Artur Semedo

On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's The Day the World Ended (1956). The producer is nowhere to be found and director Munro attempts to find him in hopes of being able to finish the film.

Tony, a trapeze artist, gets a job at a small circus. When a tempest takes away the tent, Tony stays for the love of the beautiful Belmira who could be a rider… if they hadn’t sold the horse. They play at open-air, sleep under the stars, scrimp and save every penny, and soon there’s a new tent to be bought on credit. But Belmira is not happy, she dreams of a real home, while Tony is fascinated by the circus. And the gloomy days are back.

The sea, often treacherous, is the only source of living of the people of Nazaré. The film tells the story of António and his family, where no dreams are allowed. There is also the mourning of the woman in black wailing silently on the beach or waiting for their children lost in the sea.

Meia-Lua used to be a sailor, but he now makes a poor living smuggling. He is a cynical man, who doesn't care for Ana or for the child they had together. He lives with the beautiful Marlene who dances in the bars. Gull spends her whole days lulling a doll in her arms, and she waits for her love that will rise from the depths of the sea. The deaf musician Sparrow watches over her, in his despaired love and long-held wish of becoming a sea captain. There is a dispute down the piers, there is a crime that might be just an accident, there is a bad conscience that turns sour, there is a boat full of poor wretches like a rocking lullaby, a baby that passes from arms to arms, a clumsy beggar that finds some work, a courthouse of tramps... From this expressionist account that has unexpected comical moments, the censors from Salazar's regime cut away 20 minutes that were never to be found again.

Manuel and Pedro have different approaches to love. Manuel suffers a disgust that makes him sullen, and enters the priesthood. Pedro keeps on in his carefree ways, and commits a robbery. Manuel knows the robber is Pedro, but he learned it in Catholic confession. To keep his vows as a priest, he is prepared to be arrested.

From the military planning to front-line operations of discover conquest of Mozambique by the Portuguese, to counter the Vatuas insurgency of 1894, when they were led by Gungunhana, a cunning strong African leader. Against the background of Marracuene, Coolela, Manjacaze, Chaimite and Macontene historical battles, two soldiers fight for the love of a coloni st's daughter.

After her mother's death, Sofia returns from a Swiss college to her family's luxurious villa, in Cascais. Through the relashionship between her father, Henrique, and his lover Laura, she will discover the complexity, egothistic, discrete and hypocrite way of life - from which there is no escape.

Impossible Invasion is the fifth film in the Lisboa Sociedade Anónima series. Set in the 1960s, it is a touching descent into the emotional misery of the petty bourgeoisie living in rented rooms, suffocating on precarious civil service salaries, with a cultural horizon of soccer and television, and against the backdrop of the colonial war and the glory of the bridge over the Tagus. Noteworthy are the fine performances of the actors (especially Maria do Céu Guerra), the creation of an oppressive and mediocre atmosphere, well underscored by songs from the period, and the concise and rigorous characterization.

Set in the early 1970s, Pôr do Sol no Areeiro has an excellent storyline, perfectly capturing the mindset of the bourgeoisie of the Avenidas who trade cars, feelings, and people with the ease of an amorality that was typical of Lisbon society at that time.

Dona Elvira promises to get a job from José through the typical Portuguese wedge. In parallel, they are bizarre aspects and eccentric figures of the city life, including the tragedy of the actress Maria Alves.

A Swedish diplomat travels to a civil war in a Latin American country. His mission is to mediate between the two extremist groups.

A young man returns to his native Alentejo countryside and encounters the legendary seductive “enchanted moura,” sparking a poetic journey that intertwines ancient Arabic folktales with contemporary rural life. Drawing on medieval prose and verse, the film explores cultural memory and pagan traditions through visual folklore rooted in Portuguese-Arab heritage.

15th century. D. Afonso, an old jealous nobleman, demands that all stay away when his wife, D. Leonor, goes to church to pray to Our Lady of Mercês. Another nobleman, D. Rui, sees her and fells under the spell or he beauty. D. Afonso orders his wife to retreat to Quinta do Cabril, and decides, one night, to stab his rival to death. It is then that a hanged man decides to intervene. - MOTELx

The disastrous attempts of D. Lucas Telmo Midões to achieve in 1981 the independence of the Berlengas islands - lost eight centuries ago, during the conquests of D. Afonso Henriques.

