Franco Branciaroli

Trapped in an unhappy marriage, the wife of a high ranking Fascist official starts a dangerous, self-destructive relationship with a duplicitous S.S. Officer.

Art professor Nino Rolfe attempts to break down his wife Teresa's conventional modesty. Noticing her affection for their daughter's fiancé, Nino instigates her sexual interest in him - setting off a chain of unexpected events and emotional complications...

The setting is a Central European kingdom, near the turn of the century. Bored by his very proper wife, the youthful heir to the throne spends his time in amorous dalliances at a sprawling country estate. His wife departs at the arrival of his friends, and they organize a celebration which becomes a wild orgy and culminates in death and tragedy.

Longtime Italian cinema star Stefania Sandrelli (The First Beautiful Thing) is Alba, the mother of two very different adult sons. While Giorgio is a playboy who constantly cheats on his wife, Leonardo (Luca Argentero, Eat Pray Love) is always unlucky in love. When Leonardo finally meets the woman of his dreams, Sara, he brings her home to meet the family, but it appears this is not the first time that Sara has met Giorgio. Directed by Luca Lucini and stars Luca Argentero, Alessandro Gassman and Stefania Sandrelli.

A man, mirroring the assassinated King, infiltrates a castle to kill the Queen but hesitates, leading to a deadly dare and revelation of shared history.

At a college in Rome, a professor, nicknamed "Dodo" is in a deep depression. His stunningly beautiful wife has just left him for another man. Dodo wants her back very badly and has erotic daydreams about her. A beautiful young student in his class asks him for a ride home and seduces the lucky man, but still he wonders about his wife and her lover.

After five years of marriage, Diana discovers the joys of adultery, claiming that she can save her failing relationship through betrayal.

An adaptation of the Aeschylus play.

In 1950s Ferrara, a lonely innkeeper explores a series of relationships while awaiting her missing husband’s return from war.

In late 19th-century Sicily, the noble Uzeda family—whose lineage dates back to the ancient viceroys that ruled those lands—fights to preserve its waning power in the face of the newly unified Italian regime.

Racial integration is Elena's profession and passion, not only filling her working day as a cultural mediator assisting immigrants, but spilling over into her home life as well. All too often her husband Carlo must attend charity events where he feels distinctly out of place. During one of these evenings, Carlo meets Nadine, a beautiful black woman.

Reckless and in love, Viviana and Modesto are bound by an uncontrollable passion. Their secret relationship ends up in front of an incredulous therapist, who'll anyway help them understanding their feelings and dealing with their desire to follow the true love.

A mother so insanely overprotective of her grown son decides to make a deal with death by offering alternate victims plucked from among her fellow tenants in a 1938 Italian apartment building.

One of the most controversial, original and loved figures of Italian cinema. The most censored director of all time. An anarchist of the film, a gifted experimenter, an inventor of dreams. A truly great artist.

Adaptation of the play A Doll's House by Henrik Ibsen.

During his baptism, which takes place at the age of ten, Christian commits an unexpected and mysterious gesture in church, which worries his parents. Father Siro, a man of the church and Christian's educator, reassures them by explaining to them that Christian is only a child with a different sensitivity from that of his peers. But speaking privately to little Christian, Father Siro appears anything but reassuring, revealing to the child that a long and tortuous journey awaits him in his adult life: during his baptism Christian 'saw' the archangels cleanse the face of Christ from the wounds of his human suffering, and Christian himself will live an existence soiled and raped by pain.