Kogonada

Filmmaker ::kogonada explores director Ingmar Bergman’s “Cries and Whispers," a film in three movements.

This new video essay by filmmaker Kogonada explores the many layers of director Francois Truffaut's masterpiece "Day for Night."

Founded by Richard Linklater in 1985 as a screening series dedicated to bringing experimental and art cinema to the city of Austin, Texas, the Austin Film Society has grown into a cornerstone of the city's creative community - while remaining true to its edgy, eclectic roots.

Of all the recurring signatures of Malick, his use of fire and water might be the most telling, in part because there’s a significant shift between early Malick (Badlands & Days of Heaven) and later Malick (The Thin Red Line, The New World, The Tree of Life & To the Wonder). Early Malick favors fire. Later Malick favors water. In To the Wonder, Malick forgoes fire altogether for the first time in his career. Water reigns.

As is made abundantly clear by this highly entertaining supercut of Wes Anderson’s films, the creator of such modern classics as The Royal Tenenbaums, Rushmore and The Grand Budapest Hotel is a BIG fan of symmetry.

Filmmaker ::kogonada explores director Ingmar Bergman’s “Cries and Whispers," a film in three movements.

When his young daughter's beloved companion — an android named Yang — malfunctions, Jake searches for a way to repair him. In the process, Jake discovers the life that has been passing in front of him, reconnecting with his wife and daughter across a distance he didn't know was there.

A visual essay on the tactile world of Robert Bresson created for the Criterion Collection.

When his young daughter's beloved companion — an android named Yang — malfunctions, Jake searches for a way to repair him. In the process, Jake discovers the life that has been passing in front of him, reconnecting with his wife and daughter across a distance he didn't know was there.

Video Essay on King of the Hill

Sarah and David are single strangers who meet at a mutual friend’s wedding and soon, through a surprising twist of fate, find themselves on a funny, fantastical, sweeping adventure together where they get to re-live important moments from their respective pasts, illuminating how they got to where they are in the present... and possibly getting a chance to alter their futures.

Sarah and David are single strangers who meet at a mutual friend’s wedding and soon, through a surprising twist of fate, find themselves on a funny, fantastical, sweeping adventure together where they get to re-live important moments from their respective pasts, illuminating how they got to where they are in the present... and possibly getting a chance to alter their futures.

When a renowned architecture scholar falls suddenly ill during a speaking tour, his son Jin finds himself stranded in Columbus, Indiana - a small Midwestern city celebrated for its many significant modernist buildings. Jin strikes up a friendship with Casey, a young architecture enthusiast who works at the local library.

When a renowned architecture scholar falls suddenly ill during a speaking tour, his son Jin finds himself stranded in Columbus, Indiana - a small Midwestern city celebrated for its many significant modernist buildings. Jin strikes up a friendship with Casey, a young architecture enthusiast who works at the local library.

When a renowned architecture scholar falls suddenly ill during a speaking tour, his son Jin finds himself stranded in Columbus, Indiana - a small Midwestern city celebrated for its many significant modernist buildings. Jin strikes up a friendship with Casey, a young architecture enthusiast who works at the local library.

Reframes the school lunch debate through an examination of the program's surprising past, uncertain present, and possible future. Six kids from one of the toughest neighborhoods in Chicago set out to fix school lunch and end up at the White House. Their unlikely journey parallels the dramatic transformation of school lunch from a weak patchwork of local anti-hunger efforts to a robust national feeding program. The film tracks key moments in school food and child nutrition from 1940s, 1960s, and 1980s to the present – revealing political twists, surprising alliances, and more common ground than people realize.

In this brand new featurette, executive producer T Bone Burnett and the Coen brothers discuss the history of some of the songs that heard in Inside Llywin Davies and possible origin of the stories they tells, the folk movement during the 1960s and the social and cultural ideas that it represented, the authenticity and the identity of folk music and the balance between the two, the future of folk music, etc. Included with the featurette are illustrations by Drew Christie. The featurette was created exclusively for Criterion in 2015.

In this brand new featurette, executive producer T Bone Burnett and the Coen brothers discuss the history of some of the songs that heard in Inside Llywin Davies and possible origin of the stories they tells, the folk movement during the 1960s and the social and cultural ideas that it represented, the authenticity and the identity of folk music and the balance between the two, the future of folk music, etc. Included with the featurette are illustrations by Drew Christie. The featurette was created exclusively for Criterion in 2015.

Tarantino // From Below Music: Kaifuku Suru Kizu by Salyu

Filmmaker ::kogonada explores director Ingmar Bergman’s “Cries and Whispers," a film in three movements.

This new video essay by filmmaker Kogonada explores the many layers of director Francois Truffaut's masterpiece "Day for Night."

This new video essay by filmmaker Kogonada explores the many layers of director Francois Truffaut's masterpiece "Day for Night."

Filmmaker ::kogonada explores director Ingmar Bergman’s “Cries and Whispers," a film in three movements.

If cinema is the art of time, Linklater is one of its most thoughtful and engaged directors. Unlike other filmmakers identified as auteurs, Linklater’s distinction is not found on the surface of his films, in a visual style or signature shot, but rather in their DNA, as ongoing conversations with cinema, which is to say, with time itself. A visual essay produced by Sight and Sound.

Kogonada's visual essay about the formalistice choices of master filmmaker Stanley Kubrick

In the 1960s, pioneering French New Wave filmmaker Jean-Luc Godard introduced the world to a new cinematic lexicon, generated from his innovative, auteurist style. Between 1960 and 1967 alone, he made fifteen features (beginning with his groundbreaking début, Breathless)—and it’s this period that regular Criterion Collection contributor Kogonada explores in a new video essay highlighting the iconic director’s signature themes and devices.