To the tune of "A terra a quem a trabalha", an Alentejo peasant girl is attacked by a vampire but rescued afterwards by workers and peasants armed with sickles and hammers. Filmed during the 1977 Festa do Avante, with a collective of participants linked to cinema and theatre, this film is a critique of the legislative process led by António Barreto, Minister of Agriculture between 1976-1978, which put an end to the agrarian reform occupations.

Alentejo 1975. The Police associate a group of traveling players with a strike of agricultural workers. The action takes place in the open space and harsh heat of the Alentejo. With the connivance of Lianor, the troupe enters the palace of Don Gonzalo an old aristocrat. The gentleman is obsessed by visions of great past deeds in a universe of ghosts. This was the first example of militant cinema in Portugal after the end of the Estado Novo dictatorship, exploring the world after the Carnation Revolution and its contradictions.

A small group of well-to-do vacationers go on a hiking trip into the woods just to find themselves mysteriously lost.

The shady side of an Italian textile trade in northern Germany is the subject of this slow-paced but atmospheric drama featuring Alberto Sordi as Totonno, a low-level, petty criminal anxious to move up a somewhat crooked ladder. Rising to the rank of the "dons" -- Don Raffaele (Carmine Ippolito) or Don Gennaro (Pasquale Cenammo) -- is not an easy task, as Totonno is about to find out. In the meantime, Paula (Belinda Lee) provides a romantic distraction, and another would-be entrepreneur opts for the straight and narrow. This uneven feature offers some colorful performances but the sum is less convincing than its parts.

In an imaginary future, Portugal consists of an association of states - North and South - with zones of specific influence. City under vigilance, Lisbon is inhabited by a repressed and militarized population. Maria and António stand out in this city and surrender themselves to a submersive love. 1978

Adriana, an orphan who has been raised in a well off family, becomes pregnant after being seduced by a man. Outraged, Mr. Bento kicks her our of home. What he doesn't realize is that her seducer is his own son, Raul, a brilliant law student.

This Portuguese movie directed by João Botelho, is part of The Four Elements series. This is the second episode, The Air.

A nobleman from Alentejo, from a very conservative family, intends to reconquer Olivenza, returning the situation to the times of the Treaty of Tordesillas. To this end, he creates two movements, which prepare for the big day. However, these plans do not work, as the daughter of the Mayor of Olivenza falls in love with the son of the Baron of Altamira, and the war will be different...

Joe Valente, a luso-american, returns home with the dream of turning molice picking into a real industry. But this will cause misery for those who use the traditional methods.

Once the boss started deducting a third of the workers' wages on the pretext that it was necessary to purchase new machines in order to compete, a group of workers went on strike, occupied the company, but were expelled from their workplace by the police. Out on the street, the workers think about the best way to make their comrades and the general population aware of the seriousness of their situation. They then decide, by mutual agreement, following the humorous tradition of cegadas and popular theater, to improvise a satirical performance in which they denounce some typical examples of capitalist exploitation. From the bandstand, which serves as their rehearsal stage, to the final procession, which unexpectedly takes on a different tone, the workers learn and teach us how scathing and uncompromising criticism of capitalist institutions can be transformed into a celebration of struggle, joy, and unity.

Pontius Branco was a climber of the economy, climbed by money like Mount Everest. aggressive businessman. His wife Bernarda felt betrayed. He replaced her for the orgies between the purchase intervals, sells and deceives. Here comes the train from 15:30 to Lisbon a coming emigrant from France with a five year old daughter in her arms and attacks Pontius in his stronghold, demanding recognition of the daughter of sin, Libertina that he had made her "bidonville» on the city of light. Bernarda hires a private detective to obtain evidence of Pontius's adultery with a curvaceous blonde, whose dream was to own butchers, fishmongers and vegetable places in a shopping center. Pontius who all deceived and this triangle (not Bermuda), weaves the web and bore's the head of the entrepreneur. A perfect luxury crime puts the police overtime. Time passes and only after the Seventh Day Mass is brought to light when the sky was given the eclipse of the moon ...

