Cédric Eeckhout

Theater director Thomas Ostermeier stages Bertolt Brecht and Kurt Weill's timelessly magnificent "Threepenny Opera" with the ensemble of the Comédie Française in Aix-en-Provence, based on a new translation of the original text by Alexandre Pateau. In London's underworld district of Soho, the beggar king Jonathan Peachum and the criminal Macheath, known as Mackie Messer, are at war. The latter also seduces the daughter of the shady "businessman". When he finds out that the two have secretly celebrated a wedding, he decides to get rid of his rival. He is aided in his endeavors by Jenny, a cunning whore who betrays her ex-lover to the police. Back to the original: First performed in 1928, the opera parody strings together one biting musical number after another in cabaret style and jazz rhythm, breaking the boundaries of the genre, which until then had been considered bourgeois. Because the "Threepenny Opera" by Bertolt Brecht and Kurt Weill is clearly political!

A car parked in a residential neighborhood. A father and son gradually strike up a conversation. Love, sex, motherhood, and death. An unusual complicity, a symbiotic relationship. Time passes, voices rise, and questions remain unanswered: what are they waiting for? And above all... what are they about to do?

It's summer and Maxime, a cycling enthusiast, is on holiday. The weather is great and country roads are perfect for cycling. But Maxime's holidays are disrupted by news concerning his idol, a struggling professional cyclist, as well as his girlfriend's absence.

In 1891, the French painter Paul Gauguin leaves Paris and travels to Tahiti to renew his art as a free man, far from the European artistic conventionalism. On his journey of discovery, he faces solitude and disease, but he also knows the beauty of wild nature and the love of Tehura, a young native girl who becomes his wife and model.

1862. A high altitude inn at the foot of a glacier in the Swiss Alps Each winter the snow isolates the inn rendering it totally inaccessible.

Jan and Pascale are separating, leaving their son Thierry torn between two families.

The film centers on a young French widow and her two adolescent children as they attempt to carve out a meager life for themselves by farming rice fields alongside the ocean in French Indo-China in the 1930s. Their efforts are hampered each year by the presence of the sea, which invariably floods the fields with saltwater and wipes out the crops. In desperation, the mother realizes that their only hope lies in the construction of a sea wall to prevent continued flooding, but the mother must cut a swath through the local bureaucracy in an almost Sisyphean attempt to make this happen. Meanwhile, her obstinate daughter, Suzanne, draws the romantic obsessions of a well-to-do Chinese gentleman, Monsieur Jo. Though he could easily provide a way out, the possibility of a romantic relationship between Jo and Suzanne could just as easily fall prey to local racial prejudices that would damage or ruin the lives of both.