Roy Andersson

The year 1957 was one of the most prolific for the Swedish filmmaker Ingmar Bergman: he shot two films, released two of his most celebrated films and produced four plays and a TV movie while juggling with a complicated private life.

Follows Roy Andersson around different film festivals as he tries to launch his new film "Songs from the Second Floor" mixed with interviews with family members and colleagues.

A portrait of the Swedish director Roy Andersson, dealing with obsessions of the film maker considered as the origins of his last incredible project : Songs from the Second Floor. 20 years of reflection and creation, 4 years to shoot a masterpiece with a unique way of filming. A meeting with the Nordic Kubrick, rebel with a cause : responsibility and humanity.

Documentary depicting Swedish director Roy Andersson in how he transforms his thoughts about the prevailing social climate, evil and superstition to fictional film.

A tribute and portrait of the Swedish filmmaker Bo Widerberg. Thommy Berggren presents slices and comments on Widerberg.

A documentary by Ronny Svensson and Markus Stromqvist on the making of Bo Widerberg's 1976 movie Man on the Roof, featuring extensive interviews with cast and crew

A documentary about Roy Andersson.

2011 documentary about Swedish film director Roy Andersson and his unique way of making films. Shot during the four-year-long filming Andersson's 2007 film You, the Living, the documentary is a personal description of a surprising and different approach to the creative process. Roy Andersson has invented a working method of his own in order to achieve control over the work in process, but he is ultimately dependent on his young co-workers.

A tender portrayal of four stubborn brothers becomes a touching contemporary Swedish family chronicle about dreams, class, heritage, and the difficulty of connection. The Andersson brothers grew up in a working-class home in Gothenburg. Roy became an internationally acclaimed filmmaker while Ronny ended up as a homeless man. Kjell became a documentary filmmaker, and Leif lives as a disability pensioner.

In room 1112 at hotel Riverton during Göteborg's 2011 film festival, director Jonas Selberg Augustsén brings together some of Sweden's most famous film workers and asks a question: "Are the celluloid film about to die, and what do you think it means for the moving image?" The film is inspired by Wim Wender's 1982 documentary, Chambre 666.

Harry Schein was an anomaly in Swedish cultural society. Equal parts playboy, intellectual, and political visionary, his life story could very well be the foundation of a Hollywood film. Citizen Schein is a film about a refugee who refused to look back, a film about powerful men, and the myths that fuel them.

Gothenburg Film Festival's new honorary chairman Roy Andersson talks about the adversities after the film "Giliap", revealing that he does not always think it's so much fun. A backlash can instead be a boost for creativity.

At 76, Swedish auteur Roy Andersson is about to complete his last film. With the end of his career in sight, the central thematic concerns of Roy's work - vulnerability, insecurity and mortality - spill over into his creative process.

This is the year with a music party at Gärdet in Stockholm, and Lee Hazlewood and Nina Lizell wonder who can sail before the wind. The Vietnam War continues and the United States is bombing Cambodia. In Stockholm, police officers write in protest against poor conditions and the rockers take the chance to take over the town. During the "cannon race" on the Gellerås track, a fatal accident occurs. Director Roy Andersson's first feature film "En kärlekshistoria" is a must see.

Swedish Prime Minister Olof Palme was openly shot to death on a February evening 1986 on the streets of Stockholm. In one night, the country of Sweden was transfigured. “Palme” is about his life, his time, and about the Sweden he had created. About a man who altered history.

The documentary chronicles Bo Widerberg's journey from 1960s Malmö, where he worked as a writer and film critic, to his successes as a director in Stockholm and international adventures in Cannes and New York. The film also explores the personal costs of his artistic vision and how his pursuit of life and authenticity affected both himself and those around him.

It centers on some of the actors who appear in Roy Andersson’s films, offering a glimpse into the on-screen personalities who bring Andersson’s vision to life

In the Swedish city of Lethe, people from different walks of life take part in a series of short, deadpan vignettes that rush past. Some are just seconds long, none longer than a couple of minutes. A young woman remembers a fantasy honeymoon with a rock guitarist. A man awakes from a dream about bomber planes. A businessman boasts about success while being robbed by a pickpocket, and so on. The absurdist collection is accompanied by Dixieland jazz and similar music.

