Lilita Bērziņa

When old auntie Mirta succeeds in a lottery and wins a car, which she cannot use herself, different family members are suddenly there to 'be helpful' in favor to get the car after aunties' death, not to mention, they never have come before to help her. The funny rivalry between two parts of family, a foolish jealousy to the near living peasants' family, which had always non-selfishly been there for auntie, is a caricature of greasy human nature. This is a slight humor of the Soviet life details as well. But aunt Mirta isn't fool, and is still young in her heart until her last minute, that appears in her last will - to whom the car, the limousine in the color of St. John's night goes.

A two-part documentary story about Latvian theater prima donna actress Lilita Bērziņa and her century. An attempt to answer the question: how did time and people shape their idols? On the one hand, she was a darling of the public and a model citizen, whose political naivety is still the subject of backstage anecdotes. On the other hand, a tragic personality with an unsuccessful marriage and an unfulfilled personal life.

The Latvian epic "Lāčplēsis" resounds through time and parallels the struggles of a Latvian soldier and his love before, during and after WWI.

The end of nineteenth century. Maidservant Madara is in love with farmhand Andrs, yet she marries a rich and old household owner. As time passes, her heart hardens and things get complicated when Andrs returns to the neighborhood and Madara's husband dies leaving her widowed with a son.

Land surveyors arrive in two parishes to measure and redistribute manor land. The rivalry between both feoffees for land and woman begins.

The great actress Julia Lambert suddenly realizes that she is, alas, getting old. What can help a woman who has absolutely everything? Only new love. And Julia falls in love with the first person she meets: an ambitious young man who has not a penny behind his soul. So begins a new life - a new romance and new tears. How else could it be?

Arvīds Lasmanis can't hold any job for long because he is not ready to tolerate deceit and slapdash work. He still has to feed his family, by chance he finds a well-paid job as a gravedigger. A friend helps Arvīds to find a place in a construction team, but other workers don't approve of Arvīds' high principles. His wife accuses him of not knowing how to make money, the family lives crammed in one room of a shared flat. The Soviet absurd comedy tells a story about a man who, while at odds with the system, won't lose his conscience and his true self, even if it means saying no to wealth and comfort.

In one of the prestigious restaurants during banquet speech a large company's director Palmgren is killed in front of dozen guests . Case is lead by Criminal Investigation Officer Pierre Monson with his assistants. Suspect can be easily intercepted if only miserably lazy police officers Kvant and Kristiansson instead of catching criminal would not argue with father of little 3 years old boy who yelled: "Police, police, mashed potatoes" when they ate hot dogs. Help comes from capital in form of the famous Commissioner Martin Beck, who discovers that murdered industrialist was involved in illegal activities and had many enemies. The case is linked as well with government's "higher ends".