Peter von Bagh

Helsinki, Forever is a montage film about the city of Helsinki by the award-winning Finnish film director and academic Peter von Bagh. The film draws a portrait of Helsinki and also acts as an essay on Finnish culture in a wider sense. It shows Helsinki as captured by leading Finnish feature film and documentary makers over a period of one hundred years.

Acclaimed Finnish director Rauni Mollberg made several scandalous yet widely appreciated films. Former co-worker Veikko Aaltonen’s eye-opening documentary The Dinosaur looks at the relentless, often disturbing directing techniques behind Mollberg’s art and success.

Peter von Bagh's documentary about Juhani Aho and people around him.

Documentary about Finnish film theaters - about their past, disappearance and future. And at the same time universal story how cinema is undeniably connected with life.

An interview with Aki Kaurismäki, with film clips and comments from colleagues.

Piirainen's documentary on the last years of Peter von Bagh.

Portrait of a national icon: iskelmä or popular schlager legend Olavi Virta (1915–1972), as an old, lost and lonely man. When the film was screened for the first time, people all over Finland went ballistic – they couldn't take the sad sight of their tango's greatest voice, the incarnation of postwar wealth and glory in ruins.

This short document tells the story of Bank of Finland and the history of money in Finland.

Arriving in Helsinki, a nameless man is beaten within an inch of his life by thugs, miraculously recovering only to find that he has completely lost his memory. Back on the streets, he attempts to begin again from zero, befriending a moody dog and becoming besotted with a Salvation Army volunteer.

A farmer's wife is seduced into running away from her stolid older husband by a city slicker, who enslaves her in a brothel.

An Italian mondo documentary about Finland. Among other things, it showcases intricacies of local mating culture, sports, Midsummer festivities and sauna.

Renowned filmmaker Aki Kaurismäki, creator of The Man Without a Past (Grand Prix du Jury, 2002 Cannes Film Festival) and acclaimed films such as Ariel, Leningrad Cowboys Go America, and Drifting Clouds, is the subject of AKI KAURISMÄKI, the latest release from the Cinema, of Our Time series. The younger member of Finland's most prolific and irreverent filmmaking team, Kaurismäki, together with older brother Mika, virtually invented "The New Finnish Cinema." Since 1981, Kaurismäki has made twenty-two films, many of which are excerpted in this documentary.

The ever-poker-faced Ilona loses her job as a restaurant hostess, as her tram driver husband, Lauri, also finds himself out of work. Together they must hit the streets of Helsinki, facing up to hardship and humiliation in their quest for survival, guided through the gloom by a ray of hope.

Pertti Ylermi Lindgren was engaged to 76 women, married none, but took the money of all. Lindgren is the real thing, as far as swindlers go. Peter von Bagh asked him to play himself in a film that would reconstruct some of his greatest moments, i.e. the most flamboyant stunts – and he agreed.

After being struggling to finish his ninth book, an irrelevant author decides to try change his methods.

THE OTHER SIDE OF HOPE is dedicated to filmmaker Aki Kaurismäki’s longtime friend and collaborator, the film critic and festival programmer Peter von Bagh. In this new video essay, filmmaker Daniel Raim explores Kaurismäki’s oeuvre through the world of von Bagh.

The Midnight Sun Film Festival is held every June in the Finnish village of Sodankylä beyond the arctic circle — where the sun never sets. Founded by Aki and Mika Kaurismäki along with Anssi Mänttäri and Peter von Bagh in 1985, the festival has played host to an international who’s who of directors and each day begins with a two-hour discussion. To mark the festival’s silver anniversary, festival director Peter von Bagh edited together highlights from these dialogues to create an epic four-part choral history of cinema drawn from the anecdotes, insights, and wisdom of his all-star cast: Coppola, Fuller, Forman, Chabrol, Corman, Demy, Kieslowski, Kiarostami, Varda, Oliveira, Erice, Rouch, Gilliam, Jancso — and 64 more. Ranging across innumerable topics (war, censorship, movie stars, formative influences, America, neorealism) these voices, many now passed away, engage in a personal dialogue across the years that’s by turns charming, profound, hilarious and moving.

Two men and a woman, all rallye drivers, get too closely involved, competing in the race and in love.

Helsinki, Forever is a montage film about the city of Helsinki by the award-winning Finnish film director and academic Peter von Bagh. The film draws a portrait of Helsinki and also acts as an essay on Finnish culture in a wider sense. It shows Helsinki as captured by leading Finnish feature film and documentary makers over a period of one hundred years.

Pertti Ylermi Lindgren was engaged to 76 women, married none, but took the money of all. Lindgren is the real thing, as far as swindlers go. Peter von Bagh asked him to play himself in a film that would reconstruct some of his greatest moments, i.e. the most flamboyant stunts – and he agreed.

Paavo Nurmi (1897–1973) was one of the greatest athletes ever, and he had the wins to show it. For some time, his name was synonymous with speed, endurance and grace – if you did something the way Nurmi ran, you did good. But Nurmi's story had its more depressing side: He was accused of violating his amateur status. He died in disgrace, if fondly remembered. PAAVO NURMI – THE MAN AND HIS TIMES is not so much a portrait of the runner as a vision of his time(s): Here, Nurmi is an icon, an epitome. More than most other works by von Bagh, this one has a strident rigor to it, a focused sense of ritual that fits the subject perfectly.

Portrait of a national icon: iskelmä or popular schlager legend Olavi Virta (1915–1972), as an old, lost and lonely man. When the film was screened for the first time, people all over Finland went ballistic – they couldn't take the sad sight of their tango's greatest voice, the incarnation of postwar wealth and glory in ruins.

