Antony Langdon

I'm Still Here is a portrayal of a tumultuous year in the life of actor Joaquin Phoenix. With remarkable access, the film follows the Oscar-nominee as he announces his retirement from a successful film career in the fall of 2008 and sets off to reinvent himself as a hip-hop musician. The film is a portrait of an artist at a crossroads and explores notions of courage and creative reinvention, as well as the ramifications of a life spent in the public eye.

With money running low, nine New Yorkers forgo their annual Christmas in Aspen and head to Pennsylvania for a murder-mystery weekend.

Shot in the tradition of a vintage holiday postcard, "Tyrolean Riviera" tells the story of an overly confident jet setter who delights in his own charm, and weaves a web of untruths in order to attract beautiful women to pay his way. The Hills are alive with the sounds of deception.

In an idyllic setting, fifteen year old Andrea's love for her father is turned around forever.

The philosopher Edmund Burke has fled London, debt collectors and a ramping midlife crisis to go on a grand tour of the Alps to rewrite his book on the Sublime in this 18th-century road movie.

Almost a decade since larger-than-life glam-rock enigma Brian Slade disappeared from public eye, an investigative journalist is on assignment to uncover the truth behind his former idol.

A man laments the early days to the end of him and his boyfriend's relationship.

A troubled young woman becomes obsessed with her mysterious new neighbor, who bears a striking resemblance to the girl's dead mother.

Amidst the devastation of post-crisis Spain, mother and daughter bluff and grift to keep up the lifestyle they think they deserve, bonding over common tragedy and an impending eviction.

What does it mean to be Black in America in the 21st century? The recently formed Black American film group TNEG™ has set out to elucidate this very question. Hearing from the likes of fine artist Kara Walker and musical artist Flying Lotus, the film is based on a deceptively simple approach -- asking a refined list of black 'specialists' as well as 'uncommon folks' questions about what they think, and more importantly as lead director Arthur Jafa states, 'What they KNOW' -- the film is an unprecedented 'stream of the black consciousness' and a strikingly original and rarefied look at black intellectual and emotional life. What's so unorthodox about this simple approach is that the interviews were recorded separately from the images in the film. What results is a breathtaking, kaleidoscopic look of American black life from the dawn of three original filmmakers.