Eric Cloutier

Wax and wane until there is naught but boring pain.

Steadily reading while/becomes treading into murky waters.

Beyond all human restraint lies one's lugubrious layers of paint.

Shadows frighten what one oughtn't be gripping (that thing before/hind you).

REMIXXX'd is the execution of the director's 8 previous works thru simultaneity.

5 minute experimental film.

10 minute experimental film.

Tones rise and fall as images replicate and reorder, dizzying, nauseating -- vexing.

6 minute experimental film.

20 minute experimental film.

20 minute experimental film.

6 minute experimental film.

REMIXXX'd is the execution of the director's 8 previous works thru simultaneity.

10 minute experimental film.

Tones rise and fall as images replicate and reorder, dizzying, nauseating -- vexing.

5 minute experimental film.

3 minute experimental film.

7 minute experimental film.

7 minute experimental film.

1 minute experimental film.

1 minute experimental film.

4 minute experimental film.

4 minute experimental film.

Perception becomes reality, forcing reality to lose perception, crash, and burn.

Perception becomes reality, forcing reality to lose perception, crash, and burn.

"a feeling of listlessness and dissatisfaction arising from a lack of occupation or excitement."

"a feeling of listlessness and dissatisfaction arising from a lack of occupation or excitement."

5 minute experimental film.

5 minute experimental film.

4 minute experimental film.

4 minute experimental film.

5 minute experimental film.

6 minute experimental film.

6 minute experimental film.

20 minute experimental film.

7 minute experimental film.

1 minute experimental film.

4 minute experimental film.

"a feeling of listlessness and dissatisfaction arising from a lack of occupation or excitement."

Perception becomes reality, forcing reality to lose perception, crash, and burn.

5 minute experimental film.

4 minute experimental film.

REMIXXX'd is the execution of the director's 8 previous works thru simultaneity.

10 minute experimental film.

Tones rise and fall as images replicate and reorder, dizzying, nauseating -- vexing.

3 minute experimental film.

1 minute experimental film.

1 minute experimental film.

1 minute experimental film.

A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.

A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.

A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.

3 minute experimental film.

Lights flicker & fade as focus shifts from artificial to natural light, ending on a second artificial light speeding through the blackened miasma of the night sky.

Lights flicker & fade as focus shifts from artificial to natural light, ending on a second artificial light speeding through the blackened miasma of the night sky.

Lights flicker & fade as focus shifts from artificial to natural light, ending on a second artificial light speeding through the blackened miasma of the night sky.

Platitudes begin at peaks then rapidly descend and dismantle in order to ascend more acutely until they repeatedly and successively overwhelm.

Platitudes begin at peaks then rapidly descend and dismantle in order to ascend more acutely until they repeatedly and successively overwhelm.

Platitudes begin at peaks then rapidly descend and dismantle in order to ascend more acutely until they repeatedly and successively overwhelm.

3 minute experimental film.

3 minute experimental film.

3 minute experimental film.

3 minute experimental film.

10 minute experimental film. Warning: this video involves frequent strobing.

10 minute experimental film. Warning: this video involves frequent strobing.

10 minute experimental film. Warning: this video involves frequent strobing.

Trite, closed memories flagrantly bleed into profuse openings mixed & held together by retaliatory colorations & obfuscations.

Trite, closed memories flagrantly bleed into profuse openings mixed & held together by retaliatory colorations & obfuscations.

Trite, closed memories flagrantly bleed into profuse openings mixed & held together by retaliatory colorations & obfuscations.

Wax and wane until there is naught but boring pain.

Wax and wane until there is naught but boring pain.

Wax and wane until there is naught but boring pain.

Lines align during acclimated apexes, shadowy vertices, and bright burrows.

Lines align during acclimated apexes, shadowy vertices, and bright burrows.

Lines align during acclimated apexes, shadowy vertices, and bright burrows.

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Time plods along in spattered irregularities as anger and depression coalesce in confusing amalgamations.

Time plods along in spattered irregularities as anger and depression coalesce in confusing amalgamations.

Time plods along in spattered irregularities as anger and depression coalesce in confusing amalgamations.

