Gerhard Rühmkorf

Trauma surgeon Thomas Reiter voluntarily withdraws into a secure institution because he no longer wants to face everyday life. He solves his problems in his imagination – a Western fantasy. A priest is commissioned by his worried parents to bring their son back to reality. When Thomas invites him to follow him into his Western world, the priest realizes that this escape from reality is not without its fascination...

Sophie "inherits" her uncle's preserved whale and finds out that whoever sleeps in the whale's belly with her will be granted one wish, causing chaos and hatred in the village.

Judit is up to her neck in art studies and the elitist art community but chucks it all to pursue a successful career as a billiard professional -- not exactly a likely alternative in real life, but certainly more lucrative. Just as she is finally at the apex of her chosen second field, Judit encounters male jealously and/or aggression in the form of intentional snubs from this different class of snobs, or in the worse instances, rape. Director Kitty Kino portrays many of the male figures in this film as weak, or drunk, or simply offensive, and because of the emphasis on those traits, the film will raise objections from some viewers. On the other hand, many women might see this film and feel that at least it brings up the difficulties women can face in getting ahead in a male-dominated arena, instead of side-stepping or ignoring the role of male prejudice.

Vienna, 1902. 19-year-old Lina marries the architect Adolf Loos hoping for a free life. But Loos imposes severe restrictions on her - she falls into a passionate affair. Loos tries to win her back and Lina makes a fateful decision.

Once upon a Sunday afternoon, Maria burned the bread... A fairy tale. A play with archtypal motifs. An excursion into difficult terrain.