Adnan Malik

After lying to their parents and running off to see a rock concert, five teens leave their suburb neighborhood of Islamabad and travel into the wild only to have their van break down and they get set upon by not only flesh eating zombies, but a ghoulish hitchhiker, and a blood-soaked, burqa-wearing killer.

A woman who takes care of her aging parents and their land is joined by her sister when their parents' health worsens.

After a failed suicide attempt, a man and a librarian fall in love in a rehabilitation center, where a kind-hearted doctor comes to their rescue.

Consider Manhattan a sprawling Hollywood set. Amongst the swarms of people that crowd the streets like extras, Fayaaz Bijli is another face relegated to the background of our visual spectrum. Come sundown, however, and the inconspicuous Fayaaz morphs into the iconic personae of ‘Bijli,’ a voluptuous Pakistani drags queen. Yet beneath the flamboyant stage presence lies a courageous individual who has carved out a unique and cherished identity for herself in a world that has been all too quick to label her as an ‘outsider’. Defining herself as a woman stuck in a man’s body, Fayaaz has spent her life struggling between the polar tensions of male/female, East/West and Islamic faith/promiscuity. This film is a glimpse into Fayaaz’s psyche as she navigates her way through a New York City life.

A documentary about the history of Pakistani cinema