There is nothing left to do but complain.

There is nothing left to do but complain.

There is nothing left to do but complain.

There is nothing left to do but complain.

Steadily reading while/becomes treading into murky waters.

Steadily reading while/becomes treading into murky waters.

Beyond all human restraint lies one's lugubrious layers of paint.

Beyond all human restraint lies one's lugubrious layers of paint.

Beyond all human restraint lies one's lugubrious layers of paint.

Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.

Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.

Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.

Centrist revelations abound among repetitions & revisitings.

Centrist revelations abound among repetitions & revisitings.

Centrist revelations abound among repetitions & revisitings.

Something I know or something I was told? When something scalding translates something to behold.

Something I know or something I was told? When something scalding translates something to behold.

Something I know or something I was told? When something scalding translates something to behold.

Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.

Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.

Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.

Slowed, stowed, achingly retold.

Slowed, stowed, achingly retold.

Slowed, stowed, achingly retold.

Running up that [mountainous-outcropping] because there is none of this that's stopping.

Running up that [mountainous-outcropping] because there is none of this that's stopping.

Running up that [mountainous-outcropping] because there is none of this that's stopping.

Running up that [mountainous-outcropping] because there is none of this that's stopping.

On the Clickity-clack Express it's clear I'm always under duress, unless I forget.

On the Clickity-clack Express it's clear I'm always under duress, unless I forget.

On the Clickity-clack Express it's clear I'm always under duress, unless I forget.

On the Clickity-clack Express it's clear I'm always under duress, unless I forget.

On the Clickity-clack Express it's clear I'm always under duress, unless I forget.

Shadows frighten what one oughtn't be gripping (that thing before/hind you).

Shadows frighten what one oughtn't be gripping (that thing before/hind you).

Shadows frighten what one oughtn't be gripping (that thing before/hind you).

Shadows frighten what one oughtn't be gripping (that thing before/hind you).

Shadows frighten what one oughtn't be gripping (that thing before/hind you).

Still it's really tall. Still it's really floundering/falling/fading.

Still it's really tall. Still it's really floundering/falling/fading.

Still it's really tall. Still it's really floundering/falling/fading.

Strings together what's strung together (please use yr tether).

Strings together what's strung together (please use yr tether).

Strings together what's strung together (please use yr tether).

Strings together what's strung together (please use yr tether).

Your raging romp results only in rescinded regret @ the hands of radder cadets.

Your raging romp results only in rescinded regret @ the hands of radder cadets.

Your raging romp results only in rescinded regret @ the hands of radder cadets.

Your raging romp results only in rescinded regret @ the hands of radder cadets.

Hiding inside&out, writhing about, taken out&in.

Hiding inside&out, writhing about, taken out&in.

Hiding inside&out, writhing about, taken out&in.

Hiding inside&out, writhing about, taken out&in.

I really hope this is well-received. I really hope there's some sort of reprieve.

I really hope this is well-received. I really hope there's some sort of reprieve.

I really hope this is well-received. I really hope there's some sort of reprieve.

I really hope this is well-received. I really hope there's some sort of reprieve.

I really hope this is well-received. I really hope there's some sort of reprieve.

Return to 'burn' only to find out you're already in that urn.

Return to 'burn' only to find out you're already in that urn.

Return to 'burn' only to find out you're already in that urn.

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

It's time the times met each other over & over.

It's time the times met each other over & over.

It's time the times met each other over & over.

Don't ask me why, but I feel we're about to cry trying.

Don't ask me why, but I feel we're about to cry trying.

Don't ask me why, but I feel we're about to cry trying.

Radical recurrences & rancorous requests raze my daze.

Radical recurrences & rancorous requests raze my daze.

Radical recurrences & rancorous requests raze my daze.

Radical recurrences & rancorous requests raze my daze.

Onward, upward, greener [redder] grasstures.

Onward, upward, greener [redder] grasstures.

Onward, upward, greener [redder] grasstures.

Onward, upward, greener [redder] grasstures.

Say Om as you reach home only to realize you never really left/stopped saying Om.

Say Om as you reach home only to realize you never really left/stopped saying Om.

