Paul Morrissey

At age 73, writer and melancholy master of the bon mot, Quentin Crisp (1908-1999), became an Englishman in New York. Nossiter's camera follows Crisp about the streets of Manhattan, where Crisp seems very much at home, wearing eye shadow, appearing on a makeshift stage, making and repeating wry observations, talking to John Hurt (who played Crisp in the autobiographical TV movie, "The Naked Civil Servant"), and dining with friends. Others who know Crisp comment on him, on his life as an openly gay man with an effeminate manner, and on his place in the history of gays' social struggle. The portrait that emerges is of one wit and of suffering.

Esther Robinson's portrait of her uncle Danny Williams, Warhol's onetime lover, collaborator and filmmaker in his own right, offers a exploration of the Factory era, an homage to Williams's talent, a journey of family discovery and a compelling inquiry into Williams's mysterious disappearance at age 27.

James Rasin's documentary “Beautiful Darling” honors American Transgender actress and best-known Warhol Superstar, Candy Darling, and her all-too-brief life and career, with a combination of current and vintage interview material, rarely seen archival photos and footage, and extracts from Darling's movies.

On the evening of November 8th, 1966, following the afternoon filming of The George Hamilton Story, a movie in which Warhol cast his mother Julia as an “aging peroxide movie star with a lot of husbands”, – “ We’re trying to bring back old people.” – he took his crew and a much larger cast to Kaleidoscope, fashion designer Tiger Morse’s boutique shop on Madison Avenue in New York City, to shoot his second unreleased film of the day. A nocturnal tale of downtown bulls in an uptown China shop, Paranoia is a portrait of the always captivating, always hilarious Morse as she converses with everyone in front of and behind the camera while genuinely attempting to keep the Superstars in the room from wreaking havoc on her uniquely curated curios.

With a rambling, unstructured style that echoes Andy Warhol’s own approach to filmmaking, this documentary profiles his career, showing him to be a brilliant manipulator, dedicated voyeur and person of astute commercial judgment.

A Cannes red carpet tribute for three iconic protagonists of Warhol's Factory glory days.

Diane the Zebra Woman follows four women’s misadventures through the streets of New York City in 1962. All played by Flame Schon, the characters consist of The Detective, The Mother, The Child, and the Medium. Evocative of the scene from which it emerged, the film features cameos from integral figures like William Levy, Jonas Mekas, Paul Morrissey and features an original score composed by Malcolm Goldstein.

During the 1982 Cannes Film Festival, Wim Wenders asked a number of global film directors to, one at a time, go into a hotel room, turn on the camera, and answer a simple question: "What is the future of cinema?"

Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Florida.

A look into the many lives of Christa Päffgen, otherwise known as Nico; from cutie German mädchen to the first of the supermodels, to glamorous diva of the Velvet Underground, to cult item, junkie and hag. Many faces for the same woman, whom, you realize, just couldn't bring herself to care enough to live.

The life and times of Baltimore film maker and midnight movie pioneer, John Waters.

Andy Warhol described Jackie Curtis as “A pioneer without a frontier.” In this biographical documentary, Curtis’s co-workers and friends speak of her work and her influence, along with clips from Curtis’s Warhol films as well as never-before-seen footage from her stage shows.

Documentary about American artist and former Warhol superstar, Brigid Berlin.

The film icon/Andy Warhol darling is interviewed is his legendary cluttered apartment.

Documentarians Juan Drago and Bruce Torbet follow a surprisingly relaxed and open Andy Warhol, at the peak of his powers in 1965 and 1966, around his bustling original "Factory" in midtown Manhattan. Warhol experiments with an early videotape machine, recording a beautiful, laughing Edie Sedgwick - his "superstar" of the moment - for the video portion of "Outer and Inner Space," his filmed record of the "live" Sedgwick juxtaposed against her video image on an adjacent monitor. Also captured is a Warhol show at the Leo Castelli gallery, including the famous Mylar "Clouds," as various unnamed art dealers and critics muse in voiceover about the meaning and significance of Warhol's work.