Peter von Bagh takes us on a trip to his homeland and Oulu, a small Finnish town, tracing the turbulent changes it has undergone in the 20th century. A life of the filmmaker, a history of his home and a history of cinema intersect in this magical film that works like a time machine. (text: International FIlm Festival Rotterdam

Peter von Bagh takes us on a trip to his homeland and Oulu, a small Finnish town, tracing the turbulent changes it has undergone in the 20th century. A life of the filmmaker, a history of his home and a history of cinema intersect in this magical film that works like a time machine. (text: International FIlm Festival Rotterdam

Socialism, the 20th century's greatest dream and source of some of its darkest nightmares. Divided into eighteen chapters which all begin with quotes from left-wing thinkers and writers, Socialism embarks on a chronological journey through 20th century film and social history, starting with images from Louis Lumière's Workers Leaving the Lumière Factory (1895), followed among others by Chaplin's comedy Work (1915), Roberto Rosselini's Rome, Open City (1945) and Pier Paolo Pasolini's The Gospel According to St. Matthew (1964).

The Midnight Sun Film Festival is held every June in the Finnish village of Sodankylä beyond the arctic circle — where the sun never sets. Founded by Aki and Mika Kaurismäki along with Anssi Mänttäri and Peter von Bagh in 1985, the festival has played host to an international who’s who of directors and each day begins with a two-hour discussion. To mark the festival’s silver anniversary, festival director Peter von Bagh edited together highlights from these dialogues to create an epic four-part choral history of cinema drawn from the anecdotes, insights, and wisdom of his all-star cast: Coppola, Fuller, Forman, Chabrol, Corman, Demy, Kieslowski, Kiarostami, Varda, Oliveira, Erice, Rouch, Gilliam, Jancso — and 64 more. Ranging across innumerable topics (war, censorship, movie stars, formative influences, America, neorealism) these voices, many now passed away, engage in a personal dialogue across the years that’s by turns charming, profound, hilarious and moving.

In a world of cold facts, this film speaking in more than 20 languages offers a vision of a world momentarily united and willing to listen to the human voice.

Peter von Bagh's documentary about Juhani Aho and people around him.

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

A bitter and moving portrait of a genius as a troubled human being trying his best to find a way through life. A documentary about a too-little-known master of world cinema Mikko Niskanen (1929-1990); an epic sketch of the typical 20th century person’s struggles and doubts. Peter von Bagh, ‘a Renaissance man’ and sensitive film adventurer, was the only person to peer inside the soul of this director and his works with great intensity and ardour.

A psychotherapist's life is wrecked when her private life is exposed in a sensation magazine.

An exemplary reconstruction of a historical turning point. Time and again, the images and the remembered stories.

An exemplary reconstruction of a historical turning point. Time and again, the images and the remembered stories.

An exemplary reconstruction of a historical turning point. Time and again, the images and the remembered stories.

It took a dozen years, but in 1952 the greatest dream of sports-crazy Finland finally came true: The Helsinki Olympics happened.

It took a dozen years, but in 1952 the greatest dream of sports-crazy Finland finally came true: The Helsinki Olympics happened.

Documentary about Finnish civil war

A restaurateur befriends a Syrian refugee who has recently arrived in Finland.

The story of Agit Prop, communist band established in 1970.

Portrait of a national icon: iskelmä or popular schlager legend Olavi Virta (1915–1972), as an old, lost and lonely man. When the film was screened for the first time, people all over Finland went ballistic – they couldn't take the sad sight of their tango's greatest voice, the incarnation of postwar wealth and glory in ruins.

Young photography model Susanna and her alienated teenage brother Veli spend the summer of 1969 travelling around Finland, mostly with another girl and her boyfriend. Sporting the latest fashions and trendy hairdos, they naïvely observe and criticise the modern consumer society, advertising, fancy boats and summer cottages, country dances, barbecues, and any other phenomena that were supposed to bother angry young intellectuals in those days. The plot and the political agenda are delivered with a cheerful, tongue-in-cheek mixture of documentary observations, fake TV commercials, fake interviews, philosophical voiceovers and titles, and a jazzy soundtrack by the progressive rock group Wigwam.

This short document tells the story of Bank of Finland and the history of money in Finland.

In the year 2012 historian Raimo Lappalainen wants to illustrate how life was 50 years earlier. He becomes obsessed with the fate of a 1970s nude model Saara Turunen, and finds a perfect actress to reconstruct her life and death in front of a TV camera. Meanwhile, a strike at a nuclear plant is covered up by the media.

Helsinki, Forever is a montage film about the city of Helsinki by the award-winning Finnish film director and academic Peter von Bagh. The film draws a portrait of Helsinki and also acts as an essay on Finnish culture in a wider sense. It shows Helsinki as captured by leading Finnish feature film and documentary makers over a period of one hundred years.

After losing his job and realizing that he is alone in the world, a businessman opts to voluntarily end his life. Lacking courage, he hires a contract killer to do the job. Then, while awaiting his demise, he meets a woman and promptly falls in love.

Recollections of a Helsinki Bourgeois

Recollections of a Helsinki Bourgeois

Recollections of a Helsinki Bourgeois

Pertti Ylermi Lindgren was engaged to 76 women, married none, but took the money of all. Lindgren is the real thing, as far as swindlers go. Peter von Bagh asked him to play himself in a film that would reconstruct some of his greatest moments, i.e. the most flamboyant stunts – and he agreed.

Pertti Ylermi Lindgren was engaged to 76 women, married none, but took the money of all. Lindgren is the real thing, as far as swindlers go. Peter von Bagh asked him to play himself in a film that would reconstruct some of his greatest moments, i.e. the most flamboyant stunts – and he agreed.

A TV documentary about the Finnish band Hassisen Kone and its frontman Ismo Alanko.