Andrés Varela

The Silva family is pioneer and a role model within the community; it shows values and the goal to not let the candombe tradition fade away. Not only do they have an internal hierarchy, but also in his neighbourhood, Waldemar “Cachila” Silva is a respected leader. Cachila decide to pass on his legacy to his sons Matias and Wellington, who should now lead the family business, afro descendants playing candombe, a drum rhythm for the carnival contest and keep the privilege place obtained by the family. Patriarchy, hierarchy and cultural traditions are the concepts that drive this documentary about the life of a man of African descent and a dysfunctional family trying to perpetuate its power, which is crucial for the future of a culture.

The Silva family is pioneer and a role model within the community; it shows values and the goal to not let the candombe tradition fade away. Not only do they have an internal hierarchy, but also in his neighbourhood, Waldemar “Cachila” Silva is a respected leader. Cachila decide to pass on his legacy to his sons Matias and Wellington, who should now lead the family business, afro descendants playing candombe, a drum rhythm for the carnival contest and keep the privilege place obtained by the family. Patriarchy, hierarchy and cultural traditions are the concepts that drive this documentary about the life of a man of African descent and a dysfunctional family trying to perpetuate its power, which is crucial for the future of a culture.

This is the story of a group of veteran musicians joined by two young artists to perform together after more than 20 years of inactivity in the Uruguayan carnival scene. In addition to demonstrating their talent, this film provides a look at their personal lives, lives that have always revolved around the magic of the carnival (Which lasts just a month per year), but that inevitably must make room for their daily life, far from show business and public recognition.

This is the story of a group of veteran musicians joined by two young artists to perform together after more than 20 years of inactivity in the Uruguayan carnival scene. In addition to demonstrating their talent, this film provides a look at their personal lives, lives that have always revolved around the magic of the carnival (Which lasts just a month per year), but that inevitably must make room for their daily life, far from show business and public recognition.

1924: a group of men, amateur footballers of diverse professions and humble origins, set out on a journey towards the greatest adventure of their lives. They depart from Uruguay for Europe to disembark in Paris in its "Crazy Years" where, against all odds, Olympic glory and the amazement of the whole world awaited them. This feat would be the first of others to come in 1928 and 1930.

The unexpected victory over Uruguay in the World Cup Brazil 1950 continues to have social and political ramifications for both countries.

Mario Benedetti and Luz López met when they were teenagers, he became a writer and she became a public servant. Together they shared life, exile, failures, success, friends and love. Sixty years and eighty books later, Luz suffers from Alzheimer's, forgets all of her past, and finally she forgets Mario just before she died. The film reconstructs this memory with an eye set on the author and the love that bound them together.

Mario Benedetti and Luz López met when they were teenagers, he became a writer and she became a public servant. Together they shared life, exile, failures, success, friends and love. Sixty years and eighty books later, Luz suffers from Alzheimer's, forgets all of her past, and finally she forgets Mario just before she died. The film reconstructs this memory with an eye set on the author and the love that bound them together.

The Silva family is pioneer and a role model within the community; it shows values and the goal to not let the candombe tradition fade away. Not only do they have an internal hierarchy, but also in his neighbourhood, Waldemar “Cachila” Silva is a respected leader. Cachila decide to pass on his legacy to his sons Matias and Wellington, who should now lead the family business, afro descendants playing candombe, a drum rhythm for the carnival contest and keep the privilege place obtained by the family. Patriarchy, hierarchy and cultural traditions are the concepts that drive this documentary about the life of a man of African descent and a dysfunctional family trying to perpetuate its power, which is crucial for the future of a culture.

The film provides a look at the 1980 Mundialito, an international friendly soccer tournament organized by the Uruguayan Soccer Association, which brought together the World Cup-winning national teams and the Netherlands, and was organized in Uruguay during an unconventional political situation.

The life and work of French puppeteer Philippe Genty are marked by the power of his visual poetry. His childhood traumas and dreams led him to become one of today's greatest exponents of theater and visual arts. At 83, he finds himself in his studio in a Brittany forest, where he inhabits both his hells and his paradises. This journey begins when Philippe opens the doors to that world for us.