Amédée

Cochu, a peasant, is the whipping boy of his regimental comrades. He is called "buffer of the capiston", that is to say the captain's order. But he finds himself in the service of Hortense, the captain's sister.

After a crazy night spent at Maxim's, Doctor Montgicourt returns home with the Môme Shrimp. General Petypon invites her to his castle for the engagement of his niece and Lieutenant Corrignon, the kid's lover. The reception is likely to be very busy...

"Le Tambourin", a Montmartre nightclub, is on its way down. Although it can boast great performances by the alluring Les Bluebell Girls and by Jacques Hélian's lively Big Band the venue does not attract people anymore. Nightclub patrons now prefer the jazz cellars of Saint-Germain-des-Prés. Taking this new taste into account, the staff of the "Tambourin" and Jacques Hélian decide to set up their own club, "La Pivoine Ecarlate". They are joined by Pâquerette, a flower vendor and amateur singer, and by Jean-Pierre Francis, an existentialist poet...

The eccentric characters of a street from the comic designs of Andre Dubout are brought to life with human performers instead of drawings.

Orphaned after a Nazi air raid, Paulette, a young Parisian girl, runs into Michel, an older peasant boy, and the two quickly become close. Together, they try to make sense of the chaotic and crumbling world around them, attempting to cope with death as they create a burial ground for Paulette's deceased pet dog. Eventually, however, Paulette's stay with Michel's family is threatened by the harsh realities of wartime.

A couple of dancers performs in a night club. The man is jealous of Gina, his partner,and keeps making scenes to her, going as far as bullying her on the stage during their act. A man gets killed. The dancer is suspected for being jealous of all the other men. Another potential culprit could the father of Gina since he overprotected his daughter. The real culprit will be unmasked after the police detective finds the murder has something to with the Occupation period.

A country road, front-wheel drive. A man, Victor, is waiting. A convertible pulls up. Linda and another man come out. All three take up arms and get into traction to rob Victor's brother-in-law. In their absence, a wanderer from the woods approaches the car. He hides under the back seat cover, when the gangsters come back. Coldly, Linda kills her accomplices to keep the loot. Back in Paris, stripper by profession, she performs her last stripping and returns home. The wanderer was waiting for him. He demands a million from her for her silence.

A professor experimenting in suspended animation accidentally shrinks his dog and later, his female lab assistant, when she drinks the liquid by accident and shrinks to 3 inches tall. The professor keeps her in his pocket until he can find an antidote. Sometimes she's naked, too.

Four women were murdered, each was knifed and, though they had their clothes torn, they weren't molested. As the famed police inspector Jules Maigret pieces the clues together, he comes to realize that for the elusive man that he suspects to be unmasked, he has to set him a trap.

Abbé Pellegrin, parish priest of Sableuse, sells an ancient Christ to an unknown man, M. de Saint Preux. Summoned to the bishop's palace, he learns that he has been the victim of a swindler. The Christ, exchanged for a "mouthful of bread", is a valuable antique. Not wanting to compromise his wartime comrade La Goupille, who had introduced him to Saint Preux, Pellegrin proposed to his bishop that he himself carry out the search for the Christ. For the occasion, he swapped his cassock for a "civilian" outfit and landed in Paris. He recovers the treasure in the midst of a series of adventures and misadventures involving Cousinet, the former squire of Sableuse. He takes in the tenants Cousinet has just evicted from his hotel.

Mr. Placard, impresario of shock, lost the headliner of his show, Elia Tarti. Amédée introduces himself, he can highlight his gifts of fantasy. Randomly along the way, Amédée notices a seductive hitchhiker named Cigale. This one disappears again, kidnapped by Prince Kanaga. Assisted by a friend, Amédée flies in his footsteps and discovers in Nice that Cigale is none other than Elia Tari, capricious, disdainful and snobbish star.

A Belgian village is struck by repeated flooding, all this because they lack a new sewer. But the Ministry delays in providing the funding needed to build it. To alert public opinion, the villagers decide to do something. This "something" will be a play describing the life of their saint patron. Trouble follows, partly fueled by the short-tempered mayor.

Thérèse is the daughter of a modest couple. One day, she wins a voucher for two hundred thousand francs in a department store. Dazzled, the little typist chose a fur cape, much to her parents' disappointment. She has a fiancé, François, whom she now scorns a little. She returns to him, however, after an unfortunate foray into the big wide world, and gets rid of the cumbersome cape forever.

A green mare makes the fortune of her owner, the horse dealer Haudouin. Shortly after his death, war broke out in 1870. One day, his neighbor Zèphe Maloret denounces Honoré, Haudouin's son, a maverick, to the Prussians. Following this denunciation, their non-commissioned officer enters the Haudouin home and rapes the mother while Honoré is hidden under the bed. The resentment already existing between the Haudouin and Maloret families turns to hatred... A letter recalling the events is lost, which doesn't help matters.

Fernand has just inherited a saloon in Texas from an uncle in America. Despite his inheritance, he is considered an intruder. Soon he's the victim of a cruel plot: accused of murder, arrested and kidnapped by Indians and gangsters. A young, beautiful, pure-hearted Indian, moved by Fernand's kindness, accompanies him back to the village. She's sure to become the owner of the Texas hotel.

Hélène Noris, a young Belgian woman from a bourgeois family, is haunted by a past affair with Tamara — now married to her father. Torn between desire and resentment toward Tamara’s conformist life, Hélène feels alienated in the provincial world she inhabits. To boost his social image, her stepfather René invites Parisian director Jean Gerfaud to stage an avant-garde version of Tartuffe. Tamara flirts with him, but Hélène seduces him first. A passionate, destructive affair begins, entangling love, jealousy, and ambition. When the play’s scandalous premiere sparks outrage, Jean marries Hélène, provoking Tamara’s fury. Yet Hélène, restless and defiant, betrays him with a soldier. In rage and humiliation, Jean confronts her in the “red room,” the space that once embodied their love and now their ruin.