Marius Dybwad Brandrud

We were at it for seven years. My mother and I. Trying to make the perfect image of me.

Concert film documenting The Knife, taken from the April 12, 2006 concert at the Trädgår'n, Gothenburg, Sweden, in their Silent Shout tour.

"My mother is spending all her time with her dying father. I’m spending all my time filming her. As the end is getting closer, my mother and I start doing the filming more and more together. It becomes our way of dealing with the time we have left." —Marius Dybwad Brandrud

"My mother is spending all her time with her dying father. I’m spending all my time filming her. As the end is getting closer, my mother and I start doing the filming more and more together. It becomes our way of dealing with the time we have left." —Marius Dybwad Brandrud

In several unrelated stories, the consequences of putting one's foot down – or failing to do so – are explored.

"My mother is spending all her time with her dying father. I’m spending all my time filming her. As the end is getting closer, my mother and I start doing the filming more and more together. It becomes our way of dealing with the time we have left." —Marius Dybwad Brandrud

We were at it for seven years. My mother and I. Trying to make the perfect image of me.

fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.

fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.

fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.

Artist Fia-Stina Sandlund and actor Alexandra Dahlstroem are to give a performance at the Venice Biennale. Dahlstroem, in character as Julie, will answer questions about Sandlund's upcoming feature, a feminist reinterpretation of the famous August Strindberg play Miss Julie. This is Dahsltroem's audition.

Artist Fia-Stina Sandlund and actor Alexandra Dahlstroem are to give a performance at the Venice Biennale. Dahlstroem, in character as Julie, will answer questions about Sandlund's upcoming feature, a feminist reinterpretation of the famous August Strindberg play Miss Julie. This is Dahsltroem's audition.

Artist Fia-Stina Sandlund and actor Alexandra Dahlstroem are to give a performance at the Venice Biennale. Dahlstroem, in character as Julie, will answer questions about Sandlund's upcoming feature, a feminist reinterpretation of the famous August Strindberg play Miss Julie. This is Dahsltroem's audition.

Rehearsals is about experiences of listening in collective work. How do we listen to experiences we have not shared ourselves? What does it sound like when we talk? What actually is listening and who are "we"?

Rehearsals is about experiences of listening in collective work. How do we listen to experiences we have not shared ourselves? What does it sound like when we talk? What actually is listening and who are "we"?

Rehearsals is about experiences of listening in collective work. How do we listen to experiences we have not shared ourselves? What does it sound like when we talk? What actually is listening and who are "we"?

Eddy and Ylva have invited Björn and Lene to spend a perfect weekend in their cabin in the woods, but the vacation become disrupted by primitive creatures known as tree-cutters.

Incident by a bank is a detailed account of a failed bank robbery: A single take where over 90 people perform a meticulous choreography for the camera. The film recreates an actual event that took place in Stockholm in June 2006.

The artist Tova Mozard places herself, her mother and grandmother on the Royal Dramatic Theatre's main stage. In a therapy similar staging stories accidentally and unavoidably passes between generations, between mother and daughter.

The artist Tova Mozard places herself, her mother and grandmother on the Royal Dramatic Theatre's main stage. In a therapy similar staging stories accidentally and unavoidably passes between generations, between mother and daughter.

In central Gothenburg, Sweden, a group of boys, aged 12-14, robbed other children on about 40 occasions between 2006 and 2008. The thieves used an elaborate scheme called the 'little brother number' or 'brother trick', involving advanced role-play and gang rhetoric rather than physical violence.

We were at it for seven years. My mother and I. Trying to make the perfect image of me.

We were at it for seven years. My mother and I. Trying to make the perfect image of me.

We were at it for seven years. My mother and I. Trying to make the perfect image of me.

Concert film documenting The Knife, taken from the April 12, 2006 concert at the Trädgår'n, Gothenburg, Sweden, in their Silent Shout tour.

Concert film documenting The Knife, taken from the April 12, 2006 concert at the Trädgår'n, Gothenburg, Sweden, in their Silent Shout tour.