DANNY SAYS is a documentary unveiling the amazing journey of Danny Fields. Fields has played a pivotal role in music and culture with seminal acts including: the Doors, the Velvet Underground, the Stooges, MC5, Nico, the Ramones and beyond.

The first major profile of the American Pop Art cult leader after his death in 1987 covers the whole of his life and work through interviews, clips from his films, and conversations with his family and superstar friends. Andy Warhol, the son of poor Czech immigrants, grew up in the industrial slums of Pittsburgh while dreaming of Hollywood stars. He went on to become a star himself.

Andy Warhol, one of the most influential artists of the 20th century (who also coined the immortal catchphrase "In the future, everyone will be famous for 15 minutes"), gets the definitive treatment. This film includes a look into his inner circle and examines both his artistic and personal impact on society. From day-glo Marilyns and Elvises to Campbell's Soup cans to the groovy 1960s and '70s, step into the limelight of the Warhol world.

David Bailey, self-taught photographer and one of the prime architects of the Swinging Sixties, broadened his horizons in the early 1970s by making high-profile documentaries for ATV. With his standing among the artistic community, Bailey was given unprecedented access to Pop Art legend Andy Warhol and his followers, in an attempt to penetrate behind the expressionless exterior of a man who was one of the most controversial figures of his generation.

Not a documentary in the strictest sense of the word. Rather, it is a journey through the world of the artist Jonas Mekas - one of the exponents of independent U.S. movies; founder and director of the New York Anthology Film Archive.

The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second. The resulting two-and-a-half-minute film reels were then screened in 'slow motion' at 16 frames per second.

Iconic American artist and filmmaker Andy Warhol is the subject of this documentary, which looks at both his life and his influence on pop culture. The film provides details about Warhol's upbringing in Pittsburgh and follows his move to New York City, where he found massive success turning pop imagery into art and eventually founded "The Factory," his famed studio and party venue. Among the many notables interviewed are Dennis Hopper, David Hockney, and Roy Lichtenstein.

Takes an in-depth look at the lives and times of the people who hung out with Andy Warhol and "worked" at the Silver Factory during the Sixties, making it all click as a new counter-culture arose and began to exert its influence throughout the arts.

“The film flickers through a millennium of culture as it would appear to a tourist. It is an intense film, yet there is an incredible wealth of information surprisingly accessible. Aside from the exciting experience itself, the breakneck history lesson is a reminder that the mind can move in lightning steps: The plodding way information is typically presented is an insult to mental capability.” - Bartlett Naylor

Legendary filmmaker Paul Morrissey waxes disgruntled about sex, religion, & art.

My mother googles the film hero of her youth: Helmut Berger. She is shocked: only an addicted shadow of the former icon seems to be left. She decides to halt the obvious catastrophic decline of the once “most handsome man in the world”. As a consequence, this one-time god of the screen is suddenly sitting on my mother’s sofa in Nordsehl in Lower Saxony. And he stays put - for several months. While he trustingly rolls out his whole life before us, the dividing lines between film team, world star and family intermingle. This is a film about ageing, rising and falling - and about the fact that it is sometimes possible to regain an element of dignity in life.

Sergio Castellitto's narration traces the history of 3D cinema, which began with cinema itself, through films from the early 1900s such as "L'Arrivée d'un train en gare de La Ciotat" by the Lumière brothers, to the great titles of the 1950s such as Alfred Hitchcock's "Dial M for Murder" and "The Creature from the Black Lagoon."

Ric Burns unearths rarely seen footage and offers keen observations on the life and artistic influence of Andy Warhol. [Made for and aired on PBS's American Masters series.]

Two literary women compete for 20 years: one writes for the critics; the other one, to get rich.

