Taalaibek Kulmendeev

Under Heaven, written and directed by Dalmira Tilepbergen, is a modern day re-working of the biblical tale of Cain and Abel, set in a remote mountain village in Central Asia. Two brothers, rebellious Kerim and conscientious Aman, live with their mother and work at the family stonemason business. Their father has been forced to work away in Russia in order to pay off Kerim's debts, incurred as a result of his eldest son's drug dealing activities. The brothers both fall for a local village girl, Saltanat, which ultimately leads to a bitter dispute and unforeseen and tragic consequences...

Loan sharks harass Damir and his family, even to the point of writing “home for sale” on the exterior of their house. Damir desperately tries to borrow money from his relatives, friends, and anyone else he knows; Cholpon also struggles to prevent the worst from happening.

Loan sharks harass Damir and his family, even to the point of writing “home for sale” on the exterior of their house. Damir desperately tries to borrow money from his relatives, friends, and anyone else he knows; Cholpon also struggles to prevent the worst from happening.

Loan sharks harass Damir and his family, even to the point of writing “home for sale” on the exterior of their house. Damir desperately tries to borrow money from his relatives, friends, and anyone else he knows; Cholpon also struggles to prevent the worst from happening.

Munabia depicts the story of a family's frustration, fury, sadness and eventual acceptance of a long term love affair between a widowed father and his mistress. The film is set in rural Kyrgyzstan, where the natural environment, local culture, traditions and political climate all play an integral part in the drama which unfolds.

A small village is situated on the picturesque shore of Lake Issyk-Kul. Nazik, a 7 year old girl, lives there with her mother Rumiya, a young and bold beauty. Rumiya works at a trout farm. After the collapse of the Soviet empire everyone struggles to survive in this remote mountainous region, where the “world financial crisis” means little to the locals. Only Nazik continues to live in her own make-believe world of fairy-tale, which is reflected in her drawings.

In the village, in a small house by the river, an old man lives with his granddaughter. They live a simple life in harmony with the extensive nature. One day, the man’s daughter, living in the city and doing everything in order to survive in an hostile social environment, comes home and asks him to sell a house and move to live with her in the city.

A boy and his grandmother wait for news of the boy's parents, working in Russia to repay a bank loan. A clerk comes to demand repayment of the debt and to take away the most valuable thing in their home – the TV set.