Veena

An unemployed young man (Jeetendra) takes a job to tutor unruly grandkids of Rai Sahab (Pran) and brings out respect, appreciation and hard work hidden deep inside them.

The film follows Humayun’s rise to the throne, his struggles to maintain the empire, and his conflicts with rivals—especially Sher Shah Suri, who defeats him and forces him into exile. Amid political upheaval and personal loss, the story also explores Humayun’s relationships, particularly with his noble wife Hamida Banu. Eventually, with Persian support, he regains his empire, but his triumph is short-lived, as his reign ends with a fatal accident.

Aashirwad is a 1968 Bollywood film. Produced by N.C. Sippy and Hrishikesh Mukherjee, it is directed by Hrishikesh Mukherjee. The film stars Ashok Kumar and Sanjeev Kumar.

The year is 1942 and Advocate M.L. Gupta lives a wealthy lifestyle along with his wife, Maya, in Churchgate, Bombay. One day he travels to Calcutta, and during an air raid by Japanese fighter aircraft, takes shelter with a prostitute, Panna, who drugs and then seduces him. The next day Gupta returns home and decides to forget about this affair. Shortly thereafter he and Maya become parents of a male child and name him Johar.

1956 bollywood film

When a CID inspector infiltrates a smuggling ring he discovers that his ex-girlfriend is involved.

A film based on Maharashtra's beloved king, Raja Shiv Chhatrapati's life.

While returning home via train, Purnima gets sexually assaulted by a stranger, keeps it to herself, but her parents eventually find out and the shock kills her dad. Since it was too late to abort the baby boy, her mother gives it away to a stranger. Purnima gets married to her sweetheart, Vijay, a Chief Engineer, but ironically the very same child ends up in their care, and they name him Rajan. Years later, Purnima gives birth to Aman. The two boys grow up, siblings rivalry prevails to such an extent that eventually they end up falling in love with the same woman, Meena. Things keep on getting complicated so much so that a member of their family ends up getting killed, and another getting arrested.

Kulwant Rai's horse carriage runs over a child, and as a result, she loses her vision.

A drama set in a Muslim family. Safhar's inheritance is lost, thanks to his sister-in-law, but he is still expected to complete his late father's work of building a mosque. If he cannot complete the work, then Salim must take over, but he goes off to fight in the Balkans, leaving the sister-in- law's orphaned daughter to complete the task. In doing so, she will lose her freedom, so she has a difficult decision to make.

A story of a revenge taken by Vir Singh in greediness to get the throne of his brother, who was the real king.

A beautiful courtesan is unable to break away from the cycle of prostitution until a forest ranger falls in love with her. Unfortunately, his wealthy parents oppose the union.

In this classic drama, bachelor Prem (Suresh) enjoys a good life, with a successful business and a loving family. But when he marries the manipulative Ratan (Nishi), his once-blissful existence becomes fraught with tension. Ratan drives a wedge between Prem and his brother, Gurmukh (Prithviraj Kapoor), and tries to destroy Gurmukh's relationship with his wife, Channi (Vimi). Will Channi's strong Sikh faith be enough to restore peace to the family?

After his father’s death, Navendu devotes his life to raising his step-siblings and honoring his promise to care for his stepmother. However, as the siblings reach adulthood, the family bond is tested. Each must choose between the Road of Sacrifice and the Road of Selfishness, leading to a dramatic conflict between duty and personal greed.

Najma is a 1943 Indian film directed by Mehboob Khan and starring Ashok Kumar and Veena. The film's music is by Rafiq Ghaznavi with lyrics by Anjum Pilibhiti. Najma was the first film under Mehboob Khan's Mehboob Productions banner. Due to its financial success upon release, the film became a blueprint for Muslim socials that followed.

Kunwar Vijay Singh is found murdered and and from that time on a mysterious light can seen in a nearby fort while in the forest the haunting moan of an unknown woman is heard.

Ratan and Chaman are twins brothers who love the same girl, Meera. During a fair, all three are separated. While Chaman and Meera are found, Ratan is untraceable. Years later, Chaman is no longer attracted to Meera, but in a dancing girl named Rasily, while Meera awaits word of her childhood sweetheart Ratan, who she feels is still alive. Then the unexpected happens, Chaman gets into a fight with another man, killing him, and is on the run from the police. Misunderstandings are clarified, and the law declares this to be an accidental death, and as a result Chaman returns. But this is not the same Chaman any more. For one thing, he has lost interest in Rasily, and is more interested in Meera - could it be that Ratan has returned in place of Chaman? If so, what has happened to Chaman?