Paul Morrissey lowers his brow and stares back at the camera with a stern and determined look. A bright light falls from the right; the left side of the frame is completely black. As the film progresses, he lowers his brow further; by the end of the roll his eyes have begun to tear up.

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

Within the decadent walls of the Frankenstein mansion, the Baron and his depraved assistant Otto have discovered the means of creating new life. As the Baron's laboratory begins to fill up with stitched body parts, the Baroness dallies with the randy new manservant and soon the decadent, permissive household is consumed by an outrageous, bizarre and hilarious combination of death and dismemberment.

Within the decadent walls of the Frankenstein mansion, the Baron and his depraved assistant Otto have discovered the means of creating new life. As the Baron's laboratory begins to fill up with stitched body parts, the Baroness dallies with the randy new manservant and soon the decadent, permissive household is consumed by an outrageous, bizarre and hilarious combination of death and dismemberment.

A heroin junkie works as a prostitute to support his habit and fund an abortion needed by the girlfriend of his lesbian wife. His seedy encounters with delusional and damaged clients, and dates with drag queens and hustlers are heavy on sex, drugs and decadence.

A heroin junkie works as a prostitute to support his habit and fund an abortion needed by the girlfriend of his lesbian wife. His seedy encounters with delusional and damaged clients, and dates with drag queens and hustlers are heavy on sex, drugs and decadence.

A heroin junkie works as a prostitute to support his habit and fund an abortion needed by the girlfriend of his lesbian wife. His seedy encounters with delusional and damaged clients, and dates with drag queens and hustlers are heavy on sex, drugs and decadence.

Former child star Joe Davis, reduced to living in a cheap Hollywood motel while struggling for acting jobs, is lusted after by nearly every woman he meets, including Jessica Todd, a tightly wound feminist who has recently come out as a lesbian. When Jessica's mother, Sally, an emotionally needy has-been actress, meets Joe, she moves him into her enormous, tacky mansion as her new boy toy and attempts to get him acting work.

Former child star Joe Davis, reduced to living in a cheap Hollywood motel while struggling for acting jobs, is lusted after by nearly every woman he meets, including Jessica Todd, a tightly wound feminist who has recently come out as a lesbian. When Jessica's mother, Sally, an emotionally needy has-been actress, meets Joe, she moves him into her enormous, tacky mansion as her new boy toy and attempts to get him acting work.

Deathly ill Count Dracula and his slimy underling, Anton, travel to Italy in search of a virgin's blood. They're welcomed at the crumbling estate of indebted Marchese Di Fiore, who's desperate to marry off his daughters to rich suitors. But there, instead of pure women, the count encounters incestuous lesbians with vile blood and Marxist manservant Mario, who's suspicious of the aristocratic Dracula.

Deathly ill Count Dracula and his slimy underling, Anton, travel to Italy in search of a virgin's blood. They're welcomed at the crumbling estate of indebted Marchese Di Fiore, who's desperate to marry off his daughters to rich suitors. But there, instead of pure women, the count encounters incestuous lesbians with vile blood and Marxist manservant Mario, who's suspicious of the aristocratic Dracula.

When a nobleman is threatened by a family curse on his newly inherited estate, detective Sherlock Holmes is hired to investigate.

On the mean streets of New York City, a dog-eat-dog mentality reigns among the destitute citizens. In one of the many abandoned buildings in the neighborhood of Alphabet City lives the Brazilian Rita La Punta, along with her delinquent son, Thiago, and a gang of Hispanic teens charged with selling heroin and cocaine. When Rita and her young gang members get involved in a minor turf war, the violence escalates out of control, touching everyone and sparing no one.

On the mean streets of New York City, a dog-eat-dog mentality reigns among the destitute citizens. In one of the many abandoned buildings in the neighborhood of Alphabet City lives the Brazilian Rita La Punta, along with her delinquent son, Thiago, and a gang of Hispanic teens charged with selling heroin and cocaine. When Rita and her young gang members get involved in a minor turf war, the violence escalates out of control, touching everyone and sparing no one.

