Kamal Tabrizi

In 1979, a revolution in Iran. In 1980, a revolution in Poland. The fall of the Shah, the “King of Kings,” in Iran. Mass strikes and the foundation of Solidarność (Solidarity) in Poland. What was in the minds of the young women and men who fomented revolution in their own country? What did they think when their revolution was quelled, or – as in Iran – an authoritarian regime was instituted under the name of an “Islamic Republic”?

At the first days of the Iran-Iraq war, Taleb, the lord of the Malekieh village, helps the Iraqi army to enter the village. Rahman, a twelve-year old teenage who is a shepherd working for Taleb, is the only one allowed to commute in the area. Jaseb, Rahman's friend, who is recently finished his military service escapes from the village and has to kill an Iraqi soldier. He is also injured and hides in a barn. Rahman finds out about him and tries to help him ...

The satirical commentary on clergymen in post-revolutionary Iran. While in prison, petty criminal Reza (Parviz Parastui) comes across a clergyman, sparking a plan for escape. Reza dons his new acquaintance's clerical robes and makes a bid for freedom. He soon learns that being a clergyman brings little respect from the public. Reza travels to the outlying villages, from where he plots to escape the country. However, his plans must be put on hold when the villagers accept him into their community and expect him to perform religious duties. Will Reza's prison break transform him into an unlikely pillar of the community?

An author dreams of writing an extraordinary story. A special moment comes when the dream comes true and the ability to write a fantastic story is emerged, but it is apparently too late…

After an unexpected incident happens for a middle-aged man's wife's corpse, he gets very depressed, anxious and violent.

An imaginative dreamer university named Garoos professor falls in love with a student who resembles her teacher in this manner. Love story is endangered when a business competitor sets Garoos up for unethical behavior.

During the Iran-Iraq war, a television cinematographer, having financial problems, needs to get a loan from the TV to complete his half-built flat so one of his colleagues suggests him going to the war zone under the pretext of making a documentary about the Iraqi captives for the sake of accompanying another man who is so influential in TV's treasury, so that he can take his loan more easily. However he doesn't want to get to the line of fire, his sanctimonious demeanor leads him to something more precious than what he started his journey for.

Mehran and Mina are a happy couple but face a problem when Mina is absorbed toward a terrorist group Monafeghin. Mehran who is a reporter becomes suspicious of her when a chemical bomb is dropped over the place in which she is studying.

Japan and Iran are not in close relationship. More than 4 centuries ago, however, Persian carpets were used in the festival of Takayama, a historic city in mountainous area of Honsyu. A man planned to resume the carpet in the festival, and asked Kinue, a Persian carpet designer, to design it. Kinue's husband, Makoto, is a carpet importer. They send the design to Iran to weave the carpet. But just before Makoto goes to Iran to receive the carpet, Kinue dies of a traffic accident. A month before the festival, Makoto went to Isphahan, Iran, to receive the carpet. He brings his daughter Sakura, who does not open her heart after she lost her mother. To surprise, the carpet production has not even started. It will take 3 months from the start. For Makoto it means he betrays not only the festival planners but also his late wife.

The Earth Marathon

A couple who had a romantic marriage and life now are about to get divorce but meanwhile many people are intervening.

Farhad has lost his eyesight due to an injury sustained in battle. As part of his recovery, he is transferred to a temporary hospital, where he encounters young nurse Sheida. Sheida is surprised by his tolerance to the pain of his injury, but soon realises that her recitation of Quran verses has a miraculous calming effect on him. And as the two start to grow closer and Farhad begins to heal, they find themselves on the path between faith and hope, and the true nature of both is revealed to them.

Ghodrat Samadi wants to become a member of parliament, but he has a reputation for recklessness and taking arbitrary action. Deciding his best course of action is negotiating with assorted parties and politicians, none take him seriously until he's connected to a single, notorious incident.

In a sanitarium for injures of war some ghosts are waiting and wandering about but for different reasons.

The adventure of a plane crash with passengers who have different secrets; the secrets that are not supposed to remain hidden forever...

Persian Carpet is an omnibus film produced by Iran's National Carpet Center and Farabi Cinema Foundation where 15 renowned Iranian directors contributed films on the subject of Persian carpet. Carpets are the reflection of the cultural and historical identity of Iran.

Persian Carpet is an omnibus film produced by Iran's National Carpet Center and Farabi Cinema Foundation where 15 renowned Iranian directors contributed films on the subject of Persian carpet. Carpets are the reflection of the cultural and historical identity of Iran.

A group of youngsters participate in a race match and endure the difficult route of this race just to be hired in the Environmental Protection agency of Tehran.

In this Iranian film, social worker Mina (Fateme Motamed-Aria) tells the reformatory head they should offer genuine emotional feedback to their charges, but she withdraws when the reality of such idealistic proposals becomes evident. Young Medhi (Hussein Soleimani) is troubled after the death of his mother. He views Mina as the mother he needs, but Mina is wary. Shown at the 1998 Fajr Film Festival.

In this Iranian film, social worker Mina (Fateme Motamed-Aria) tells the reformatory head they should offer genuine emotional feedback to their charges, but she withdraws when the reality of such idealistic proposals becomes evident. Young Medhi (Hussein Soleimani) is troubled after the death of his mother. He views Mina as the mother he needs, but Mina is wary. Shown at the 1998 Fajr Film Festival.