At the end of the nineteenth century, an army force led by Major Mouzinho de Albuquerque, a cavalry officer, imprisoned in Mozambique the tribal chief Gungunhana, who had rebelled against Portuguese government and sovereignty. Mouzinho instantly becomes a national hero but his raising popularity worries the State.

A young agricultural conductor, Pedro goes to Alentejo to work in a farm, in March 1974. The contact with the workers and the experience of their problems make him aware of the exploitation to which they are subject. Such an attitude is not understandable to the workers - coming from the son of a friend of the boss.

Beladona was the greatest star, or so she thought. Careless of her rural property, she lived by night countless adventures. From one such nights in the arms of a stage and movie producer, she begot her dear Lilás. Alas, six minutes after birth, the boy was taken from her and declared dead - due to the intrigue of the producer, who didn't want to recognize the child as his. Taken into custody by a surrogate mother, twenty years after the child grew into a man, who starts his education in the very fado (folk song, also meaning destiny) tavern where his real mother is. Beladona is still an attractive woman - and drama is round the corner.

Trafaria changes his business to Angola, in search of a more profitable occupation, by shaming the pioneers. There he engages in the obscure social and political environment, from which emerge some characteristic figures - administrators, their wives and secretaries, Arabs, police officers, priests and mercenaries...

Current adaptation. Farce about the tribulations of two families, their respective maids, and also a manicurist, a prosecutor, and a police officer, revolving around the unbridled pursuit of romantic adventures. At issue are the scandals of a crazy woman, which lead the neighbors to complain to the police and force the landlord's representative to take eviction action against her for having a parrot that shouts "Hey, guard!" and a monkey (Geribau) that torments everyone with its mischief...

Eleven small stories, loving chronicles about Rio de Janeiro and its people, written by some of the best Brazilian writers of the time.

This exaggerated mockery of crime cinema tells the story of a gang lead by "Renato, o pacíficio" (Renato, the peaceful) and their attempt to steal precious jewels from the Gulbenkian Museum in Lisbon. The weapon of choice? Bees!

Manuel da Cruz, a young apprentice in the saddle, is discovered by the cattleman João Gama, who marvels at his skill, deciding to make him a great bullfighter.

Beladona was the greatest star, or so she thought. Careless of her rural property, she lived by night countless adventures. From one such nights in the arms of a stage and movie producer, she begot her dear Lilás. Alas, six minutes after birth, the boy was taken from her and declared dead - due to the intrigue of the producer, who didn't want to recognize the child as his. Taken into custody by a surrogate mother, twenty years after the child grew into a man, who starts his education in the very fado (folk song, also meaning destiny) tavern where his real mother is. Beladona is still an attractive woman - and drama is round the corner.

A nobleman from Alentejo, from a very conservative family, intends to reconquer Olivenza, returning the situation to the times of the Treaty of Tordesillas. To this end, he creates two movements, which prepare for the big day. However, these plans do not work, as the daughter of the Mayor of Olivenza falls in love with the son of the Baron of Altamira, and the war will be different...

Beladona was the greatest star, or so she thought. Careless of her rural property, she lived by night countless adventures. From one such nights in the arms of a stage and movie producer, she begot her dear Lilás. Alas, six minutes after birth, the boy was taken from her and declared dead - due to the intrigue of the producer, who didn't want to recognize the child as his. Taken into custody by a surrogate mother, twenty years after the child grew into a man, who starts his education in the very fado (folk song, also meaning destiny) tavern where his real mother is. Beladona is still an attractive woman - and drama is round the corner.

Beladona was the greatest star, or so she thought. Careless of her rural property, she lived by night countless adventures. From one such nights in the arms of a stage and movie producer, she begot her dear Lilás. Alas, six minutes after birth, the boy was taken from her and declared dead - due to the intrigue of the producer, who didn't want to recognize the child as his. Taken into custody by a surrogate mother, twenty years after the child grew into a man, who starts his education in the very fado (folk song, also meaning destiny) tavern where his real mother is. Beladona is still an attractive woman - and drama is round the corner.