Spike Fumo is an Italian kid apsiring to be a boxer. He falls in love with a rich girl, who turns out to be the daughter of a Mafia boss. Spike is threatened to leave Bensonhurst by the mob, and then goes to a poverty-stricken Puerto Rican part of Brooklyn.

The movie follows Joe, a heroin addict, throughout his quest to score more drugs. The episodic plot occurs over a single day and centers on Joe's problematic relationship with his on-off, sexually frustrated girlfriend. During the course of the day, Joe overdoses in front of an upper-class couple, attempts to fool Welfare into approving his methadone treatment by having Holly fake a pregnancy, and frustrates the women in his life with his drug-induced impotence.

Candy is an aloof heiress caught in an unhappy relationship with her brother. Jackie is a virginal intellectual who believes women are oppressed in contemporary American society. And Holly is a nymphomaniac who has come to loathe men, despite her attraction to them. Together, they join a militant feminist group, P.I.G. (Politically Involved Girls), but their newfound liberation doesn't make them any happier.

Vera von Lehndorff is a Prussian noblewoman and daughter of the Count Lehndorff, a leader of the anti-Nazi resistance, executed during WW II. She was discovered in 1959 by Italian photographer Ugo Mulas. After initial failure, she changed her name to Veruschka, became one of the first top models and was also considered for a long time one of the most beautiful women in the world. Muse to Antonioni in Blow up, and to Dalì, in the 1960s she was on the cover of magazines like Life, Vogue and Queen, and photographed by the most important talents of the time (Avedon, Newton). In 1965 she began working on "transfigurations", which would lead to body art, where make-up becomes real body painting: from cat-woman, to snake, plant, mineral, African idol and finally to an immortal metallic body (for Rubartelli, director of the films Stop Veruschka and Trülzsch) which survives the natural decay of objects over time.

A young hustler tries to get drug money by selling a boy to a middle-aged man; his plans are disrupted when the kid dies.

A KGB agent comes to California to meet Jane Fonda and prepare for a Russian takeover of the US. After losing his papers, he connects with a band of homeless, overweight, and over-the-hill transvestites and becomes a punker in a Chinese restaurant owned by an elderly transexual, Madame Wang.

The movie follows Joe, a heroin addict, throughout his quest to score more drugs. The episodic plot occurs over a single day and centers on Joe's problematic relationship with his on-off, sexually frustrated girlfriend. During the course of the day, Joe overdoses in front of an upper-class couple, attempts to fool Welfare into approving his methadone treatment by having Holly fake a pregnancy, and frustrates the women in his life with his drug-induced impotence.

Joe Spencer, a member of a motorcycle gang, is taking a shower. After his bout with personal hygiene, Joe encounters Andy Warhol's "superstars," who engage him in conversation. The superstars crack jokes he doesn't understand and continually correct his poor pronunciation in an attempt to deflate his machismo. In response to these provocations, Joe becomes more obscene and more boasting, but ultimately, he cannot compete with the put-downs that are part of the put-on performances of the Warhol superstars, who prevail over him in the end.

One camera in one setting, one attic and eight young directors – the result is a unique Dadaistic collage of seven short sketches. The original task for each filmmaker was to keep each short under three minutes, to set it in one hotel room, and to include the sentence “I miss Sonja Henie." This experimental film was shot over a single night at the international film festival FEST in Beograd in 1971.

The plot centers around old Beethoven's fixation on the welfare of his nephew, for whom he fought a lengthy custody battle against his brother's former wife. Beethoven thought she was a bad influence on the boy. Sadly, the nephew isn't receptive to Beethoven's "overtures", and resents his boorish uncle's efforts on his behalf. The nephew is a complete nonentity, lacking in both interest and talent. He seems to wish only to be left alone.