In the Swedish city of Lethe, people from different walks of life take part in a series of short, deadpan vignettes that rush past. Some are just seconds long, none longer than a couple of minutes. A young woman remembers a fantasy honeymoon with a rock guitarist. A man awakes from a dream about bomber planes. A businessman boasts about success while being robbed by a pickpocket, and so on. The absurdist collection is accompanied by Dixieland jazz and similar music.

The puppy love of two teenagers is set against a backdrop of adults struggling with their own lives. As a couple in love, they don't care about anything but themselves and seem totally unaware about everything that surrounds them.

As the AIDS epidemic was spreading in 1987, the Swedish government commissioned Roy Andersson to make an educational film about the disease. In these twenty or so monotone scenes, Andersson criticizes the medical community for its dehumanizing and racist tendencies when researching HIV and AIDS.

A monumental traffic jam serves as the backdrop for the lives of the inhabitants of a Swedish city.

A monumental traffic jam serves as the backdrop for the lives of the inhabitants of a Swedish city.

The narrative portrays a plain man who guides the viewer through his life in a bleakly stylised world.

In a minor town the morose manager is primarily responsible for the bad atmosphere of a restaurant. But central for the plot are three persons: a male waiter who is never named (here called W), the female waiter Anna, and "the count", a self-invented nickname by a man cleaning plates. The count is skilled in making others do what he wants. Half a dozen of the personnel assist in a poorly planned and failed attempt to liberate a man whom the police move from one arrest to another. The event involves stealing a motorcycle and threatening policemen with a gun. Anna strongly tries to make contact with W. Finally it turns out that she need his help to break her sexual relation to the count, a relation that from her part is not motivated by positive feelings. W rejects her attempts. And then Anna has suddenly gone. She has got a pleasant job in another town. And then W's feelings awaken.

In a minor town the morose manager is primarily responsible for the bad atmosphere of a restaurant. But central for the plot are three persons: a male waiter who is never named (here called W), the female waiter Anna, and "the count", a self-invented nickname by a man cleaning plates. The count is skilled in making others do what he wants. Half a dozen of the personnel assist in a poorly planned and failed attempt to liberate a man whom the police move from one arrest to another. The event involves stealing a motorcycle and threatening policemen with a gun. Anna strongly tries to make contact with W. Finally it turns out that she need his help to break her sexual relation to the count, a relation that from her part is not motivated by positive feelings. W rejects her attempts. And then Anna has suddenly gone. She has got a pleasant job in another town. And then W's feelings awaken.

In a minor town the morose manager is primarily responsible for the bad atmosphere of a restaurant. But central for the plot are three persons: a male waiter who is never named (here called W), the female waiter Anna, and "the count", a self-invented nickname by a man cleaning plates. The count is skilled in making others do what he wants. Half a dozen of the personnel assist in a poorly planned and failed attempt to liberate a man whom the police move from one arrest to another. The event involves stealing a motorcycle and threatening policemen with a gun. Anna strongly tries to make contact with W. Finally it turns out that she need his help to break her sexual relation to the count, a relation that from her part is not motivated by positive feelings. W rejects her attempts. And then Anna has suddenly gone. She has got a pleasant job in another town. And then W's feelings awaken.

As the AIDS epidemic was spreading in 1987, the Swedish government commissioned Roy Andersson to make an educational film about the disease. In these twenty or so monotone scenes, Andersson criticizes the medical community for its dehumanizing and racist tendencies when researching HIV and AIDS.

As the AIDS epidemic was spreading in 1987, the Swedish government commissioned Roy Andersson to make an educational film about the disease. In these twenty or so monotone scenes, Andersson criticizes the medical community for its dehumanizing and racist tendencies when researching HIV and AIDS.

An absurdist, surrealistic and shocking pitch-black comedy, which moves freely from nightmare to fantasy to hilariously deadpan humour as it muses on man’s perpetual inhumanity to man.

One day, Saturday October 5th, in a man's life.

Roy Andersson's short movies focus on working class and youth daily life, capturing and portraying a small slice of his characters' day.

Roy Andersson's short movies focus on working class and youth daily life, capturing and portraying a small slice of his characters' day.

A student is visited in his university lodgings by his critical parents.

Documentary about children and accidents focusing on a family who lost their son who fell down a well.

Documentary about children and accidents focusing on a family who lost their son who fell down a well.

Political ad for the Swedish Social Democratic Party in the 1985 election.

