Kris Paterson

This experimental 1970 color documentary film, ostensibly designed to provoke classroom discussion employs a boldly unconventional approach to addressing the issues of drug addiction, featuring the music of Canadian singer-songwriter Bruce Cockburn. The film eschews narration for montage effects and extended fly-on-the-wall scenes of various drug users in conversation.

This experimental 1970 color documentary film, ostensibly designed to provoke classroom discussion employs a boldly unconventional approach to addressing the issues of drug addiction, featuring the music of Canadian singer-songwriter Bruce Cockburn. The film eschews narration for montage effects and extended fly-on-the-wall scenes of various drug users in conversation.

In this short documentary from the 70s, we get a glimpse of life inside an artistic community in the mudflats area of North Vancouver. An anti-establishment group, they live as squatters, rejecting drugs while practicing a philosophy of love for the universe. They also reject the values of mainstream society, as embodied by the mayor of North Vancouver, who wants to turn their “home” into a shopping centre.