Johan Lindell

In 1984, ten Swedish directors joined together in the trading company Filmgrupp 10 HB to jointly produce a period document in the form of film.

A managing director (Ernst-Hugo Järegård) comes uninvited home to one of his workers and humiliates him and his girlfriend.

A Swedish road movie about two mismatched women. The road leads to strange meetings and bizarre events and episodes.

The drama about the Bark family and their daughter Berta, who will fight against the house patriarchal order. Berta remains in the house and becomes a daily threat against those who seek to oppress her. Written by Anne Charlotte Leffler (1883), one of the preeminent authors of modernism’s breakthrough

In 1925, eccentric inventor and Franz Schubert devotee Carl Åkerblom is confined to a psychiatric ward in Uppsala after attempting to murder his fiancée. Obsessed with death, music, and the future of cinema, he joins forces with a fellow patient to create a “living talkie,” an experimental film performance with live-spoken dialogue. As the project unfolds, art, madness, and mortality collide in a tragicomic reflection on creativity and human frailty.

Beck and his men investigates a murder of a Russian woman. At the same time as SÄPO (The Swedish Security Agency) sees a chance of getting a Russian in the embassy deported.

Young police officer Roger is on the trail of the international master assassin, while the assassin follows his plan to murder Swedish Prime Minister Olof Palme.