The plot centers around old Beethoven's fixation on the welfare of his nephew, for whom he fought a lengthy custody battle against his brother's former wife. Beethoven thought she was a bad influence on the boy. Sadly, the nephew isn't receptive to Beethoven's "overtures", and resents his boorish uncle's efforts on his behalf. The nephew is a complete nonentity, lacking in both interest and talent. He seems to wish only to be left alone.

A young man reads a comic depicting what the title says. We see his face and reactions. He finally finishes the book and leaves the scene.

A young man and a young woman seated on a sofa use the traditional tools to inject drugs into their veins.

A young man smokes a cigarette and then uses a surgeon scalpel to wound his thigh.

Spike Fumo is an Italian kid apsiring to be a boxer. He falls in love with a rich girl, who turns out to be the daughter of a Mafia boss. Spike is threatened to leave Bensonhurst by the mob, and then goes to a poverty-stricken Puerto Rican part of Brooklyn.

Spike Fumo is an Italian kid apsiring to be a boxer. He falls in love with a rich girl, who turns out to be the daughter of a Mafia boss. Spike is threatened to leave Bensonhurst by the mob, and then goes to a poverty-stricken Puerto Rican part of Brooklyn.

Anthony Kiedis and Sofia Coppola try to escape the fashion influence of Debbie Harry.

After Eduardo, an Argentine loner on the lam, arrives in the U.S. illegally, he forms a relationship with a woman and her teenage daughter. Drama - - Demian Gabriel, Nicole LaLiberte, Viva

A dark and atmospheric story of female friendship tested by deceit, betrayal and a terrifying past. Susan, outwardly confident and Becky, more fragile and shy, both in their late twenties, are inseparable friends. But both women have secrets they have not shared, some recent, some long past and deeply buried. When, on a weekend trip to Dartmoor, they encounter the charismatic Chris, they are led into a web of mind games, sexual deceit and betrayal. As Becky's traumatic involvement in Chris' own damaged past is revealed, a psychological journey swiftly becomes a fight for survival.

The movie follows Joe, a heroin addict, throughout his quest to score more drugs. The episodic plot occurs over a single day and centers on Joe's problematic relationship with his on-off, sexually frustrated girlfriend. During the course of the day, Joe overdoses in front of an upper-class couple, attempts to fool Welfare into approving his methadone treatment by having Holly fake a pregnancy, and frustrates the women in his life with his drug-induced impotence.

Former child star Joe Davis, reduced to living in a cheap Hollywood motel while struggling for acting jobs, is lusted after by nearly every woman he meets, including Jessica Todd, a tightly wound feminist who has recently come out as a lesbian. When Jessica's mother, Sally, an emotionally needy has-been actress, meets Joe, she moves him into her enormous, tacky mansion as her new boy toy and attempts to get him acting work.

Viva and Taylor Mead are a married couple renting an extra beach-house to a group of surfers sent to them by a Mr. Morrissey of La Jolla Realty. Their daughter, Ingrid Superstar, is pregnant and on the hunt for a husband. Mr. Mead, who is gay, tries to pawn her off to one of the surfers. Meanwhile, Viva wants a divorce from her boy-crazy hubby, who wants a surfer of his own. Tom, a surfer, is inveigled by Mr. Mead to urinate on him. In a close-up, Mr. Mead receives Tom's offering ecstatically, after which he comments, "I'm a real surfer now."

A series of Andy Warhol’s screen tests, focusing on an actor’s face for 4-5 mins.

Ronald Tavel taunts Philip Fagan, who lacks the verbal dexterity to counter the clever spider’s web of words that Ronald Tavel weaves to ensnare him, so that Fagan’s only response is to refuse to respond and stare silently off-screen, turning the screen test into a strange form of psychodrama.

One of Andy Warhol's screen tests, focusing on an actor's face for 4-5 mins.

Candy is an aloof heiress caught in an unhappy relationship with her brother. Jackie is a virginal intellectual who believes women are oppressed in contemporary American society. And Holly is a nymphomaniac who has come to loathe men, despite her attraction to them. Together, they join a militant feminist group, P.I.G. (Politically Involved Girls), but their newfound liberation doesn't make them any happier.

