Teiji Takahashi

During the 17th Century roving bands of hatamoto were causing trouble in the new capital city of Edo and constantly fought with the townspeople at every turn. The leader of these ruthless samruai was Mizuno Jirozaemon, who despite his high rank was in deep financial distress, thus leading to a tragedy that shook the very streets of the city.Opposing him was Banzui-in Chobei, the ‘Protector of the Weak’ who was willing to put his life on the line to save the 808 districts of Edo from the 80,000 hatamoto whose violent behavior threatened to destroy the fabric of society. Starring Bando Tsumasaburo, the first great star of the silver screen along with mega-star Ichikawa Utaemon, this is a story not to be missed. Torn from the pages of history, this true story has been told many times, but never as powerfully as this!

The Yoshikawa family is a typical small town family. With only the father's and daughter's salaries to support the family's six members, life is not easy.

A young Tokyo salary man and his wife struggle within the confines of their passionless relationship while he has an extramarital affair.

Historical drama about two samurai who fight over everything yet unite together to fight an evil lord.

Wataru Hirayama's outwardly liberal views on marriage are severely tested when his daughter declares that she is in love with a coworker and is adamant to live life her own way, instead of agreeing to an arranged marriage. Outwitted by his female relatives, Hirayama stubbornly refuses to admit defeat.

At the close of the war in Japan, a widowed mother makes every possible sacrifice to bring up her ungrateful son and daughter who are unimpressed with their poor standard of living at home. They gradually reject her in search of the material comforts that working as a maid cannot provide. The mother's despair becomes interminable.

Two sisters find out the existence of their long-lost mother, but the younger cannot accept the fact that she was abandoned as a child.

Shuzenji Monogatari (The Mask and Destiny) is based on a 12th-century Japanese legend. An abortive royal romance leads to an escalating series of tragedies. The central character is a Japanese monarch who would prefer to live a humble existence as a maskmaker. Unfortunately, events -- and destiny -- are against him. When first released, Shuzenji Monogatari was held in far lower esteem than such recent Japanese films as Gate of Hell and Samurai. Nevertheless, the film was selected as an entry at the Venice Film Festival, possibly on the strength of its excellent production values.

A young student falls into a hopeless romantic attraction to a sick girl, whom he can only see from afar.

In Kabuki style, the film tells the story of a remote mountain village where the scarcity of food leads to a voluntary but socially-enforced policy in which relatives carry 70-year-old family members up Narayama mountain to die. Granny Orin is approaching 70, content to embrace her fate. Her widowed son Tatsuhei cannot bear losing his mother, even as she arranges his marriage to a widow his age. Her grandson Kesa, who's girlfriend is pregnant, is selfishly happy to see Orin die. Around them, a family of thieves are dealt with severely, and an old man, past 70, whose son has cast him out, scrounges for food. Will Orin's loving and accepting spirit teach and ennoble her family?

A young widow, made world weary by her abusive, neglectful husband, finds herself in a minor scandal when she's seen with her intense, no-nonsense childhood sweetheart.

Follows six male friends from elementary school whose career paths diverge—newspaper reporter, engineer, boxer, sushi restaurant owner—but whose romantic lives intersect. (MoMA)

Two men at an ironworks encounter roadblocks: the first does not have the grades to get a job, while the other finds himself falling for a co-worker.

A father curries favor with his bosses to further his career, but his wife has lost faith in him. She returns to her family home while they rent out their house during the summer to pay off their mortgage, and there she meets a lonely old man...

A foot soldier from Tottori domain named Shirai Gonpachi showcased exceptional swordsmanship that even surpassed the domain's champion Honjo Sukehichi during a ceremonial match. Though Gonpachi was promised a promotion to samurai status due to his skills, Sukehichi's father Sukezaemon's intervention out of jealousy prevented this. In anger, Gonpachi killed Sukezaemon and, without realizing it, also mistakenly killed Tomoe, his lover's brother Tsushimo Uemon. Following this, he fled to Kyoto, seeking shelter at the "Murasa" inn operated by Uemon's aunt.

