Eduardo Moreira

A boy is left alone in a Jewish neighborhood in the year of 1970, where both world cup and dictatorship happen in Brazil.

The countryside of Rio Grande do Sul, and high-school student, Daniel, spends a normal adolescence life with his family, studying, riding his bicycle, playing games on the Internet and expecting one day to move to the big city of Porto Alegre. Daniel has a crush on his girlfriend Mim, who has just broken up with him but is still his friend, and his best friend, Lucas, is one of the best students in São Lucas High-School. Daniel is the son of Elaine and the photographer Daniel, who left Elaine when she was pregnant and moved alone to Thailand. Daniel is raised by Elaine and his stepfather Antônio, and shares a house with his half-sister, Maria Clara. One day, Daniel receives a letter from his biological father, who has malaria, and he is reluctant to open the envelope.

Mesmerized by the image of an active volcano on the other side of the world, a woman sets out to meet her fury. On the way, without being able to return, she finds herself in an extraordinary pregnancy, starting the account of the journey that gives shape to this play-film, a journey between theater and cinema inspired by the narratives of fantastic realism.

Zezé is an 8 year old boy who, although a naughty boy, has a good heart. He leads a very modest life, due to the fact that his father has been unemployed for a long time, and has the habit of having long conversations with a sweet orange tree which is in his backyard. Until one day he meets Portuga, a man who begins to help him and soon becomes his best friend.

Sylvia and Lúcio have decided to separate after twelve years of living together. The last night under the same roof is marked by memories, accusations and revelations that will change their lives.

In São Paulo, in the late 1960s, the convent of the Dominican friars became a trench of resistance to the military dictatorship that governs Brazil. Moved by Christian ideals, frets Betto, Oswaldo, Fernando, Ivo and Tito came to support the guerrilla group Ação Libertadora Nacional, commanded by Carlos Marighella.

Thiago lives with his family on an isolated farm in the arid backlands of Minas Gerais, Brazil. As the story unfolds and Thiago is forced to confront separations and betrayal within the home, Thiago begins, little by little, to see and understand a place that he had never been able to before, thus slowly letting go of his innocence.

Brazil, 18th century. The colony of Portugal endures a decline in gold production. A Portuguese minority rules over a corrupt and autocratic society. Joaquim is an efficient soldier, famous for capturing gold smugglers. While waiting for his promotion to Lieutenant, he leaves for a risky mission in search of new gold mines - the only way to buy the freedom of Blackie, a slave he is in love with. Inspired by the true story of Tiradentes, the first leader of the Brazilian revolutionary movement.

In order to take a new job as an employee in the public sanitation department, Juliana moves from the inner city of Itaúna to the metropolitan town of Contagem in Brazil. While waiting for her husband to join her, she adapts to her new life, meeting people and discovering new horizons, trying to overcome her past.

Grupo Galpão’s Romeu e Julieta (1992), directed by Gabriel Villela, is an intercultural adaptation of Shakespeare’s Romeo and Juliet, a production that intentionally draws on a range of popular practices such as street theatre, circus performance and the tradition of the commedia dell’arte, as well as on elements from the cultural imaginary of Minas Gerais in southeast Brazil.

A young girl of 13 lives with her mother on an isolated property. They are awaiting the return of their father and husband. But instead, another man appears, transforming the relationship between the mother and daughter. Based on two short stories by Brazilian poet Hilda Hilst.

William Shakespeare's classic tale of impossible love between two young people from rival families, adapted to the context of Brazilian popular culture by director Gabriel Villela. Considered a milestone in the history of Grupo Galpão and one of the most significant plays in Brazilian theater in the 1990s.

As he does every single day, Elon goes to meet his wife at her workplace, but she is not there. He doesn’t find her at home as well, so he starts to retrace the path Madalena makes daily. In the morning after, Elon goes to the police station and files a report, runs into hospitals, morgues. Alone, he wanders through a metropolis, searching for news about the sudden and mysterious disappearance of his wife.

Manfredo seeks out a psychiatrist. The doctor insists on knowing his past, but there is something that Manfredo doesn't want to reveal and he abandons treatment. Dr. Pink starts to chase Manfredo and his life turns into hell.

The couple Laura and Israël have a five-year-old son, Lucas. They live together but seem to have lost interest in one another's thoughts and cares. Their relationship seems headed for the rocks, and the only one who seems to still be looking for something from life is Lucas.

With the world in suspension Dante meets Ava, a woman who offers him her affection to facilitate his crossing over to the other side.

Continuing the exploration of the thin line between truth and performance, Eduardo Coutinho turns his attention to the drama generated during rehearsals for the Galpão Theater Company’s performance of Chekov’s The Three Sisters. As he shoots scenes from the play, Coutinho attempts to capture the very moment in which reality becomes fiction and vice versa—whether through the actors’ bodies and words or in backstage scenes of a performance that will exist only on film.