Lorena Vega

Working during the pandemic between Norway and Argentina, a filmmaker investigates a mystery involving a cursed island, a missing writer, and a strange Antarctic fever.

A woman finds new meaning in her life after her housekeeper quits her job.

Clara and Alejandra await a person that never arrives. Between the ups and downs of discovering the reason for the wait, we are plunged into the universe of their relationship, blurring the boundaries between fiction and reality and getting carried away by the theatricality of everyday life.

The earthquake in the city of San Juan, in January 1944, is the origin of the love story between Juan Domingo Perón (Osmar Nunez) and Eva Duarte (Julieta Diaz). He was a colonel in the Army and she was a popular radio actress. Eva collaborates with other artists in the collection organized by Peron, from the Secretary of Workr, to raise funds for earthquake victims. Neither then imagine what the future holds them.

Forty-nine days after George’s death his wife, Alicia, calls friends who wanted to read over the letter that he left before he died. It is a very affectionate and moving letter, which addresses each of those present, knowing that his death is near. Little do they know that they are part of a ritual prepared by Alicia, with the connivance of Santiago, the closest friend of George, to bring him back to life – and that ritual, full of ghostly apparitions, traumatic and terrifying, will be gaining further life from each of the guests. The surprising twists in the plot will lead up to the most unexpected of endings.

Movie adaptation of Leonardo Oyola's novel, which tells the story of the legendary DC comics superhero, Superman, if he, instead of falling in Smallville from Krypton, would have landed in the heart of Isidro Casanova, in La Matanza, deep in the west side of Buenos Aires.

Lorena, Federico and Sergio are siblings who perform a play in which they evoke their dead father's printing workshop, a place to which they cannot return. With the arrival of the pandemic, they can no longer perform either, and have to invent another way to continue telling their family story.

Jorge and Alberto are two wizards in Buenos Aires. One works as an assistant in a courthouse, while another is pining for his magical glory days. During their weekly ritual, they discover that Saturn has turned, which mostly means much mayhem and doom. They are proven right, when Argentina’s president storms in and asks Jorge and Alberto to save her daughter from the clutches of Judge Fayo, a man who wants to achieve the triumph of neoliberalism. During their search for the girl, Jorge and Alberto will have to deal with demons from another dimension. And that all before midnight! Time to dust off their magic tricks, because the fate of the world is at stake!

When their dad unexpectedly dies, two estranged sisters are brought together when they find his stash of millions behind a wall. But should they keep it?

A 35 year old woman goes back to her hometown after 15 years. Some secrets will be unburied which will bring on the inevitable.

Documentary about the prehistory of the paramilitary organization Triple A, which operated in Argentina during the 1970s. The film becomes a dirty, violent, and over-the-top crime thriller that delves into the organization's formation and reflects on how Argentines tell their own stories.

After a long period of absence, Rina returns to her island deep in the Tigre river Delta. There she spent a large part of her life and raised her son. Now she wants to recover her home and return there with Facundo, who also left the island. Both, mother and son, will learn that nothing is like it was. Machines on the river are about to destroy everything. A girl is lost in the forest. The water is rising.

Film in two cities divided by one river: Buenos Aires, Montevideo. Two cities divided by one story: the death of Francisco. One death divided in two parts: an investigation, an escape.

La Paz is the story of Liso, a young man who emerges from a psychiatric institution and tries to re-adapt to daily life in the universe of his middle class family and neighborhood. Though everything seems difficult, under the surface and very subtly things start to change for him.

Leon, Flavia’s partner for eight years, has died. As Flavia mourns her loss, she is also confused, overwhelmed by daily tasks and situations which make her feel fragile and incomplete. Her very life is an unknown. Lucia, Leon’s daughter by his former wife, barges into Flavia’s life in search of the father gure who is no longer around. Her encounters with the child confront her with her own doubts and desire of being a mother. Flavia will have to resign herself to the fact that a life project has ended, and learn to find a new one.

Emilia is a young psychiatrist living in Buenos Aires with her boyfriend. She has a steady life but is not fully satisfied. She receives an invitation to go back to her hometown in Patagonia to spread Andrea's ashes, Emilia's best friend who died five years earlier.

Along one day, powerful Argentine Federal Judge Alberto Franccioni receives at his house different people from his inner circle asking for advice and council, typing their lives and grouping in power.

Sara discovers that agrochemicals sprayed by her neighbor for soy cultivation poisoned her daughter. The treatment compels them to travel to Buenos Aires. To get money for it, Sara devotes herself to drug trafficking. This becomes a threat to her freedom and the safety of her children.

Marcos is an experienced nurse. He works in the night shift of a provincial private clinic. He is applied and professional but has a secret: in some extreme cases he applies euthanasia. He'll soon meet someone that knows what he's doing.

A couple of thirty-somethings struggling with life, marriage, work, a kid and a new bought house outside the city.

While evil forces descend on Argentina, humanity’s best hope, a once-legendary shaman is confined to an insane asylum, powerless to avert the demonic resurrection.

With her girlfriend lying comatose in the hospital, after having found her lifeless body in the bathtub, Clara starts the path of physical and psychological transformation with the goal of possessing her girlfriend again in some way.

Four interconnected stories reveal the beginning and evolution of a zombie apocalypse in Buenos Aires. Through the eyes of different characters, we experience the initial confusion, the uncontrolled chaos, and the struggle for survival in a devastated world.

When Dario Roitman returns from the U.S. to Argentina for a family wedding and Bat Mitzvah, he anticipates the usual family drama. But his carefully laid plans for a family reunion are suddenly upended when he learns, just hours before his flight, that his father has passed away. As the Roitmans gather for the funeral, old wounds resurface and longstanding tensions reach a boiling point. Despite the emotional turmoil, Dario remains determined to celebrate both the wedding and Bat Mitzvah, even if it means challenging tradition and risking further discord. Navigating grief, sibling rivalry, and delightfully eccentric grudges, the Roitmans reveal the messy yet enduring love of family.

Within the framework of an office, a typical presenter shows us -on the one hand- the dramatizations and "scientific" foundations while -on the other- the fantasies and actions of its protagonists escape the genre, revealing an absurd story of power and concealment.

Lorena, Federico and Sergio are siblings who perform a play in which they evoke their dead father's printing workshop, a place to which they cannot return. With the arrival of the pandemic, they can no longer perform either, and have to invent another way to continue telling their family story.

Lorena, Federico and Sergio are siblings who perform a play in which they evoke their dead father's printing workshop, a place to which they cannot return. With the arrival of the pandemic, they can no longer perform either, and have to invent another way to continue telling their family story.

Lorena, Federico and Sergio are siblings who perform a play in which they evoke their dead father's printing workshop, a place to which they cannot return. With the arrival of the pandemic, they can no longer perform either, and have to invent another way to continue telling their family story.

Clara and Alejandra await a person that never arrives. Between the ups and downs of discovering the reason for the wait, we are plunged into the universe of their relationship, blurring the boundaries between fiction and reality and getting carried away by the theatricality of everyday life.