Sophie Artur

A film with emphasis on visuals and music, the plot concerns characters who meet in present time, mainly the male gypsy Jesus, and the female thief and con-artist Odona, who share parallel experiences from lives 2000 years in the past. These stories are juxtaposed.

Forced to work extremely hard to keep things afloat, Paul begins hearing voices in his head questioning his past choices. Convinced that his wife has been unfaithful, he begins to see every male guest as a potential threat. What follows is Paul's downward spiral into the madness of deranged jealousy where he finally discovers that hell is not a state of mind – hell is himself.

A long parade of actors and actresses pop up in an unconnected series of skits, vignettes, and sight gags in this comedy anthology by Jean Curtelin. Among the sketches performed is one with Jean Carmet playing a man from the sticks woefully burdened with the challenge of getting through a dog food commercial on less than one tank of intelligible French. Another skit shows a silent duel between an airport custodian and an automatic door, while another with the renowned Michel Galabru sets up a strange teacher-student exchange.

Focuses primarily on three women and the (unseen) man who goes in and out of their lives. One member of this trio is a saleswoman with an open relationship that suddenly closes when she learns that her lover has been unfaithful. It seems that he has dallied with a book-dealer (her nemesis) who ultimately does not propose as much of a threat to the disillusioned saleswoman as a certain actress. Along with these three are several other females who interact with the main protagonists. Set up more in the manner of a stage play with changing scenes and acts.

Reduced to poverty, a young man is taken in by a rich lady who asks him for some dangerous services in exchange.

Liz and Hugh Preston have been living a life of perfect harmony for fifteen years — what one commonly calls “happiness.” But this peaceful bliss has gradually led to a certain boredom, prompting one of the spouses to cheat on the other — what one frankly calls “adultery.” But who, in fact, is responsible for this minor disaster? Hugh claims it’s Liz. His wife, on the other hand, has good reason to believe it’s her husband who strayed. Fortunately, Hugh will find a way to defend his love and save their marriage. He’ll use a tactic that seems absurd at first, but ultimately proves effective…

Un conservateur terrorisé par les plantes vertes, une mère plastifiée pour être exposée, un ballet de Saintes Vierges, des gardiens épuisés par Rodin, un ministre perdu dans une exposition de sexes, une voiture disparue au parking Rembrandt, des provinciaux amoureux des Impressionnistes, touristes galopins galopant d'une salle à l'autre, passager clandestin dans l'art premier, Picasso, Gauguin, Warhol, ils sont tous là dans ce petit monde qui ressemble au grand, dans ce musée pas si imaginaire que ça, valsant la comédie humaine jusqu'au burlesque.

The story of Robert Hughes-Lambert, who was captured by Nazis when his active homosexuality was discovered during the filming of Mermoz (1943).

How can moon and time affect human mood and fate? In the manner of a Greek tragedy , this movie shows how the chaos of life ineluctably propels its characters towards violence and alienation.