Candy is an aloof heiress caught in an unhappy relationship with her brother. Jackie is a virginal intellectual who believes women are oppressed in contemporary American society. And Holly is a nymphomaniac who has come to loathe men, despite her attraction to them. Together, they join a militant feminist group, P.I.G. (Politically Involved Girls), but their newfound liberation doesn't make them any happier.

Candy is an aloof heiress caught in an unhappy relationship with her brother. Jackie is a virginal intellectual who believes women are oppressed in contemporary American society. And Holly is a nymphomaniac who has come to loathe men, despite her attraction to them. Together, they join a militant feminist group, P.I.G. (Politically Involved Girls), but their newfound liberation doesn't make them any happier.

Or "Moe in Bondage" - The "Moe" of the title is the Velvet Underground's drummer, Maureen Tucker, whose band-mates have tied her to a chair and are now hanging around nibbling on sandwiches and pieces of fruit.

Documents each member of The Velvet Underground having their cards read at a big apartment party. The tarot reader is continually interrupted in her readings by the chaos created by the characters around her.

The film depicts a rehearsal of The Velvet Underground including Nico, and is essentially one long loose improvisation.

A computer hacker uses his high-tech skills to get into personal computers, and from their into their homes. His sister is the only chance the world has of stopping him.

Donna and Jane are two American hippies, searching for sex and romance in Paris but, mainly, rich husbands. Eventually, Donna finds a perfume industrialist, Michael, who wishes to marry her, providing she will accept sharing his special friendship with local gigolo Max. Drama ensues as Michael changes his mind when meeting Jane, but all is well that ends well.

Donna and Jane are two American hippies, searching for sex and romance in Paris but, mainly, rich husbands. Eventually, Donna finds a perfume industrialist, Michael, who wishes to marry her, providing she will accept sharing his special friendship with local gigolo Max. Drama ensues as Michael changes his mind when meeting Jane, but all is well that ends well.

Donna and Jane are two American hippies, searching for sex and romance in Paris but, mainly, rich husbands. Eventually, Donna finds a perfume industrialist, Michael, who wishes to marry her, providing she will accept sharing his special friendship with local gigolo Max. Drama ensues as Michael changes his mind when meeting Jane, but all is well that ends well.

Screen Test: Helmut, by Andy Warhol, is a five minute silent black and white continuous close-up of a young man’s face. The face remains deathly still other than the occasional blink or involuntary bat of his eyelash. The film is slowed down to about 24-frames per-second to capture these slight movements a bit better, but other than this and the choppy fade-in’s and out’s at the beginning and end respectively, nothing changes throughout the film.

Andy directs Edie for a screen test.

Andy directs Lou Reed drinking a Coke.

Viva and Louis Waldon spend an idyllic afternoon together in an apartment in New York City.

Set on Fire Island, My Hustler depicts competition over the affections of a young male hustler among a straight woman, a former male hustler, and the man who hired the boy's companionship via a "Dial-A-Hustler" service.

Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.

Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.

Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.

Andy Warhol (Rene Ricard) invites a friend (Edie Sedgwick) over to his apartment one evening to discuss his career. As they talk, the truth about how Warhol uses and then throws people away comes out. The woman begins to come undone and reveals to Warhol how he ruined her life with drugs and false promises of fame.

A KGB agent comes to California to meet Jane Fonda and prepare for a Russian takeover of the US. After losing his papers, he connects with a band of homeless, overweight, and over-the-hill transvestites and becomes a punker in a Chinese restaurant owned by an elderly transexual, Madame Wang.

Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.

