Nataša Tič Ralijan

After a car accident, Jure is trapped in a house with his guilty conscience and neurotic mother. Mother's friend Majda tries her best to help them in her own way.

Felix Langus is increasingly obsessed with the idea of communicating with supernatural forces, which warn him of the great peril of danger. Attacks of obsession are triggered by aggressive media, which are constantly challenged by dangerous information in a graduated rhythm. At his job as a driver, he has more and more problems. He's moved to an undemanding workplace, but his obsession proves to be dangerous even there, which leads him to unpredictable and grotesquely funny complications. Together with his psychotherapist, he can not escape a common fate...

A group of nine friends go to the mountains of Triglav in seek of Morana, goddess of death. And end up being killed one by one.

Piran - Pirano tells a story about three individuals and how their destinies are unusually intertwined. An Italian Antonio, a Bosnian Veljko and a Slovenia girl Anica face the terror of war as children and each of them become war's victim in their own way. Half a century later their paths cross again and last days of war, fear, despair, love and inexplicable emotions live up again - this time because Antonio returns to Piran to see his place of birth once again before he dies.

Slovenian actress with the pseudonym Mary comes from a well-to-do bourgeois family. She falls in love with Petar Kocmur, a final-year architecture student. One day she finds a girl in his bed, but she throws herself into the river because nothing in her life makes her happy.

After spending 13 years in prison, forty-year-old Djuka Begovic returns to his home-village in Slavonia. He promises to his mother that he will begin a new and honest life. He finds new meaning in taking care of his daughter Smilja. He tries to chase away destructive thoughts that threaten to overwhelm him by throwing himself into hard work. However, everything around him reminds him of his past and his family's tragic destiny. His family was wealthy at the beginning of the twentieth century, but was destroyed by the capitalist powers that took over the villages and broke the traditional family cooperatives. Djuka's personal life was marked by constant conflicts with his father.

An animated folkloristic Western, using clichés, local stereotypes and national myths to sketch a kind of satirical profile of “wild” Slovenia, its colourful costumes and strange customs. Boris Dolenc has adapted a cartoon by Vladan Nikolić, who in turn drew on the motifs and visual language of the painted beehive boards typical of Slovenia.

A Slovenian mother takes her addicted and self-destructive daughter with her to a remote Italian village. Isolation as attempted salvation. Inspired by Proust, Skafar turns this theme into a gentle and beautiful film, a poem about two souls in which the unutterable slowly comes to the surface.

The city of Maribor before the Second World War, and Maribor after its liberation mark the period in which the film Cafe Astoria is set. The story relates with a gentle melancholy and a slight irony the lives of a middle-class family: the cafe owner, his wife and their son. Through their individual destinies we become acquainted with the social and historical background of a by-gone era; the social and national differences of pre-war Maribor, divisions among the wealthy and poor, and nationally minded Slovenes and fanatic Germanophils. The first year after the war introduced the absurd characteristic cruel measures of the so-called revolutionary social transformations in which calamity and coincidence intervene, resulting in events of comic nature, of course, as seen from a safe distance of fifty years.

During his vacation, Piksi finds his brother's cassettes in the basement and spends three days listening to rock music, which changes his life. He decides to start his own punk rock band. The band consists of Piksi (electric guitar), Pejo (bass guitar), Sani (drums), and Edi (vocals). At first, they called themselves Avtsajders, then Ilegalci. Their idol is Johny Thunders. Piksi's father spends all his time lying in front of the television.

A widow grieves, discovers her deceased spouse's secret, and builds a relationship with a talented boy who used to play the violin with her husband in a local bar.

An immigrant worker from Bosnia falls in love with the actress Nastassia Kinski. To be able to approach her, he has to become famous himself. That's why he sets off on a journey to fame in a black comedy with a twist in its tale.

Aging Bosnian rocker Toni Riff hasn’t written a single song in twenty years; suffering from depression, he relies on financial support from his wife Sonia. The latter decides to make a last-ditch attempt to salvage Toni’s talent – and their marriage.

Milan Veber, a 40-year-old unemployed art teacher, has long been jobless and close to penniless. He lives in a cheap small studio that he rents in what used to be a lively working-class neighbourhood of an industrial city, feeling too young to grow old and too old to start over – until one morning after a night of drinking. Just when he is about to open a can of beef stew, he looks through the window and sees a bull in the street. A bull that has just escaped from the slaughterhouse.

Catholic priest Jon Urski has broken the rules. As a result he has to go to Mokus, an abandoned parish in the middle of a marsh which has been without a spiritual leader since the mysterious death of the previous parish priest Janos Talaber. Jon Urski is resolved to rebuild, with the help of the villagers, the ruined church at Mokus. But the people are afraid that restoring the church will arouse pagan demons. The wild waters are beginning to rise... Water is pouring into the restored church from all sides and begins to erase the border between reality and the dreams.