Mehmet Eryılmaz

Man was made to be happy for simple reasons and unhappy for even simpler ones – just as he is born for simple reasons and dies for even simpler ones... Isa and Bahar are two lonely figures dragged through the ever-changing climate of their inner selves in pursuit of a happiness that no longer belongs to them.

A young man is forced out of his comfort zone when he goes on an unconventional date.

Ten years after being thrown out of her parental home, Nur hears that her mother is at death's door. Taking her young daughter with her, Nur hurries back to her father's world to see, and reconcile with her mother before it is too late. While the universal theme of mother-daughter relationships lies at the centre of the film, this is underpinned by an allusive subtext of incest, one of most common but least addressed social problems in Turkey. The individual stories of the family members combine with a sense of hope fuelled by tragedy to paint a portrait of the socially disconnected.

Ten years after being thrown out of her parental home, Nur hears that her mother is at death's door. Taking her young daughter with her, Nur hurries back to her father's world to see, and reconcile with her mother before it is too late. While the universal theme of mother-daughter relationships lies at the centre of the film, this is underpinned by an allusive subtext of incest, one of most common but least addressed social problems in Turkey. The individual stories of the family members combine with a sense of hope fuelled by tragedy to paint a portrait of the socially disconnected.

Ten years after being thrown out of her parental home, Nur hears that her mother is at death's door. Taking her young daughter with her, Nur hurries back to her father's world to see, and reconcile with her mother before it is too late. While the universal theme of mother-daughter relationships lies at the centre of the film, this is underpinned by an allusive subtext of incest, one of most common but least addressed social problems in Turkey. The individual stories of the family members combine with a sense of hope fuelled by tragedy to paint a portrait of the socially disconnected.

Man was made to be happy for simple reasons and unhappy for even simpler ones – just as he is born for simple reasons and dies for even simpler ones... Isa and Bahar are two lonely figures dragged through the ever-changing climate of their inner selves in pursuit of a happiness that no longer belongs to them.