Her parents, who want to send her off to boarding school. Her new teacher, who expects her to read impossibly old books. Her fellow band members, who make her sing ridiculous lyrics and dress her up in a frilly white dress for their first show. Everyone seems to know what she should do and how she should act. And it’s not like 13-year-old Aurore has any fundamental problem with changing herself either. Who would want to be like this: unhappy, ugly and emotionally withdrawn? But the others don’t seem all that much happier to her either. She definitely doesn’t ever want to be as old, rundown and lonely as her mother. And so she prefers to stay the way she is, to observe and make her biting comments on whatever comes her way.

In 1430, Joan of Arc, the prisoner of a powerful lord of the north of France is sold to the English. As a captive awaiting her death, she is approached by different men for whom she is believed to be the embodiment of the infinite.

After studying in Paris, the young doctor François moves to Beauval, where single-family houses are lined up monotonously. He quickly becomes the focus of a group of young people, led by the charismatic Cédric and Matthieu, his assistant. The gang tries to escape their boredom with dangerous games at the edge of the forest. But things become bitterly serious when the body of a twelve-year-old girl is found and François is suspected.

What was there to see? A teenager stuck in her day-to-day life. Coffee after classes. Her best friend. A boy. An evening to dance. A family meal. A clear morning. The eternal beginning. What was there to see? A suicide. Almost nothing