Bridgett M. Davis

Elmore Leonard, author of more than 40 novels, is renowned in the literary community. From his westerns and early novels of crime based in Detroit and South Florida, right through his complex and virtually plotless later work, Elmore Leonard dissected an America whose founding sins have continued to haunt it all the days. Leonard’s depiction of America is as real as Twain’s Hannibal, Faulkner’s Mississippi and Steinbeck’s Monterey. The new documentary ELMORE LEONARD: “But don’t try to write” explores the prolific author’s legacy and his influence on generations of writers. The documentary features exclusive images and previously unseen home movie footage, family photographs, and in-depth interviews with both literary experts and those who knew him well, including colleagues, family, and childhood friends.

An aspiring actress has lost considerable weight to land her first movie role, but what the director didn’t tell her was that it includes a nude scene. Reluctant to do it, she embarks on a personal journey that unveils secrets once hidden under her weight, as she discovers emotional nudity is just as revealing as taking her clothes off.

Explores the careers of twenty black women working as film directors.

An aspiring actress has lost considerable weight to land her first movie role, but what the director didn’t tell her was that it includes a nude scene. Reluctant to do it, she embarks on a personal journey that unveils secrets once hidden under her weight, as she discovers emotional nudity is just as revealing as taking her clothes off.

In this short narrative, a young woman moves to New York City from the Midwest in order to "develop her writing" and to share an apartment with her boyfriend. Distracted from her new creative life-style, she is soon challenged by her best friend to work harder to foster her own growth as an artist.

In 1958, the very same year that an unknown songwriter named Berry Gordy borrowed $800 to found Motown Records, a pretty young mother from Nashville, Tennessee, borrowed $100 from her brother to run a numbers racket out of her home. That woman was Fannie Davis, Bridgett M. Davis’s mother. Part bookie, part banker, mother, wife, and granddaughter of slaves, Fannie ran her numbers business for thirty-four years, doing what it took to survive in a legitimate business that just happened to be illegal. She created a loving, joyful home, sent her children to the best schools, bought them the best clothes, mothered them to the highest standard, and when the tragedy of urban life struck, soldiered on with her stated belief: “Dying is easy. Living takes guts.”

An aspiring actress has lost considerable weight to land her first movie role, but what the director didn’t tell her was that it includes a nude scene. Reluctant to do it, she embarks on a personal journey that unveils secrets once hidden under her weight, as she discovers emotional nudity is just as revealing as taking her clothes off.