Indira (Suraiya) is an orphan brought up the strict and uprighteous Rani (Veena). Indira grows up to be a beauty and is sought by three suitors Raj (Raj Kapoor), Kundan (Al Nasir), and Ramesh (Suresh). Rani does not like Indira to marry into her family as both Raj and Kundan are her brothers, and she wants Indira to marry Ramesh, and as such arranges a meeting with Ramesh's mom (Pratima Devi) and finalizes the marriage. Indira does not appreciate this and refuses to marry Ramesh. Raj speaks of his love with Rani, and Rani warns him that Indira is to marry Ramesh, but also has an on-going affair with his brother Kundan. Who does Indira really love? Will she ever marry her dream man?

The film tells, in flashback, the story of Suresh Sinha, a famous film director and his relationship with an aspiring actress.

Shyama is an orphaned young woman who lives with her aunt, uncle and several cousins, two of who are girls of marriageable age. Her passion is dancing, which is frowned upon by her uncle and aunt. One day she, along with a young man named Gopal, go to see the dance by an international artiste named Veena. They ask Veena and her mentor, Dinanath, for help but are shunned and asked to leave. Crestfallen, she returns home and sleeps outside the door as it was very late. The next day her aunt finds out about her overnight excursion and beats her up severely, followed by another beating by her uncle. Humiliated, she decides to run away with Gopal to another town in order to learn dancing at the hands of well-known Guru Kishinchand Sharma. They do find Kishin, who initially rejects them, but relents when he witnesses Shyama abilities.

Dr. Ravi returns from abroad and takes up position as Chief Surgeon in a hospital. He then meets with Nurse Shanti, who lives an impoverished lifestyle with her ailing mother, and decides to perform surgery, but she passes away, and a guilt-ridden Ravi marries Shanti much to the chagrin of his mentor, Kaka, who had hoped that he would marry his daughter, Rajni. The couple then travel to Kashmir for their honey-moon, and then settle down to a harmonious relationship. Hoping to travel even more, their plans are interrupted by the hospital's head doctor, who wants Ravi to focus on cancer research. The couple drop all travel plans and immerse themselves in research so much so that Shanti herself becomes ill.

Halaku (Pran), the powerful emperor of Iran, rules the country wisely and with an iron hand. When he comes upon one of his subjects, Niloufer (Meena Kumari), he stakes his claim on her and wants her to be his wife, despite of his wife (Minoo Mumtaz), who opposes his marriage plans. Niloufer, who loves Pervez (Ajit), refuses to submit to Halaku, he turns his wrath on both Niloufer, Pervez, and his wife. Will Niloufer and Pervez survive the ruthless Halaku?

In this musical melodrama from 1972, optimistic and determined truck driver Shehzada (Rajesh Khanna) sets out to prove that his mother deserves to be accepted back into the wealthy family that drove her away decades ago. With help from his soon-to-be wife, Chanda (Rakhee Gulzar), Shehzada embarks on a mission to reverse his maternal grandmother's cruel decision to disown her own daughter. Karan Dewan, Madan Puri and Pandharibai co-star.

A young woman (Zeenat Aman), who grows up in the wild, knows the secret of a lost treasure, and is also the heir to the throne. She meets with a young man (Rajesh Khanna) and both fall in love. Then the people find out that she actually is the heir to the throne, so she re-locates to the palace. Once there, she is brainwashed into forgetting who she is, and the man she loves. Notable song: "Pyar me nazar churai nahin jati, apno se koi baat chupai nahin jati, dilbar janam janam, janam janam...";

Rajendra makes a meager existence supporting his younger brother and sister and vows not to marry until they have settled. However, when his sister loses her sight, his grand plan is threatened.

Raj is wealthy and a womanizer and his lifelong friend Goldie is a self made pop singer. Goldie tries to make Raj realize that women are not mere objects of desire, but with no results. Raj...

In the year 1856, Nawab Wajid Ali Shah is the King of Awadh, one of the last independent kingdoms of India. The British intend to control this rich land and send General Outram to clear way for an annexation. Pressure is mounting amidst intrigue and political maneuvers, but the Nawab whiles away his time in pursuit of pleasure and religious practice. The court is of no help either — noblemen Mir and Mirza ignore all duties and spend their days playing endless games of chess.

