Aaron Schwartz

This rarely-screened teleplay written by Rick Salutin offers a dramatic glimpse into Canada’s Red Scare that pre-dated the rise of McCarthyism in the United States. John Grierson and his National Film Board of Canada become targets of an anti-Communist blacklist in the immediate post-war years, after Soviet clerk Igor Gouzenko produced documents revealing a spy ring operating in Canada. With a cast featuring Eric Peterson as Grierson, Saul Rubinek as Gouzenko, and Aaron Schwartz as Communist Party MP Fred Rose, this forgotten piece of Canadian history is brought to life in a very compelling CBC drama.

The early 1960s: In preparation for his Bar Mitzvah, a Jewish boy, Max Glick (Noam Zylberman) from a small Manitoba community with an overbearing family tries to navigate his coming-of-age with his family's condescension and bigotry using his sarcastic, Jewish humour. The town's rabbi dies, and a sub-plot develops in which Max's father (Aaron Schwartz) and grandfather (Jan Rubes)-both synagogue leaders-are saddled with a traditional Hassidic rabbi who sticks out like a sore thumb among the otherwise assimilated Jewish community. To make matters more difficult, Max likes a Catholic girl (14 year old Fairuza Baulk in just her third film), whom he later competes with in a piano competition. The quirky, fun-loving rabbi tries to help him with his problems, yet harbours a secret ambition of his own. Filmed in Winnipeg and rural Beausejour, Manitoba, Canada.

Philip, a man of tradition, must perform the role of "Second" for his only son.

A band of siblings who were once robbers, thieves and killers of the west, decide to fulfill their fathers dying wish of abandoning their life of crime and pursuing the path of the holy. A post-apocalyptic Western about a divinely inspired family that must battle the most horrific forces of evil, testing their faith and evolving each one of them.

Follows Jack Marlin, a private detective as he works on a new case. He has to help a pop star find her mother who committed suicide twenty years earlier.

A father fears his son is losing his religious and cultural identity. The son worries that his father has lost touch with the modern world and desperately wants him to adapt.