Say Om as you reach home only to realize you never really left/stopped saying Om.

Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).

Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).

Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).

Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).

Flitter like tittertatter trying to breathe while working, like a mad hatter; the outofbreath feeling rising from recursive reforgettings (or their resemblances).

Flitter like tittertatter trying to breathe while working, like a mad hatter; the outofbreath feeling rising from recursive reforgettings (or their resemblances).

Flitter like tittertatter trying to breathe while working, like a mad hatter; the outofbreath feeling rising from recursive reforgettings (or their resemblances).

Flitter like tittertatter trying to breathe while working, like a mad hatter; the outofbreath feeling rising from recursive reforgettings (or their resemblances).

Tales of old springing forth underlying dissatisfaction with current states of being.

Tales of old springing forth underlying dissatisfaction with current states of being.

Tales of old springing forth underlying dissatisfaction with current states of being.

Tales of old springing forth underlying dissatisfaction with current states of being.

Rather pointless, rather stilted, fetid; not what we want us going after.

Rather pointless, rather stilted, fetid; not what we want us going after.

Rather pointless, rather stilted, fetid; not what we want us going after.

Rather pointless, rather stilted, fetid; not what we want us going after.

Say Om as you reach home only to realize you never really left/stopped saying Om.

Don't ask me why, but I feel we're about to cry trying.

It's time the times met each other over & over.

Your raging romp results only in rescinded regret @ the hands of radder cadets.

Strings together what's strung together (please use yr tether).

Still it's really tall. Still it's really floundering/falling/fading.

Slowed, stowed, achingly retold.

Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.

Something I know or something I was told? When something scalding translates something to behold.

Centrist revelations abound among repetitions & revisitings.

This cacophony runs over me, over everything I see, everything I want to see: it's me.

Hiding inside&out, writhing about, taken out&in.

Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.

Return to 'burn' only to find out you're already in that urn.

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

Beyond all human restraint lies one's lugubrious layers of paint.

Steadily reading while/becomes treading into murky waters.

There is nothing left to do but complain.

Lines align during acclimated apexes, shadowy vertices, and bright burrows.

Wax and wane until there is naught but boring pain.

Scroll][Stop{{Scroll}}Stop/}{~Scrollllllll

Trite, closed memories flagrantly bleed into profuse openings mixed & held together by retaliatory colorations & obfuscations.

Platitudes begin at peaks then rapidly descend and dismantle in order to ascend more acutely until they repeatedly and successively overwhelm.

Time plods along in spattered irregularities as anger and depression coalesce in confusing amalgamations.

10 minute experimental film. Warning: this video involves frequent strobing.

3 minute experimental film.

Lights flicker & fade as focus shifts from artificial to natural light, ending on a second artificial light speeding through the blackened miasma of the night sky.

A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.

1 minute experimental film.

5 minute experimental film.

3 minute experimental film.

Tones rise and fall as images replicate and reorder, dizzying, nauseating -- vexing.

10 minute experimental film.

REMIXXX'd is the execution of the director's 8 previous works thru simultaneity.

4 minute experimental film.

5 minute experimental film.

"a feeling of listlessness and dissatisfaction arising from a lack of occupation or excitement."

Perception becomes reality, forcing reality to lose perception, crash, and burn.

4 minute experimental film.

1 minute experimental film.

7 minute experimental film.

20 minute experimental film.

6 minute experimental film.

This cacophony runs over me, over everything I see, everything I want to see: it's me.

This cacophony runs over me, over everything I see, everything I want to see: it's me.

This cacophony runs over me, over everything I see, everything I want to see: it's me.

This cacophony runs over me, over everything I see, everything I want to see: it's me.

Setting, settling; still seething as I barely breathe.

Setting, settling; still seething as I barely breathe.

Setting, settling; still seething as I barely breathe.

Setting, settling; still seething as I barely breathe.

Setting, settling; still seething as I barely breathe.

Remembrances past, remind me to pass.

Remembrances past, remind me to pass.

Remembrances past, remind me to pass.

Remembrances past, remind me to pass.

Remembrances past, remind me to pass.