One day, Saturday October 5th, in a man's life.

One day, Saturday October 5th, in a man's life.

Documentary film about the protests against the 1968 Davis Cup tennis match between Sweden and Rhodesia, in Båstad, Sweden. In a series of interviews, demonstrators and members of the Swedish government give their views on sport, politics and civil disobedience.

An absurdist, surrealistic and shocking pitch-black comedy, which moves freely from nightmare to fantasy to hilariously deadpan humour as it muses on man’s perpetual inhumanity to man.

The puppy love of two teenagers is set against a backdrop of adults struggling with their own lives. As a couple in love, they don't care about anything but themselves and seem totally unaware about everything that surrounds them.

A film about the 1931 Ådalen shootings, in which Swedish military forces opened fire against labour demonstrators in the Swedish sawmill district of Ådalen.

Documentary film about the protests against the 1968 Davis Cup tennis match between Sweden and Rhodesia, in Båstad, Sweden. In a series of interviews, demonstrators and members of the Swedish government give their views on sport, politics and civil disobedience.

A reflection on human life in all its beauty and cruelty, its splendor and banality, guided by a Scheherazade-esque narrator. Inconsequential moments have the same significance as historical events. Simultaneously an ode and a lament, presents a kaleidoscope of all that is eternally human, an infinite story of the vulnerability of existence.

Jonny Roova has his life and work at Kukkolaforsen in Tornedalen and it is a wonderful existence among people he has much in common with.

A reflection on human life in all its beauty and cruelty, its splendor and banality, guided by a Scheherazade-esque narrator. Inconsequential moments have the same significance as historical events. Simultaneously an ode and a lament, presents a kaleidoscope of all that is eternally human, an infinite story of the vulnerability of existence.

A monumental traffic jam serves as the backdrop for the lives of the inhabitants of a Swedish city.

A monumental traffic jam serves as the backdrop for the lives of the inhabitants of a Swedish city.

PECIAL FEATURES: 2-DVD Set, Booklet, Box Set, Interactive Menu, Scene Access, SYNOPSIS: World of Glory (1991) Something Happened (1987) A film that attempts to analyse the facts and fictions surrounding the discovery and eventual epidemic of the AIDS virus, Saturday October 5th (1969) A black and white 1960s urban drama about the day a young Swedish man spends with his girlfriend, and anxiety's intrusion upon it. To Fetch a Bike (1968) A moving colour film that in somewhat sketchy scenes describes the morning activities of a tentative young pair of lovers. Visiting One's Son (1967) The storyline is about a son's father (Lars Karlsteen) and mother (Maud Backeus) who come to visit him (Peter Egge) and his girlfriend (Kajsa Wilund) for the first time. ..Roy Andersson Collection (5 Films) - 2-DVD Box Set

PECIAL FEATURES: 2-DVD Set, Booklet, Box Set, Interactive Menu, Scene Access, SYNOPSIS: World of Glory (1991) Something Happened (1987) A film that attempts to analyse the facts and fictions surrounding the discovery and eventual epidemic of the AIDS virus, Saturday October 5th (1969) A black and white 1960s urban drama about the day a young Swedish man spends with his girlfriend, and anxiety's intrusion upon it. To Fetch a Bike (1968) A moving colour film that in somewhat sketchy scenes describes the morning activities of a tentative young pair of lovers. Visiting One's Son (1967) The storyline is about a son's father (Lars Karlsteen) and mother (Maud Backeus) who come to visit him (Peter Egge) and his girlfriend (Kajsa Wilund) for the first time. ..Roy Andersson Collection (5 Films) - 2-DVD Box Set

An ad for an advertising company, consisting of 7-second sequence shots by 13 directors.

A collection of short films by 16 European directors.

A collection of short films by 16 European directors.

In 1971, due to the world premiere of Death in Venice, Italian director Lucino Visconti proclaimed his Tadzio as the world’s most beautiful boy. A shadow that today, 50 years later, weighs Björn Andrésen’s life.

The narrative portrays a plain man who guides the viewer through his life in a bleakly stylised world.

A reflection on human life in all its beauty and cruelty, its splendor and banality, guided by a Scheherazade-esque narrator. Inconsequential moments have the same significance as historical events. Simultaneously an ode and a lament, presents a kaleidoscope of all that is eternally human, an infinite story of the vulnerability of existence.