Kogonada’s video essay showcases the similarities of the multiple films Yasujiro Ozu made in his lifetime. Ozu created a genre of his own – a way of filmmaking that was cultivated and nourished throughout Ozu’s career as a filmmaker.

A visual essay that highlights top-down shots from Wes Anderson's filmography.

A visual essay that highlights top-down shots from Wes Anderson's filmography.

Kogonada's video essay made in conjunction with the release of Criterion Designs, a 300-page book, which features highlights from cover art commissioned by the Criterion Collection, including never-before-seen sketches and concept art.

40,000 years in the making: Kogonada's video essay created for The Connected Series.

40,000 years in the making: Kogonada's video essay created for The Connected Series.

This new video essay by filmmaker Kogonada explores the many layers of director Francois Truffaut's masterpiece "Day for Night."

Filmmaker Kogonada unpicks what defines the Golden Age of Italian cinema with a side-by-side comparison of two edits of the same film, one according to Italian director Vittorio De Sica, and the other according to Hollywood producer David O. Selznick.

When characters stare at the camera in the films of Alfred Hitchcock, the look is almost always associated with the threat of death (through the eyes of a victim, a murderer, a witness). This momentary suspension between death and life is partly what makes Hitchcock the indisputable master of suspense.

Filmmaker Kogonada reflects on women and mirrors in the films of Ingmar Bergman.

Filmmaker Kogonada reflects on women and mirrors in the films of Ingmar Bergman.

When characters stare at the camera in the films of Alfred Hitchcock, the look is almost always associated with the threat of death (through the eyes of a victim, a murderer, a witness). This momentary suspension between death and life is partly what makes Hitchcock the indisputable master of suspense.

A video essay on how Andrei Tarkovsky’s Solaris transcends science fiction.

A video essay on how Andrei Tarkovsky’s Solaris transcends science fiction.

The cinema of Koreeda Hirokazu is defined by moments of everyday life. Whatever potential there is for heightened drama – the suicide of a husband, a cult massacre, abandoned children – it is diffused by the familiar rhythms of everydayness. This attention to the everyday must be understood within the context of death, which plays a significant role in all of Koreeda’s films. It is death that deepens our sense of life and makes even the most mundane moment seem profound.

The cinema of Koreeda Hirokazu is defined by moments of everyday life. Whatever potential there is for heightened drama – the suicide of a husband, a cult massacre, abandoned children – it is diffused by the familiar rhythms of everydayness. This attention to the everyday must be understood within the context of death, which plays a significant role in all of Koreeda’s films. It is death that deepens our sense of life and makes even the most mundane moment seem profound.

People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense is born, but simple places of passage.

People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense is born, but simple places of passage.

"I wanted to write a fantasy with the atomic bomb as the theme." – Nobuhiko Obayashi

When his young daughter's beloved companion — an android named Yang — malfunctions, Jake searches for a way to repair him. In the process, Jake discovers the life that has been passing in front of him, reconnecting with his wife and daughter across a distance he didn't know was there.

Kogonada looks at how the motif of doors reverberates through Robert Bresson's work.

Sound in film is often complimentary. Rarely does it suggest an aesthetic of its own. The punctuating, rhythmic soundscapes of Aronofsky are the exception. They stay with you long after the film.

Of all the recurring signatures of Malick, his use of fire and water might be the most telling, in part because there’s a significant shift between early Malick (Badlands & Days of Heaven) and later Malick (The Thin Red Line, The New World, The Tree of Life & To the Wonder). Early Malick favors fire. Later Malick favors water. In To the Wonder, Malick forgoes fire altogether for the first time in his career. Water reigns.

Tarantino // From Below Music: Kaifuku Suru Kizu by Salyu

In 1993, the original negatives of Satyajit Ray’s The Apu Trilogy were burned in a massive nitrate fire at a laboratory in London. Even though there were no technologies available at the time capable of fully restoring such badly damaged film elements, the Academy Film Archive held on to them. And now times have changed.

As is made abundantly clear by this highly entertaining supercut of Wes Anderson’s films, the creator of such modern classics as The Royal Tenenbaums, Rushmore and The Grand Budapest Hotel is a BIG fan of symmetry.

A visual essay for "La dolce vita," directed by Kogonada for the Criterion Collection.

A visual essay for "La dolce vita," directed by Kogonada for the Criterion Collection.

In Hong Kong, a young woman haunted by visions of her future self meets a stranger who changes the course of her night -- and possibly her life.

A short film about the history of Columbus, Indiana and how it became the Columbus of architects and artists.

In Hong Kong, a young woman haunted by visions of her future self meets a stranger who changes the course of her night -- and possibly her life.

In Hong Kong, a young woman haunted by visions of her future self meets a stranger who changes the course of her night -- and possibly her life.

In Hong Kong, a young woman haunted by visions of her future self meets a stranger who changes the course of her night -- and possibly her life.

Young Arabs takes viewers inside an elite preparatory school in heart of Cairo, Egypt. The film offers a quiet encounter with a collection of students as they reflect on God, America, terrorism, marriage, the Middle East, and more.

Young Arabs takes viewers inside an elite preparatory school in heart of Cairo, Egypt. The film offers a quiet encounter with a collection of students as they reflect on God, America, terrorism, marriage, the Middle East, and more.