Manuel and Pedro have different approaches to love. Manuel suffers a disgust that makes him sullen, and enters the priesthood. Pedro keeps on in his carefree ways, and commits a robbery. Manuel knows the robber is Pedro, but he learned it in Catholic confession. To keep his vows as a priest, he is prepared to be arrested.

Manuel and Pedro have different approaches to love. Manuel suffers a disgust that makes him sullen, and enters the priesthood. Pedro keeps on in his carefree ways, and commits a robbery. Manuel knows the robber is Pedro, but he learned it in Catholic confession. To keep his vows as a priest, he is prepared to be arrested.

Manuel and Pedro have different approaches to love. Manuel suffers a disgust that makes him sullen, and enters the priesthood. Pedro keeps on in his carefree ways, and commits a robbery. Manuel knows the robber is Pedro, but he learned it in Catholic confession. To keep his vows as a priest, he is prepared to be arrested.

This exaggerated mockery of crime cinema tells the story of a gang lead by "Renato, o pacíficio" (Renato, the peaceful) and their attempt to steal precious jewels from the Gulbenkian Museum in Lisbon. The weapon of choice? Bees!

Film directors with hand-held cameras went to the streets of Lisbon from April 25 to May 1, 1974, registering interviews and political events of the Portuguese "Carnations Revolution", as that period would be later known.

After her mother's death, Sofia returns from a Swiss college to her family's luxurious villa, in Cascais. Through the relashionship between her father, Henrique, and his lover Laura, she will discover the complexity, egothistic, discrete and hypocrite way of life - from which there is no escape.

Part of the medium-length films for TV Lisboa Sociedade Anónima, O Banqueiro Anarquista is a fine example of what a fabulous script (by Pessoa), exuberant set design, attentive camera work, and an actor (Santos Manuel) at his most daring and accomplished can achieve. The result is a cynically entertaining film, markedly representative of the First Republic, where for almost an hour the viewer is delighted (and unsettled, of course) by the fallacies of a script to which Santos Manuel gives the weight of a body and a voice, that is, he brings it to life. The Anarchist Banker is a brilliant satire on political discourse, of unfailing intelligence and ferocity.

Dona Elvira promises to get a job from José through the typical Portuguese wedge. In parallel, they are bizarre aspects and eccentric figures of the city life, including the tragedy of the actress Maria Alves.

Set in the early 1970s, Pôr do Sol no Areeiro has an excellent storyline, perfectly capturing the mindset of the bourgeoisie of the Avenidas who trade cars, feelings, and people with the ease of an amorality that was typical of Lisbon society at that time.

The disastrous attempts of D. Lucas Telmo Midões to achieve in 1981 the independence of the Berlengas islands - lost eight centuries ago, during the conquests of D. Afonso Henriques.

The disastrous attempts of D. Lucas Telmo Midões to achieve in 1981 the independence of the Berlengas islands - lost eight centuries ago, during the conquests of D. Afonso Henriques.

Pontius Branco was a climber of the economy, climbed by money like Mount Everest. aggressive businessman. His wife Bernarda felt betrayed. He replaced her for the orgies between the purchase intervals, sells and deceives. Here comes the train from 15:30 to Lisbon a coming emigrant from France with a five year old daughter in her arms and attacks Pontius in his stronghold, demanding recognition of the daughter of sin, Libertina that he had made her "bidonville» on the city of light. Bernarda hires a private detective to obtain evidence of Pontius's adultery with a curvaceous blonde, whose dream was to own butchers, fishmongers and vegetable places in a shopping center. Pontius who all deceived and this triangle (not Bermuda), weaves the web and bore's the head of the entrepreneur. A perfect luxury crime puts the police overtime. Time passes and only after the Seventh Day Mass is brought to light when the sky was given the eclipse of the moon ...

Alentejo 1975. The Police associate a group of traveling players with a strike of agricultural workers. The action takes place in the open space and harsh heat of the Alentejo. With the connivance of Lianor, the troupe enters the palace of Don Gonzalo an old aristocrat. The gentleman is obsessed by visions of great past deeds in a universe of ghosts. This was the first example of militant cinema in Portugal after the end of the Estado Novo dictatorship, exploring the world after the Carnation Revolution and its contradictions.

