Antonio Callado

Get ready for a feast. In 1993, four of the greatest Brazilian cultural personalities, four Antônios, were brought together by Rodolfo Brandão and Bebeto Abrantes for a recording in Rio, around a lunch table at Chácara do Céu. None other than the critic Antonio Candido, the writer Antônio Callado, the composer Antônio Carlos Jobim and the philologist Antônio Houaiss.

Follows the story of Opinião, a theatre group created in 1964 during the early Brazilian dictatorship period to oppose the government through artistic performances. Considered the first left-wing response to the dictatorship, the group gathered now famous Brazilian artists such as Nara Leão, Maria Bethânia, João do Vale and Millôr Fernandes.

A celebration of the centenary of the writer, journalist and democracy activist Antonio Callado. The documentary describes the life story and works of this writer who always sought to understand Brazil. In the early days, he believed in the myth of a country focused on its origins, on the Indians and the fight for freedom. Afterwards, he recognized that he had lived a useless passion and became disenchanted. But his work has the characteristics of a continuous account of the struggles of the common man, in search of love and a better life.

Callado said he had to leave Brazil to get to know Brazil. His six-year trip to England and France during World War II sparked a "hunger for Brazil." As a journalist, he traveled to the "geographic center" of his Brazilian identity. As a writer, he reached the depths of his passion for a more just, less prejudiced, freer, and more democratic country.

One of the greatest pests on the planet, the evil ants destroy the forest to protect their family. Memories of the covid-19 pandemic, eroded by ignorance and negationism. What's left in this great country of worms and viruses?

This epic Brazilian film was based on the equally epic novel by Antonio Callado. Set between 1954 and 1964, the film's focus is the saga of Jesuit priest Nando. Fed up with civilization, he ventures deep into Amazon country to live with and work among the Xingu Indians.

Delfino, a quiet man who lives in Congonhas do Campo, a small historical town in the state of Minas Gerais, Brazil, is urged by his friend to steal the image of the Madona de Cedro (the Cedar Madonna), sculpted by Aleijadinho in the 18th century, from the town sanctuary.

Delfino, a quiet man who lives in Congonhas do Campo, a small historical town in the state of Minas Gerais, Brazil, is urged by his friend to steal the image of the Madona de Cedro (the Cedar Madonna), sculpted by Aleijadinho in the 18th century, from the town sanctuary.

The romanced story of Xica da Silva, a slave that used her "feminine atributes" in order to get power.