Erik Mørk

Just after World War II, an American takes a railway job in Germany, but finds his position politically sensitive with various people trying to use him.

A Chinese diplomat is kidnapped from a conference in Genève and the world peace is at risk. The trail leads to a hiding place in Denmark and the Danish secret service brings in their best agent, agent Smith, who has been in a psychiatric hospital since his last assignment. To accompany Smith they once again turn to novelty and party tricks salesman Frede Hansen, because they need an unrecognizable man to infiltrate the crime syndicate behind the kidnapping.

An unreliable lover of women and a hunchbacked clockmaker are suspected of killing a beautiful woman. Only one of them has done it, but whom?

Maria grows up in a seedy 1960s working class neighborhood, the daughter of an ambitious emigrant father and soon caught up in her own dangerously one track-minded pursuit of a violinist's career. A rich gallery of highly original characters contribute, for better and for worse, to Maria's coming of age. Based on Kirsten Thorup's critically acclaimed 1982 novel, filmed by Morten Arnfred.

The young and beautiful Laura Heiberg is to marry Torsten Vinge. When the priest asks if she will marry him, she says no. She flees from the church and gets a lift from Jonas Møller. He is heading north along the coast. At the 42 km marker in the forest, she asks to be dropped off. She follows a telephone wire to see where it ends. She finds a beautiful house in the forest. It looks uninhabited, but the door is open, so she goes inside. No one responds to her calls. She sends a telegram to an old flame, Herbert Thorsen, asking him to fetch some clothes from home and bring them to her. At the same time, she tells him that she did not get married after all. She finds a book called "What Do You Know About Yourself" written by Allan Krogh. She takes it out onto the terrace to read.

Ersilla arrives almost lifeless when she seeks out the famous writer Ludovico Nota at his boarding house. It quickly becomes apparent that she has turned to prostitution in despair after her fiancé Franco cheated on her.

A dangerous prison escaper, a young Jutland woman, and a bank clerk, who has just deprived his employer of some cash and is now headed abroad, meet on a lyntog (literally "lightning train") from Arhus to Copenhagen.

Based upon the novel "Hærværk" by Tom Kristensen about the self destructive person. The literary reviewer Ole Jastrau chooses to free himself from his well-ordered middle class life. He allow the seriously left-wing writer Steffensen move in with himself which soon causes disintegration of his home an marriage.

The year is 1630. A young woman in Laupstad comes to a small mountain village. She witnesses a woman being hunted and captured.

The film shows Kronborg as it must have looked to Shakespeare when he visited the castle, if indeed he did, three centuries ago. The filmmakers run with the idea of Shakespeare visiting Hamlet’s Castle and give it filmic expression. The past returns as King Frederik II and his court gather…

Audun’s son is killed in an accident while the mother is in bed with her lover. Ten years later is Audun on the road living as a salesman and on the lone women that he meet and steal money from.

Bergman took one of his favourite plays to Copenhagen for a guest performance, which was even broadcast on Danish TV. In his Copenhagen The Misanthrope, Bergman maintained a dual approach. On the one hand, a production of Molière's play as a theatrical game performed in style and intellectually conceived; on the other hand, an exposure, through physical and psychological intensity, of the emotional tragedy in which Alceste and Celemine are both victims. Expectations were high prior to Bergman's production of The Misanthrope. A reviewer wrote, 'For the first time Molière's connection to the Danish stage is intercepted by a director whose forte is physiological tragedy, Strindberg over Holberg'. Many reviews had expected Bergman to put his very personal stamp on the production. Instead they experienced 'a clean Molière' and were struck by Bergman's faithfulness to the original mise-en-scene and to the classical rhythm of Molière's text.

When a secretary at the Danish embassy in Russia dies in suspicious circumstances, the local police seem determined to close the case. But diplomat Jack Anderson, who has been brought in to observe, falls for a beautiful singer with ties to the murder and begins his own investigation.

The story takes place on a manor in the late 18th century, where the widow Ane Marie's son is suspected of burning down a barn. If the lord of the manor hands him over to the authorities, it will mean prison or military service for an indefinite period. Therefore, Ane Marie makes a deal with the lord of the manor: her son will go free if Ane Marie can do the work of three men and mow a field from sunrise to sunset.

Summer in the small market town of Stenvig equals life and good earnings for the city's shoppers. Love flourishes side by side with the urge to act, and especially the baker's daughter Susanne makes the young men's hearts beat fast. But when the infatuated Otto gets a little too close, it has major consequences for Susanne.

Jørgen Leth's personal, pleasurable distillation of Danish literature covers seven poets alive at the time of production and twenty classical poets. A handful of actors share readings of the classical texts in semi close ups against a dark background; the living poets read their own works.

Danish theater production from 1985. Per Olov Enquist wrote this chamber play about three cultural figures from Danish history. H.C. Andersen, who tries to gain favor with the cultural elite, the powerful theater director Johan Ludvig Heiberg, and his wife, the actress Johanne Louise Heiberg. Like the poet, Mrs. Heiberg also comes from a poor background and has stubbornly fought her way up the social ladder. The recording is from the Royal Theater's production.

Story of a young ballet student in Denmark who succeeds despite her mother’s objections.