Hermina G. Erdélyi

An absurdist fable set in the numerous parallel realities of late-1990s Serbia. As a family disintegrates, Szabolcs Tolnai’s film effortlessly combines melancholic ruminations on middle age with dollops of unlikely colour, rejuvenation and invisible art projects.

After sending their son to rehab from drug abuse, they find out that he has run away from the rehab center and that he has a dept to a local drug boss, which may be the reason he is on the run. His parents start blaming each other for their son's mistakes, and the father decides to leave their family home. In the next few days they both are trying to find their son, and they both face the brutal reality of life in Serbia on their own way.

In November 1956, many people fled to Tito in Yugoslavia and were confronted with socialism, which they called "man-faced". The film's heroes find temporary refuge on a Bunyevac farmer's farm and await their fate there, as well as in nearby Subotica, in a long-simmering family and social environment, under the supervision of local internal security officers. One of them, a participant in the 1942 massacre in Baška, later a carpenter, now posing as a revolutionary, tries to blackmail his host with old memories. A naive young man of faith tries to clear up the gendarme's past, his son, a Stalinist, and his role in the revolution, as does the penitent intellectual.