An Indian ruler struggles to rescue her family and liberate her land from the British.

Story of Military commitment by a military wife, Shobha (Calcutta, 1942) played by Nirupa Roy, who in spite of losing her husband to the Air Force and World War 2, despite hardships, carrying the family legacy forward, educates her only son Deepak (played by Biswajeet) to join the Air Force. Deepak also shows firm commitment to his vocation and legacy when forced into taking a decision to choose between his lady love, Preeti (played by Rajshree) and his Air Force Service, by Preeti's parents who fear that Air Force service will endanger his life. Preeti too, opts to serve the Red Cross so that she could be with Deepak.

Three woman-hating brothers face changes in their respective lifestyles when two of them fall in love.

Based on the historical legend, this commercially successful film delves into the context of why Mughal emperor Shah Jahan built the Taj Mahal in fond remembrance of his wife, Mumtaz Mahal.

Due to a growing marital rift between Jamuna and her husband, she decides to leave him. He does not permit her to take their son, so she arranges his abduction, and disappears from her husband's life. Years later, Jamuna's son, Mohan, has grown up, and together they live a middle-class existence. One day, Mohan meets with Mona and both are attracted to each other. But Mona's guardian would like her to marry Biharilal alias Difu, who is foreign returned and comes from a very wealthy family. Mona and her friends embark on a trip to Srinagar, and Mohan follows her there. Then Jamuna's overjoyed husband announces the return of his son, Mohan, back to his household.

Based on Umrao Jaan Ada by Mirza Hadi Ruswa.

M. Sadiq’s drama about a professional hunter who aims to locate a beautiful young girl. Starring Johnny Walker, Shyama, Jeevan, Veena and Dhumal. In Hindi with English subtitles.

Prakash (Sailesh Kumar) is in love with Kamini (Sonia Sahni), but due to his being from a poor family, Kamini's father is against their marriage. Prakash's best friend, Mohan (Jagdeep), vows to help the couple and while the duo are travelling to the hill station that Kamini and her father are visiting, they meet with an accident and Mohan dies. When Prakash arrives at the hill station he is shocked to find Mohan alive and well and romancing Kamini. Confused and distraught, he confronts Kamini's father with this news. The father attacks Mohan and, in self defense, kills him. Prakash and the father then travel to Mohan's home to break the news to the boy's mother...and find Mohan, once again, alive and well.

Heer Raanjha is a 1970 Indian Hindi-language romantic musical film directed by Chetan Anand. It stars Raaj Kumar and Priya Rajvansh and tells the tragic love story of Heer, a wealthy girl, and Ranjha, who has been banished by his family. The film is often referred to as a Punjabi version of "Romeo and Juliet.

Noor Jahan, the empress of the Mughal empire, becomes the favourite wife of Emperor Jahangir and steadily begins to exert more influence on the throne through her love for him.

An unemployed graduate uses his charm to help a blind beggar. He then falls for a rich heiress and convinces her industrialist father to open a factory for the poor. It's a success, but a jealous fiancé tries to shut it all down and frame our hero. Can truth prevail and save the struggling community from returning to poverty?

A tragic Muslim social drama. It tells the story of two close Pathan families torn apart when Motilal, initially engaged to Veena, falls for and demands to marry her cousin and best friend, Munawar Sultana, after seeing her by chance. This sudden change of heart creates a deep and painful rift between the once inseparable families.

Aasra revolves around the life of Chanda (Sardar Akhtar), a sweet girl, who runs away from her house after her forcefully arrangement of marriage and meets with Chandan (Amar), a kind man in train and pretends to be married and worked in a Hotel. However, she meets with him again to save her life from an evil man and he pretends to be her husband. But they fell in love after an accident and this causes chaos and complications leading to consequences.

Radha is deeply devoted to Lord Gopal and spends her days in worship and spiritual pursuit. Her beauty and piety attract the attention of the Jagirdar, a powerful and wealthy man, who desires to marry her. However, Rasha is uninterested in worldly attachments and seeks only spiritual fulfillment.

Centering on the institution of marriage, this gripping family drama explores the turmoil faced by a woman whose very existence is challenged by deceit and betrayal, forcing her to fight for her honor and her rightful place as a true Wife (Biwi).