Colin Wills

With the tank truck of the company British Petroleum (BP), the Bozzetto fuel delivery man crosses mountain roads in winter. Headed to Val d'Isère in Savoie, it faces, night and day, the vagaries of traffic in snowy weather, and penetrates the life of the winter sports resort living to the rhythm of development activities. , sports and tourism: tunnel construction, snow milling machine, cable car, hotel and catering as well as skiing from the peaks to the village (off-piste descent demonstration by Lionel Terray).

A BAFTA award nominated documentary looking at the international co-ordination involved in dealing with a locust plague.

Channel 4 documentary charting the meteoric rise and equally swift decline of Mary Millington, the girl-next-door who became one of the most famous porn stars of the 1970s.

Information on the different groups and organizations that are there to help the population during wartime.

In 1945, Allied troops invaded Germany and liberated Nazi death camps. They found unspeakable horrors which still haunt the world’s conscience. A film was made by British and American film crews who were with the troops liberating the camps. It was directed in part by Alfred Hitchcock and was broadcast for the first time in its entirety on PBS FRONTLINE in 1985.

In 1945, Allied troops invaded Germany and liberated Nazi death camps. They found unspeakable horrors which still haunt the world’s conscience. A film was made by British and American film crews who were with the troops liberating the camps. It was directed in part by Alfred Hitchcock and was broadcast for the first time in its entirety on PBS FRONTLINE in 1985.

On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).