This exaggerated mockery of crime cinema tells the story of a gang lead by "Renato, o pacíficio" (Renato, the peaceful) and their attempt to steal precious jewels from the Gulbenkian Museum in Lisbon. The weapon of choice? Bees!

Beladona was the greatest star, or so she thought. Careless of her rural property, she lived by night countless adventures. From one such nights in the arms of a stage and movie producer, she begot her dear Lilás. Alas, six minutes after birth, the boy was taken from her and declared dead - due to the intrigue of the producer, who didn't want to recognize the child as his. Taken into custody by a surrogate mother, twenty years after the child grew into a man, who starts his education in the very fado (folk song, also meaning destiny) tavern where his real mother is. Beladona is still an attractive woman - and drama is round the corner.

Trafaria changes his business to Angola, in search of a more profitable occupation, by shaming the pioneers. There he engages in the obscure social and political environment, from which emerge some characteristic figures - administrators, their wives and secretaries, Arabs, police officers, priests and mercenaries...

A nobleman from Alentejo, from a very conservative family, intends to reconquer Olivenza, returning the situation to the times of the Treaty of Tordesillas. To this end, he creates two movements, which prepare for the big day. However, these plans do not work, as the daughter of the Mayor of Olivenza falls in love with the son of the Baron of Altamira, and the war will be different...

A nobleman from Alentejo, from a very conservative family, intends to reconquer Olivenza, returning the situation to the times of the Treaty of Tordesillas. To this end, he creates two movements, which prepare for the big day. However, these plans do not work, as the daughter of the Mayor of Olivenza falls in love with the son of the Baron of Altamira, and the war will be different...

Pontius Branco was a climber of the economy, climbed by money like Mount Everest. aggressive businessman. His wife Bernarda felt betrayed. He replaced her for the orgies between the purchase intervals, sells and deceives. Here comes the train from 15:30 to Lisbon a coming emigrant from France with a five year old daughter in her arms and attacks Pontius in his stronghold, demanding recognition of the daughter of sin, Libertina that he had made her "bidonville» on the city of light. Bernarda hires a private detective to obtain evidence of Pontius's adultery with a curvaceous blonde, whose dream was to own butchers, fishmongers and vegetable places in a shopping center. Pontius who all deceived and this triangle (not Bermuda), weaves the web and bore's the head of the entrepreneur. A perfect luxury crime puts the police overtime. Time passes and only after the Seventh Day Mass is brought to light when the sky was given the eclipse of the moon ...

Once the boss started deducting a third of the workers' wages on the pretext that it was necessary to purchase new machines in order to compete, a group of workers went on strike, occupied the company, but were expelled from their workplace by the police. Out on the street, the workers think about the best way to make their comrades and the general population aware of the seriousness of their situation. They then decide, by mutual agreement, following the humorous tradition of cegadas and popular theater, to improvise a satirical performance in which they denounce some typical examples of capitalist exploitation. From the bandstand, which serves as their rehearsal stage, to the final procession, which unexpectedly takes on a different tone, the workers learn and teach us how scathing and uncompromising criticism of capitalist institutions can be transformed into a celebration of struggle, joy, and unity.

Pontius Branco was a climber of the economy, climbed by money like Mount Everest. aggressive businessman. His wife Bernarda felt betrayed. He replaced her for the orgies between the purchase intervals, sells and deceives. Here comes the train from 15:30 to Lisbon a coming emigrant from France with a five year old daughter in her arms and attacks Pontius in his stronghold, demanding recognition of the daughter of sin, Libertina that he had made her "bidonville» on the city of light. Bernarda hires a private detective to obtain evidence of Pontius's adultery with a curvaceous blonde, whose dream was to own butchers, fishmongers and vegetable places in a shopping center. Pontius who all deceived and this triangle (not Bermuda), weaves the web and bore's the head of the entrepreneur. A perfect luxury crime puts the police overtime. Time passes and only after the Seventh Day Mass is brought to light when the sky was given the eclipse of the moon ...