Jon Thor Birgisson

Icelandic Post-Rock band Sigur Ros performs live at the Walt Disney Concert Hall in Los Angeles with the Los Angeles Philharmonic Orchestra

Ethereal post-rock pioneers Sigur Rós play a string of impromptu gigs in their native Iceland after finishing a world tour in 2006. As they travel through the country, the band visits a wide variety of venues, from a large outdoor festival to a coffee shop.

A documentary about the bustling Icelandic musical scene. This documentary covers some of Iceland's most talented and well-known musicians.

Filmed by Fifty Nine Productions, the people responsible for Jónsi’s celebrated stage design, the movie captures the never-to-be-repeated early stages of the productions development, in front of a small invited audience whose only price of admission was to dress as animals.

Inni is a live motion picture and album by Icelandic band Sigur Rós released in 2011.The concert footage was directed by Vincent Morisset and filmed at the Alexandra Palace in 2008. It was released on 7 November 2011 on various formats, including vinyl, DVD, Blu-ray and CD. Theatrical versions are also being shown around the world from late 2011. The songs played within are Ný batterí, Svefn-g-englar, Fljótavík, Inní mér syngur vitleysingur, Sæglópur, Festival, E-Bow, Popplagið and Lúppulagið. The bonus material contains All Allright, Glósóli, Hafsól and Við spilum endalaust.

Gobbledigook is the first track on Sigur Rós' album Með suð í eyrum við spilum endalaust. It premiered on Zane Lowe's Radio 1 show in the UK on 27 May 2008.

Jonsi awakens to a trashed house in the wake of his New Year's Eve party. He avoids cleaning up and instead plays songs that reflect the night before, the bittersweetness of new year, and the melancholy of one gone by.

Benjamin has lost his wife and, in a bid to start his life over, purchases a large house that has a zoo – welcome news for his daughter, but his son is not happy about it. The zoo is in need of renovation and Benjamin sets about the work with the head keeper and the rest of the staff, but, the zoo soon runs into financial trouble.

A celebrated military contractor returns to the site of his greatest career triumphs and re-connects with a long-ago love while unexpectedly falling for the hard-charging Air Force watchdog assigned to him.

Inni is a live motion picture and album by Icelandic band Sigur Rós released in 2011.The concert footage was directed by Vincent Morisset and filmed at the Alexandra Palace in 2008. It was released on 7 November 2011 on various formats, including vinyl, DVD, Blu-ray and CD. Theatrical versions are also being shown around the world from late 2011. The songs played within are Ný batterí, Svefn-g-englar, Fljótavík, Inní mér syngur vitleysingur, Sæglópur, Festival, E-Bow, Popplagið and Lúppulagið. The bonus material contains All Allright, Glósóli, Hafsól and Við spilum endalaust.

The music video for the song track depicts the drowning of a young child, who is, towards the end of the video, rescued by a diver and, as in the "Glósóli" video, whether the child survives is left for the viewer to decide.

Gobbledigook is the first track on Sigur Rós' album Með suð í eyrum við spilum endalaust. It premiered on Zane Lowe's Radio 1 show in the UK on 27 May 2008.

"Saṃsāra" explores the cyclicality of all life, matter and existence through the voice of consciousness. A deep reflection in the context of isolation originated by the pandemic, focused on how to overcome pain, accept reality and let go from the past in order to inhabit the present moment by constant introspection. There where memories blend with dreams.

An elite Navy SEAL uncovers an international conspiracy while seeking justice for the murder of his pregnant wife.

Ethereal post-rock pioneers Sigur Rós play a string of impromptu gigs in their native Iceland after finishing a world tour in 2006. As they travel through the country, the band visits a wide variety of venues, from a large outdoor festival to a coffee shop.

An American actor in Tokyo struggles to find purpose until he lands an unusual gig: working for a Japanese 'rental family' agency, playing stand-in roles for strangers. As he immerses himself in his clients' worlds, he begins to form genuine bonds that blur the lines between performance and reality.