Kristín Þóra Haraldsdóttir

A year after a subglacial volcano erupts, mysterious elements from prehistoric times emerge from the melting ice, bringing unforeseen consequences.

Follows a young married couple who see their livelihoods threatened when the government starts enforcing restrictive fishing quotas after they build a small fishing empire in a village.

Stella is a young, cute, libertine, tough, confident, intelligent, cunning Icelandic lawyer with a flexible moral compass who takes on mysterious and often dangerous cases and only loves rules when she's breaking them.

After a lifetime of mistakes, Linda is sent to serve time in Iceland’s only women’s prison for a vicious assault that leaves her father in a coma. But no-one knows that she harbours a dark secret that could tear her family apart, a secret that could set her free.

Maria is a Portuguese woman who emigrates to Vestmannaeyjar, a small and remote island in Iceland, in search of a better life for herself and her teenage daughter, Bela. Away from a past marked by domestic violence and deep secrets, she looks for freedom and a place to be herself. Six months after her arrival, Maria is found lifeless. Her violent death shocks the isolated community and exposes the secrets everyone is keeping. The investigation is placed in the hands of Soffía an Icelandic detective who, as she immerses in the investigation, faces her own crossroads, trying to balance professional duty and the ghosts of her past.

An Icelandic sketch show where Icelandic comedians Saga Garðarsdóttir and Steindi Jr. appear in every sketch

Rambo, Napoleon and Pippi Longstocking - all rolled into one - and she lives next door. When Ditte Jensen retires with honours from the Danish Secret Service, she moves into an apartment block in Reykjavik, where she plans to tend to her garden and live out her life in anonymity. But Ditte cannot stop being who she is: an elite soldier and a warrior. Soon, the apartment building becomes a battlefield for a better world. With her deep-rooted sense of justice, she sees her neighbours' problems and feels compelled to help - whether they want her help or not. And in her world, the end justifies the means. Always.