Leea Klemola

In 1982 the guilt-ridden 18-year-old Rupert tries to remember and understand the events of the past amidst the chaos of the present.

Juha is 38 years old and has three small children and a depressed wife. He sees himself as strong and believes a man should provide for his family. But one day Juha is fired from his job. Ashamed, he weaves a web of lies to hide the fact from his family. With the help of his friend Olli, Juha begins prostituting himself to support his wife and children. With this he makes in two hours what it took him two days to earn before. The shame and deception mushroom, but the pay from the new profession seems to offset the downside.

Where is Where? is an experimental film that quarters the screen in order to have four different scenes play simultaneously. It's a meditation on the Algerian war that culminates in a brutal killing.

Siiri, a hardworking millennial, wants to be successful in her job as the advisor to the Minister of Economic Affairs. She craves a promotion. Siiri’s job takes her and the hard-to-handle minister, an unpredictable eccentric boss lady, to a big tango festival in a small Finnish town. Siiri’s father Petri, a former tango artist and an overly optimistic middle-aged man, wants to make himself useful to Siiri while trying to hide the fact that he himself is homeless, bankrupt and finally at his wits end. Over the course of one summer weekend both Siiri’s and Petri’s facade comes tumbling down but the tango keeps going on in the sweet Finnish summer night.

At first glance Maarit looks like any other woman in her early forties. There is, however, something strange under the surface. She radiates sexual energy that is hard to define.

25-year-old Karri is stuck with his life: days at a job as a guard at a shopping mall, nights out with his friends. Then Karri meets Caasha, a Somali girl about his age.

A short film about people interacting in traffick. We're all involved in this problem whether we want it or not.

Esa is a small time crook who has been precisely released from prison. He starts to make money by mugging people. One day psychiatrist Lindström rings Esa's doorbell. He has a very strange request: he wants Esa to maltreat him. Esa accepts this request, but he is not aware of Lindström's bad intentions.

The lifelong friendship between the two game developers begins to fray as one longs for nostalgia of her youth, and the other for marriage and a life abroad. When old grudges surface at a LARP-themed bachelorette party, it's time to find out who's living whose dream.

Documentary about terminal care.

A young and ambitious civil servant Jussi finds himself being in charge of the environmental permit of a huge nickel and uranium mine in Northern Finland. The Talvivaara mine, led by a charismatic globe trotting visioner Pekka Perä is introducing an entirely new method of collecting minerals whilst creating jobs in one of the poorest areas in Scandinavia. Jussi slowly discovers that he has been led astray by several people and that the new method has serious downsides he did not forsee. The mine is causing environmental hazards that are being hushed down. A new application for another permit is brough to his table by the same mine. Along with the application comes an interesting job offer and a chance of a new beginning. Jussi has to decide whether he will play along and if so, with whom.

Helena has worked as a kind of midwife on the eve of the Lapland War. She wants to leave everything behind, and a suitable opportunity arises when she falls in love with a German-Finnish officer Johannes, who is leaving to German-led Titovka prison camp in the Soviet Union. Helena enlists into the camp as a nurse, where she experiences the brutality of war.

When her sister is mugged and raped, Oili, a young female forensic dentist, meets a group of abused women who have taken matters to their own hands to make the living in fear and just letting it happen stop.

Eevi's life isn't going the way she would want it to, so she runs away, leaving destruction in her wake. No one will ever say no to her again.

Antti Pasanen is working as a journalist. His life is on the right tracks; his wife Pia is just about to give birth. Until - in the front of the Maternity Hospital everything changes. Antti, with the sniffling baby in his arms, sees the taxi´s taillights fading out. Pia is sitting on the backseat; their future as a nuclear family is disappearing. The new life with the baby´s terms begins and Antti has no idea what that’s all about.

War and famine drive the inhabitants of the snowy forest into desperate and macabre deeds.

Russia attacked Finland in late November 1939. This film tells the story of a Finnish platoon of reservists from the municipality of Kauhava in the province of Pohjanmaa/Ostrobothnia who leave their homes and go to war. The film focuses on the farmer brothers Martti and Paavo Hakala.

This very serious drama, based on a true incident, explores the unremitting labor which put a young mother living in rural isolation into the situation of being charged with having thrown her children down a well. Her husband is an unimaginative, work-obsessed man who cannot see that her constant hard work without any support or sympathy from anyone is driving the sensitive woman to consider suicide. When the loutish fellow discovers that his wife and three children are missing, he calls the police, and a manhunt begins. The police discover the oldest boy alive, and find that the mother tried to drown herself, but has survived. The two younger children remained missing.

Marja Sauri, who lives in Helsinki at the end of the 1980s, is going to the store to replace defective garden shears with new ones. Along the way, she collides with a woman on the street who Marja insults in anger. Within a day, Marja begins to see strange delusions about the same woman she encountered earlier.

When Marja becomes pregnant as a result of an unauthorized relationship, the man denies the whole relationship. A pregnant young woman is left alone. Marja ends up with an illegal abortion when there are only bad options ahead.

A farce about blackmailing, a kidney transplant operation performed at home, deviants and human relationships.

Johanna, the hostess of the parish house, does her utmost to ensure that everything goes according to plan. There is no room for error. The last thing Johanna needs is a busload of uninvited guests knocking on the door of the parish house on the eve of an important wedding. However, a passing Russian party has had its car broken down and Johanna soon finds herself accommodating the party at the parish house. Johanna's brother is tasked with fixing the car to get the guests on the road and out of the way quickly. Her brother's entrepreneurial friend, on the other hand, sees great opportunities in the situation and decides to act. The clock ticks, the car won't start, the wedding ceremony is about to begin and the recipe for disaster is in motion.

P(l)ain Truth tells the story of the emotional and physical transition of a transsexual woman through poetic visuals.

Miami is the story of two sisters who have grown up separately. The older sister, Angela, is an exotic dancer with her own touring dance group. The younger, Anna, on the threshold of adulthood, lives in a small town working in sales. When their father dies, Anna looks for and finds Angela. The fascinating, high-strung Angela asks the timid Anna to accompany her on tour and, before long, trouble from Angela’s past catches up to them and the sisters’ love is put to the test.