This period film is inspired by one of the most notorious scandals to have taken place in Edo-period Japan. The heroine, Ejima, was a lady of the Ooku, the harem of Edo Castle in which the Shogun’s mother, wife and concubines resided, forbidden from contact with any other man except in the presence of the Shogun. The institution played a key role in the Byzantine world of Japanese court politics during the Edo era. In 1714, Lady Ejima was sent to pay her respects at a Buddhist temple in the city, and chose to pay an unauthorised visit to the kabuki theatre – a violation of protocol that was to have tragic consequences.

A woman in a bar was killed at a new construction site in an apartment building, and a handbag containing the value of five million yen was taken away. Detective Kuribayashi, who was involved in the investigation, turned his eyes to Kishida Ryohei, a cabaret musician who lives in a nearby apartment. He had a criminal record for stabbing his wife, who had betrayed him, and a match he worked for had fallen at the scene of the murder. However, Kishida, who appeared at the police station, stubbornly denied the crime, and he returned to his apartment without physical evidence.However, the residents of the apartment who learned of this had been cold-blooded and rumored to be a murderer. Kishida has a secret crush on the stripper Tachibana Yumi, who lives in the apartment directly opposite.However, Yumi has a lover of a plumber named Maki Shinji.

Born to a prestigious family, Natsuko is not impressed by any one of her suitors. Determined to spend her life serving god, she sets off to a convent in Hakodate, Hokkaido, and meets along the way a young bear-hunter with whom she begins an adventure.

Comedy about the trials and tribulations of youth.

The story tells of Tsuchiya, a university professor and a widower who is in love with a widow who runs a small restaurant, and his son is in love with a runaway girl who turns out to be the leader of a religious sect. Kusano is the henpecked proprietor of a rice biscuit shop who dreams of owning a bird and dog shop and his daughter is in love with a boarder, employed by the private detective agency searching for the runaway girl. The agency head has his own dream of arranging thirty marriages and has already accomplished twenty-seven. Tatsumi is a newspaper reporter who dreams of a big scoop to enable him to marry a girl TV producer and his friend a mountain climbing enthusiast who dreams of joining a Himalayan expedition but is opposed by his wife. His love of the mountains is shared by a boarder in their home and by a fishmonger's son.

Shochiku's commemorative 3000th film production; a suspenseful period drama.

Senta lives with his mother and little brother and supports them by working at day at a factory and attending eighth grade in the evening. One day he finds a letter on his desk, left by Ryohei, a day school student who has lost his pencil case and asks his night-school counterpart to return it…

The proprietress of a long-established sushi restaurant in Asakusa is a war widow who has raised three children. A film that lightheartedly depicts a generational battle between a mother who is anxious about the issue of an heir and her modern children.

It chronicles the experiences of a neighbourhood doctor, whose taste for tonkatsu (a popular Japanese dish, similar to a pork schnitzel) earns him the nickname ‘the pork cutlet prince’ (‘Tonkatsu Taisho’, the film’s Japanese title) from the affectionate residents of the tenement in which he lives. When a local hospital, run by a female doctor, plans to expand, the future of the tenement is called into question.

Drama directed by Yasushi Sasaki.

A former naval officer returns to Japan after the Second World War ends, encounters the former mistress who ratted him out, and reconnects with his daughter.

A story about a high school sophomore, Uzumi Keiko (Kyoko Kami), in a coastal Japanese city, Keiko’s coming-of-age story centers on her strained relationship with her mother and her entanglement in social misunderstandings at school. Her journey reflects postwar Japan’s evolving attitudes toward youth, gender, and family honor, as personal choices become public matters.

A road trip comedy set against the backdrop of the famous historical sites of Tohoku and Hokkaido.

Minako, Sadae, and Momoyo were all in love with their filial art teacher, Sasaki Shinya, but when Momoyo realized that Shinya loved Minako, she gave up and devoted herself to painting, and Sadae was so frustrated that she even staged a fake suicide. As a result, Minako's parents misunderstood Shinya, and in anger, he went to Tokyo, where he worked as an illustrator for his friend Sunaga's publishing company, and was introduced to the artist Hotta, and coincidentally, it was at one of these meetings that he met Sadae, who had become a waitress at a bar.

A satirical comedy set in Tokyo's new landmark food center in Yurakucho.

This drama centers on an elderly politician and depicts how humans can return to their true selves when they are freed from selfish desires and self-interest.

A multifaced portrayal of ordinary life, revealing its hidden aspects! The second film in the "Bride Series" following "The Embraced Bride" is an Ofuna-style comedy.