Marisa Borini

Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev’s A Month in the Country. Denis, the director, admires her greatly and promises he’ll make her happy on stage — she will shine. But things don’t go to plan.

Eight-year-old Eva and her mother have a very positive CHILD-TO-CHILD-RELATION. The mother is incapable of mature behaviour when problems arise. When the mother forgets to fetch Eva at school in her car, Eva does not know the way home. Panicking and crying she just runs and is overrun by a car. The driver is obviously innocent. He is a second-hand bookseller (Etienne) and a mountain climber and has a phenomenal memory. The hospital cannot tell whether Eva will ever wake up from her coma, or will speak or move.

A documentary tracking the life and career of the model-musician turned first lady of France.

90 years old Suzanne, sharp and bright as a young woman, has just lost her lifelong mate. Her daughter and two granddaughters show up to comfort her. In this moment of grief, these four women let out their infinite tenderness and deep connections, in spite of unforgotten grudges.

An accident survivor wakes from a coma and confronts old, uncomfortable memories.

André Masson, specialist in modern art, receives a letter according to which a painting by Egon Schiele had been discovered in Mulhouse. He finds that the work has been missing since 1939. This discovery puts his career in danger.

Two mental patients with opposite personalities ditch their Tuscan hospital and embark on an unpredictable exploration of the real world.

Max, Paul and Simon have been friends for 35 years. They take great pleasure in their one vacation a year together without their partners and meet-up regularly to spend evenings drinking or playing cards. Each has a successful career and they all appear to have perfect lives until the night Simon announces to his friends that he has just strangled his wife, Estelle after a blazing row. Max and Paul are horrified by Simon's confession, but worse is to come when Simon asks them to lie and provide him with an alibi for the time Estelle was killed. Both men are torn between lying or turning over their best friend to the police.

As a little girl, Federica fantasized about having beautiful long hair that would grow back as soon as she cut it, about never-ending cones of cotton candy and about countless adventures that took her to the far side of the world. Now a charming thirty-something-single woman, Federica's fantasies have evolved, adding lovers, stardom, and motherhood to her waking dreams, where Federica continues to press for her everyday life to be as real as the fantasies that invade her. Unfortunately, Federica's daydreams can only provide a meager distraction from the reality she faces. Her career as a successful playwright is heading south, her boyfriend is pressuring her to start a family, a former lover wishes to rekindle an old affair, her sister is barely talking to her, her brother is self-centered and her loving father is terminally ill. And as if to make matters worse, Federica is rich, too rich, and the guilt that consumes her because of it is pushing her over the edge.

A large and beautiful property on the French Riviera. A place that seems out of time and sheltered from the rest of the world. Anna goes there with her daughter for a few days of vacation. Amidst her family, friends and the house staff, Anna has to handle her fresh break-up with her partner and the writing of her next film.

Louise meets Nathan, her dreams resurface. It's also the story of her ailing brother, their mother, and the destiny of a leading family of wealthy Italian industrialists. The story of a family falling apart, a world coming to an end and love beginning.

At the end of the 1980s, Stella, Victor, Adèle and Etienne are 20 years old. They take the entrance exam to the famous acting school created by Patrice Chéreau and Pierre Romans at the Théâtre des Amandiers in Nanterre. Launched at full speed into life, passion, and love, together they will experience the turning point of their lives, but also their first tragedy.

Draws inspiration from the legacy of Pope John Paul II, particularly the passionate cries of “Santo Subito!” that echoed after his death in 2005, urging his immediate canonization.