Mehrdad Oskouei

Sardinia 2017. The starting point for the film is one of the most loved lands in the Mediterranean, using it to enter into the world of cinema. Ten international masters of cinema explain Fiorenzo Serra's images, one of the greatest post-war Italian documentary makers. His masterpiece, "The last punch of Earth", will be analyzed and debated, a film which examined Italian change and European reflection.

We had a comfortable life until my father went bankrupt and I blamed him for our misfortune. Being 30 and still living with my parents, I do not speak with my father. It is my brother's wedding and I'm not attending his ceremony. I asked my friend to film the wedding and specially my father. This film is an occasion for me to revise my attitude toward every member of my family by talking to them.

At just 16, Soraya is already creating stunning drawings and sculptures that are as beautiful as they are dark. This strong-willed Afghan sculptor and illustrator has been trying for five years to escape Iran and join her mother in Austria.

A look at the reasons why every year 70,000 Iranians have a nose job.

A look at the reasons why every year 70,000 Iranians have a nose job.

A look at the reasons why every year 70,000 Iranians have a nose job.

Heavy snow falls from the sky as heavily-armed guards patrol the walls of an Iranian centre of correction and rehabilitation. Inside, the girls are waiting at the food counter. Among them are underage mothers and others who are married. All of them ended up here after becoming involved in crime. Drug dealing, assault, murder. Yet instead of cold-blooded criminals we discover friendly, warm young people who laugh, sing and cry together. Their close bonds have been forged by the troubled past they share. We learn of their fears of having to return to the lives they once left behind. The documental camera is intimate but respectful, the resulting portraits are full of dignity.

Heavy snow falls from the sky as heavily-armed guards patrol the walls of an Iranian centre of correction and rehabilitation. Inside, the girls are waiting at the food counter. Among them are underage mothers and others who are married. All of them ended up here after becoming involved in crime. Drug dealing, assault, murder. Yet instead of cold-blooded criminals we discover friendly, warm young people who laugh, sing and cry together. Their close bonds have been forged by the troubled past they share. We learn of their fears of having to return to the lives they once left behind. The documental camera is intimate but respectful, the resulting portraits are full of dignity.

Heavy snow falls from the sky as heavily-armed guards patrol the walls of an Iranian centre of correction and rehabilitation. Inside, the girls are waiting at the food counter. Among them are underage mothers and others who are married. All of them ended up here after becoming involved in crime. Drug dealing, assault, murder. Yet instead of cold-blooded criminals we discover friendly, warm young people who laugh, sing and cry together. Their close bonds have been forged by the troubled past they share. We learn of their fears of having to return to the lives they once left behind. The documental camera is intimate but respectful, the resulting portraits are full of dignity.

The Other Side of Burka is a 2004 Iranian documentary directed by Mehrdad Oskouei. In the southern island of Qeshm, Iran, which is a very strict region in point of tradition and African-Arabic rules, all women are under the pressure of patriarch society. Their sufferance is manifested by different mental (Zar, Possession) and physical diseases which must be only treated by Zar Ceremony. For the first time, despite the danger these women face, this film tells us the sad story of their life and shows their confection in front of the camera. It tries to be an honest mirror which reflects their sufferance and unveils their Burka to reveal their real characters.

The Other Side of Burka is a 2004 Iranian documentary directed by Mehrdad Oskouei. In the southern island of Qeshm, Iran, which is a very strict region in point of tradition and African-Arabic rules, all women are under the pressure of patriarch society. Their sufferance is manifested by different mental (Zar, Possession) and physical diseases which must be only treated by Zar Ceremony. For the first time, despite the danger these women face, this film tells us the sad story of their life and shows their confection in front of the camera. It tries to be an honest mirror which reflects their sufferance and unveils their Burka to reveal their real characters.

The Other Side of Burka is a 2004 Iranian documentary directed by Mehrdad Oskouei. In the southern island of Qeshm, Iran, which is a very strict region in point of tradition and African-Arabic rules, all women are under the pressure of patriarch society. Their sufferance is manifested by different mental (Zar, Possession) and physical diseases which must be only treated by Zar Ceremony. For the first time, despite the danger these women face, this film tells us the sad story of their life and shows their confection in front of the camera. It tries to be an honest mirror which reflects their sufferance and unveils their Burka to reveal their real characters.

A documentary depicting the life of three teenager boys in the Tehran House of Correction. They are portrayed as victims of serious social problems such as addiction, poverty, and divorce.

A documentary depicting the life of three teenager boys in the Tehran House of Correction. They are portrayed as victims of serious social problems such as addiction, poverty, and divorce.

Each day before dawn, 67-year-old Kobra goes fishing in a small rowing boat tied to her porch. Her house stands on the water's edge. It is a tough life. She tries to sell her meager catch at the local market to support herself and her old invalid mother, but she must fight with dealers and thieves (of her fish net) in an all-male environment first.

Each day before dawn, 67-year-old Kobra goes fishing in a small rowing boat tied to her porch. Her house stands on the water's edge. It is a tough life. She tries to sell her meager catch at the local market to support herself and her old invalid mother, but she must fight with dealers and thieves (of her fish net) in an all-male environment first.

A documentary short.

A documentary short.

A documentary short.

A documentary short.

Documentarian Mehrdad Oskouei's debut short, shot on Super 8mm.

In an Iranian juvenile detention center, a group of adolescent girls serve their sentence for the grave crime of murdering their father, their husband or another male family member.

In an Iranian juvenile detention center, a group of adolescent girls serve their sentence for the grave crime of murdering their father, their husband or another male family member.

In an Iranian juvenile detention center, a group of adolescent girls serve their sentence for the grave crime of murdering their father, their husband or another male family member.

The Other Side of Burka is a 2004 Iranian documentary directed by Mehrdad Oskouei. In the southern island of Qeshm, Iran, which is a very strict region in point of tradition and African-Arabic rules, all women are under the pressure of patriarch society. Their sufferance is manifested by different mental (Zar, Possession) and physical diseases which must be only treated by Zar Ceremony. For the first time, despite the danger these women face, this film tells us the sad story of their life and shows their confection in front of the camera. It tries to be an honest mirror which reflects their sufferance and unveils their Burka to reveal their real characters.

This documentary series, spanning six feature-length films, explores the life and artistic journey of Nosratollah Karimi — an Iranian actor of theater and cinema, director, writer, sculptor, university professor, and gardener.

This documentary series, spanning six feature-length films, explores the life and artistic journey of Nosratollah Karimi — an Iranian actor of theater and cinema, director, writer, sculptor, university professor, and gardener.

At just 16, Soraya is already creating stunning drawings and sculptures that are as beautiful as they are dark. This strong-willed Afghan sculptor and illustrator has been trying for five years to escape Iran and join her mother in Austria.

At just 16, Soraya is already creating stunning drawings and sculptures that are as beautiful as they are dark. This strong-willed Afghan sculptor and illustrator has been trying for five years to escape Iran and join her mother in Austria.