Morteza Atabaki

Police officer Sedat raids a derelict apartment squatted by a young couple. The man is killed, the young woman, Ayşe, escapes. When her friends and relatives offer no help, Ayşe is forced to steal cash and a car from her father and flee town like an outlaw. The chase goes deeper into the wild. Along with three men he has recruited, Sedat is pursuing her, out to kill in the name of honour. Taking off from the suburbs of Anatolia, Av: The Hunt continues reaching breath-taking natural landscapes, and recounts how a young woman is pulled into spiral of violence while trying to escape the patriarchal society she lives in.

And from silence and darkness awakes - an all-moving, all-turning being. White, yellow and golden spindles in vigorous synchronised rotation. Twirling in shiny pirouettes in an old workshop full of nooks and crannies, they spin the big thread, sacrificing themselves. In the midst of the heat and noise of the historic machine souls a hunched old man is working, sometimes a cog, sometimes the conductor.

A documentary about the filming session of the film “The Wild Pear Tree” by Nuri Bilge Ceylan… ‘The Wild Pear Tree’ had been shot in about 14 weeks in Western Anatolia.

Halime doesn't identify with the traditional image of women in her patriarchal Turkish village community. There's more to life than looking after the house and children, she believes. So she decides to organize a shooting competition for women. But this idea isn't universally welcomed by the men in the village and, as heads of the household, their permission is needed.

Halime doesn't identify with the traditional image of women in her patriarchal Turkish village community. There's more to life than looking after the house and children, she believes. So she decides to organize a shooting competition for women. But this idea isn't universally welcomed by the men in the village and, as heads of the household, their permission is needed.

Halime doesn't identify with the traditional image of women in her patriarchal Turkish village community. There's more to life than looking after the house and children, she believes. So she decides to organize a shooting competition for women. But this idea isn't universally welcomed by the men in the village and, as heads of the household, their permission is needed.

Halime doesn't identify with the traditional image of women in her patriarchal Turkish village community. There's more to life than looking after the house and children, she believes. So she decides to organize a shooting competition for women. But this idea isn't universally welcomed by the men in the village and, as heads of the household, their permission is needed.