Eli Skorcheva

Blaga is a seventy-year-old recently widowed former teacher and a woman of firm morals. When telephone scammers con her out of the money that she had saved for her husband’s grave, her moral compass slowly begins to lose its bearings…

Gynecology clinic in Sofia, Bulgaria. On one of the floors several women are waiting for their turn to get an abortion. And on the other floor, four older women struggle to preserve the life they carry. Toni must decide whether to give birth to a child who will not have a father.

In the spring of 1945 the war is still going on, but in Bulgaria the communists have already seized the power. The new rulers do justice according to their personal interests. This is the beginning of the era of Communism in Bulgaria - spiritual poverty, expropriation, destroying of the intelligentsia. In this chaos the main character, an actress fallen on hard times, wants to preserve her social status with every available means. She claims to be a Communist activist and, in order to gain access to the theater even shows a photo with the Bulgarian communist revolutionary Georgi Dimitrov's dog However, in order to survive, she has to resort to betrayal.

The action takes place at the beginning of the 20th century in the provincial Bulgarian town, Turnovo. A rich young doctor suffers because of his love to his housemaid. Meanwhile the First World War is beginning.

Where does the dividing line lie between insanity and supersensitive mentality? How should we treat people who act in a different way then we do? A young and gifted shrink sets up a group, using up-to-date and unknown methods. His idea is to socialize such people, to integrate them into a society they keep aloof from, and help them to survive.

Razvodi, razvodi... is a 1989 Bulgarian anthology comedy film that delves into the complexities of marital relationships through a series of five short stories, all centered around the theme of divorce. Each segment offers a unique perspective on the emotional and societal facets of separation, blending satire with poignant human experiences.

A girl walks out as if of Pandora's Box to foretell the drama humankind is to face, paying for all sins, we have been piling up through the ages. A number of directors being parodied take turns to show their take on this drama and relate it to modern life. Getting tangled up in the opposition between the eternal and transient, the base and the sublime, it all turns into a cocktail of an absurd and profound poignancy.