Ebrahim Moradi

Iranian Cinema from Constitutionalism to Sepanta is a documentary film directed and written by Mohammad Tahaminejad, a contemporary Iranian historian, critic and documentary filmmaker. This film tells the story of the arrival of "film" in Iran and the formation of "cinema" from the constitutional period to the filmmaking of Abdolhossein Spanta in India.

Two brothers fall for the same girl, though she loves the older brother. Through trickery, the older brother isn't able to reach his beloved and dies of heart brokenness. The younger brother, seemingly happy with this fate, seeks to woo the girl but is faced with the ghost of his older brother.

Two brothers fall for the same girl, though she loves the older brother. Through trickery, the older brother isn't able to reach his beloved and dies of heart brokenness. The younger brother, seemingly happy with this fate, seeks to woo the girl but is faced with the ghost of his older brother.

One of the Khan's sons notices a girl in the local market and chooses to marry her.

One of the Khan's sons notices a girl in the local market and chooses to marry her.

Two brothers fall for the same girl, though she loves the older brother. Through trickery, the older brother isn't able to reach his beloved and dies of heart brokenness. The younger brother, seemingly happy with this fate, seeks to woo the girl but is faced with the ghost of his older brother.

One of the Khan's sons notices a girl in the local market and chooses to marry her.

A director (Ovanes Ohanian) looks for a subject for his movie and someone suggests that he films Haji Agha secretly. Haji is very rich and frowns upon cinema. Haji's daughter, son-in-law, and servant help the director with the film as well. Haji's watch gets lost, and he suspects his servant. Haji and his son-in-law start chasing him. At first, they tail him to the dentist's, and then they meet a fakir who claims he can find the lost watch. He does some strange things. The director photographs Haji all the time. Then Haji watches the film and becomes aware of the true merits of cinema.

Jamshid The Back Breaker, who possesses great power, gets involved in a series of events and clashes with a group of criminals.

A Lost Persian Film.

A Lost Persian Film.

A Lost Persian Film. The manager of a large workshop who is in love with "Gohar", the wife of one of his engineers, fails to attract the woman's attention. He throws the engineer in prison with a conspiracy and then smears Gohar himself. When the engineer is released from prison, he finds out about the incident and refuses to continue living with his wife. After a while, the manager, the engineer, and Gohar face each other again. During a fight, the manager injures the engineer and Gohar, but gets himself caught. The engineer, who realizes that she is his wife, goes to her again in this sinful affair and starts a new life together.