Documentarians Juan Drago and Bruce Torbet follow a surprisingly relaxed and open Andy Warhol, at the peak of his powers in 1965 and 1966, around his bustling original "Factory" in midtown Manhattan. Warhol experiments with an early videotape machine, recording a beautiful, laughing Edie Sedgwick - his "superstar" of the moment - for the video portion of "Outer and Inner Space," his filmed record of the "live" Sedgwick juxtaposed against her video image on an adjacent monitor. Also captured is a Warhol show at the Leo Castelli gallery, including the famous Mylar "Clouds," as various unnamed art dealers and critics muse in voiceover about the meaning and significance of Warhol's work.

Tayor travels in his white Rolls Royce to the Second City nightclub, where he dances. With Tayor Mead, Katherine Roberts, and Roberts Blossom.

When a nobleman is threatened by a family curse on his newly inherited estate, detective Sherlock Holmes is hired to investigate.

Morrissey and Warhol's commercial take on the Swedish film I, A Woman. Somebody suggested to Warhol that they wanted a sexploitation film in the vein of I, A Woman, and so he and Morrissey concocted I, A Man. They created the story of this male hustler who talks with and sleeps with a series of women over the course of the film. The women are: a young woman who worries about parental acceptance of her sexuality, a woman who is on a couch, a woman with whom he does a seance, a woman who speaks French, a lesbian, and a married woman.

Ondine is a gay man attempting to re-adjust his sexuality via various encounters with different women. After trying his luck with three women, Ondine becomes a background character in a sequence in which a group of Latin American men, calling themselves The Bananas, engage in a food fight. Ondine then engages in a wrestling match with Joe Dallesandro, who is married to Brigid Berlin.

Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.

The film depicts a rehearsal of The Velvet Underground including Nico, and is essentially one long loose improvisation.

Joe Spencer, a member of a motorcycle gang, is taking a shower. After his bout with personal hygiene, Joe encounters Andy Warhol's "superstars," who engage him in conversation. The superstars crack jokes he doesn't understand and continually correct his poor pronunciation in an attempt to deflate his machismo. In response to these provocations, Joe becomes more obscene and more boasting, but ultimately, he cannot compete with the put-downs that are part of the put-on performances of the Warhol superstars, who prevail over him in the end.

Warhol's Factory visits Los Angeles.

"Tub Girls" features Warhol superstar Viva lying in a bathtub with different people of both sexes, including Brigid Berlin (as Brigid Polk), who appeared fully clothed in the tub.

"The collage paintings of Stanley Fisher: sin, sex, and gore blaring across the screen." – P. M. "PEACHES AND CREAM, which closes in on the paintings and gets rid of the spectators' distance, is a spectacular success. The camera supplies visual movement to these spatially static canvases. Something is happening – never mind if it's art. For five minutes or so one can tap one's foot to the music and look." – Arts Magazine

An early short by Paul Morrissey featuring close-ups of Karen Holzer as she walks one direction and then the opposite.

An early short by Paul Morrissey featuring close-ups of Karen Holzer as she walks one direction and then the opposite.

An early short by Paul Morrissey featuring close-ups of Karen Holzer as she walks one direction and then the opposite.

The movie follows Joe, a heroin addict, throughout his quest to score more drugs. The episodic plot occurs over a single day and centers on Joe's problematic relationship with his on-off, sexually frustrated girlfriend. During the course of the day, Joe overdoses in front of an upper-class couple, attempts to fool Welfare into approving his methadone treatment by having Holly fake a pregnancy, and frustrates the women in his life with his drug-induced impotence.

Paul Morrissey’s first film, a collage work made up of found footage from 1950s newsreels.

Riffing on Freud, Civilization and Its Discontents is “about a cleansing energy applied to a fallen world. But this time the mode is self-mocking satire. A poet of lye and laughing gas, Morrissey has concocted a new genre: slapstick neorealism.” (Donald Lyons)

Nodding to the TV actress Mary Martin, who took part in a New York anti-litter campaign in 1961, Paul Morrissey imagines a pretty young litter-picker turned murderess who poisons bums with adulterated booze until an old bag lady throws her under a motorized street sweeper.