Marta Elīna Martinsone

20 years have passed since Vilis, now a silver-haired senior, mysteriously lost his family - his wife and two kids. His life moves slowly and the only thing it’s filled with is loneliness. The one connection to the oustide world for Vilis are the times when the mailman comes. Inability to forgive himself and illusions of family coming back is the only driving force for him to wake up and fix things around him one by one. Will the unexpected friendship between him and the mailman save him?

Anete lives next to the Daugava National Stadium, where rehearsals for the National Song and Dance Festival take place all day long, so the melody of "Cūkas driķos" is her constant soundtrack. Her boyfriend accidentally leaves her locked in the flat, "Cūkas driķos" keeps blasing through the window, and she's about to lose it.

Anete lives next to the Daugava National Stadium, where rehearsals for the National Song and Dance Festival take place all day long, so the melody of "Cūkas driķos" is her constant soundtrack. Her boyfriend accidentally leaves her locked in the flat, "Cūkas driķos" keeps blasing through the window, and she's about to lose it.

Trying to make a professional impression, the teacher of the 9th grade Dārta organises a parents' school meeting, but the parents' childish behaviour turns the gathering into a disaster, becoming the biggest challenge of Dārta's career so far. The new teacher prepares for the meeting, while the parents arrive late - so does the businessman Jānis, the president of the parent's school council Žanete arrives with flowers and a gift; the spouses of an open marriage Valts and Laine playing "truth or dare", while the recently divorced Maija and Raivo exchange barbs. The planning of the children's graduation turns into an absurd escalation of conflicts between the parents.

By chance, Louise and Kaspars meet on a trip to celebrate Midsummer’s Eve. She’s running away from annoying neighbours and general sense of pointlessness; he’s running away from a failing marriage. They’re both young, talented, and lost; they both want to become artists; they’re both unsure how to go on about their lives. Maybe that’s why their shared trip turns into a strange, sometimes funny and sometimes complicated journey through a relationship over the course of three years.

A tragicomic tale about the relationship of Guna and the twice older writer Gints. Guna has lost her job, but Gints hasn’t written anything in years. Whilst running away from an unsatisfactory relationship and the lack of creative self-expression, Guna gets obsessed with the theatre performance “Odyssey” by the famous director Viestur Kairish and begins to mix reality with theatre. Guna tries to start a new life, but her fantasy world doesn’t allow her to be a part of reality anymore.

A tragicomic tale about the relationship of Guna and the twice older writer Gints. Guna has lost her job, but Gints hasn’t written anything in years. Whilst running away from an unsatisfactory relationship and the lack of creative self-expression, Guna gets obsessed with the theatre performance “Odyssey” by the famous director Viestur Kairish and begins to mix reality with theatre. Guna tries to start a new life, but her fantasy world doesn’t allow her to be a part of reality anymore.

A tragicomic tale about the relationship of Guna and the twice older writer Gints. Guna has lost her job, but Gints hasn’t written anything in years. Whilst running away from an unsatisfactory relationship and the lack of creative self-expression, Guna gets obsessed with the theatre performance “Odyssey” by the famous director Viestur Kairish and begins to mix reality with theatre. Guna tries to start a new life, but her fantasy world doesn’t allow her to be a part of reality anymore.

A tragicomic tale about the relationship of Guna and the twice older writer Gints. Guna has lost her job, but Gints hasn’t written anything in years. Whilst running away from an unsatisfactory relationship and the lack of creative self-expression, Guna gets obsessed with the theatre performance “Odyssey” by the famous director Viestur Kairish and begins to mix reality with theatre. Guna tries to start a new life, but her fantasy world doesn’t allow her to be a part of reality anymore.

A year has passed since the turbulent events of the 1905 revolution. The secret police has almost eradicated the network of social democratic fighters. Only one group continues fighting and a bold assault on a factory cash desk is being planned. A low ranking fighter Grey is assigned to lead the operation. Meanwhile, Grey starts an affair with a young poetess Violet and gets to know the flamboy-ant crowd of decadent artists and writers. Inspired by Violet Grey takes a look at revolution from a different perspective. Meanwhile Violet gradually gets involved in the dangerous world of revolutionary fighters. November 1906 in Riga is still remembered as a month of crazy bohemia and violent terror.

Billy Joe lives in a small town and his biggest dream is to become a famous country musician. All he wants is to participate in the Bauska Country Festival, forgetting about the needs of his girlfriend and reality as such.

Billy Joe lives in a small town and his biggest dream is to become a famous country musician. All he wants is to participate in the Bauska Country Festival, forgetting about the needs of his girlfriend and reality as such.

Lame-o’s is set just before the Millennium, in 1999, and is the story of three school friends who are among the most unpopular girls in their class. The friends are determined to radically change the situation. The three friends at the centre of the story are Sarmīte, Sveta and Katrīna, who are studying in the last class of the secondary school. The upcoming Millennium and their approaching graduation make them undertake various measures to become appreciated and liked, which eventually challenge their friendship.

Lame-o’s is set just before the Millennium, in 1999, and is the story of three school friends who are among the most unpopular girls in their class. The friends are determined to radically change the situation. The three friends at the centre of the story are Sarmīte, Sveta and Katrīna, who are studying in the last class of the secondary school. The upcoming Millennium and their approaching graduation make them undertake various measures to become appreciated and liked, which eventually challenge their friendship.

Cleo is a once promising actress in her 30s with a career in theatre that’s going nowhere and a boyfriend who still harbours the dream of becoming a famous rockstar. She spends her days in a bohemian haze of booze and ennui, until she meets a legendary theatre director who is on the lookout for a new muse. He offers Cleo the biggest role of her career - The Bride in Federico Garcia Lorca’s “Blood wedding”. Cleo tries to turn her life around, but her co-dependent boyfriend starts to slip back into his old, self-destructive ways, and the director wants from the actress more than just her talent.

Cleo is a once promising actress in her 30s with a career in theatre that’s going nowhere and a boyfriend who still harbours the dream of becoming a famous rockstar. She spends her days in a bohemian haze of booze and ennui, until she meets a legendary theatre director who is on the lookout for a new muse. He offers Cleo the biggest role of her career - The Bride in Federico Garcia Lorca’s “Blood wedding”. Cleo tries to turn her life around, but her co-dependent boyfriend starts to slip back into his old, self-destructive ways, and the director wants from the actress more than just her talent.

Young flutist and conductor Maija's secret dream has come true—she has been entrusted with conducting her first orchestra. However, Maija's inner insecurity and fear of conflict do not help her cope with the energetic youth orchestra. In addition, the overly cheerful choirmaster Kārlis, in his attempts to help the young conductor, only undermines her already non-existent authority. When Maija remembers the legendary conductor Leonīds Vīgners and his authoritative leadership style, she feels a strange inspiration. The changes in the young conductor's personality surprise both her and her orchestra, which has only three rehearsals left before the concert. Maija must decide how to lead her orchestra to the concert - in the style of Leonīds Vīgners, or in her own?