Andrés Sanz Vicente

A man, convinced that the world is actually flat, falls in love with a two-dimensional woman at the Museum of Modern Art in New York. FLAT LOVE is a unique, funny tale of love and obsession .

A man, convinced that the world is actually flat, falls in love with a two-dimensional woman at the Museum of Modern Art in New York. FLAT LOVE is a unique, funny tale of love and obsession .

A chronicle of a man's desire for Emily, a woman who changes constantly (and, in turn, becomes WOMEN: "...and the other was Emily too... Emily could be anything... Each change came faster") that is also a memory of lust preserved in a greenhouse

A chronicle of a man's desire for Emily, a woman who changes constantly (and, in turn, becomes WOMEN: "...and the other was Emily too... Emily could be anything... Each change came faster") that is also a memory of lust preserved in a greenhouse

Investigation into the painting "Las Meninas", by Diego Velázquez, exhibited at the Prado Museum, in Madrid, and the way in which reality is represented through images.

For three and a half centuries, from the same day that Diego Velázquez (1599-1660) applied his last brushstroke to the canvas, the enigma of “Las meninas, o La familia de Felipe IV” (1656) has not been deciphered. The secret story of a painting unveiled as if it was the resolution of a perfect crime.

For three and a half centuries, from the same day that Diego Velázquez (1599-1660) applied his last brushstroke to the canvas, the enigma of “Las meninas, o La familia de Felipe IV” (1656) has not been deciphered. The secret story of a painting unveiled as if it was the resolution of a perfect crime.

For three and a half centuries, from the same day that Diego Velázquez (1599-1660) applied his last brushstroke to the canvas, the enigma of “Las meninas, o La familia de Felipe IV” (1656) has not been deciphered. The secret story of a painting unveiled as if it was the resolution of a perfect crime.

For three and a half centuries, from the same day that Diego Velázquez (1599-1660) applied his last brushstroke to the canvas, the enigma of “Las meninas, o La familia de Felipe IV” (1656) has not been deciphered. The secret story of a painting unveiled as if it was the resolution of a perfect crime.