Chuck Wein

This new and revealing programme provides an incredibly detailed account of how Jimi Hendrix, a legendary guitarist touched by genius, lived his life in the high powered world of 60's Rock 'n' Roll.

Esther Robinson's portrait of her uncle Danny Williams, Warhol's onetime lover, collaborator and filmmaker in his own right, offers a exploration of the Factory era, an homage to Williams's talent, a journey of family discovery and a compelling inquiry into Williams's mysterious disappearance at age 27.

A young, jobless woman stays in bed, reads, talks on the phone, smokes cigarettes, makes fresh coffee, and tries on some clothes from a large wardrobe.

Documentarians Juan Drago and Bruce Torbet follow a surprisingly relaxed and open Andy Warhol, at the peak of his powers in 1965 and 1966, around his bustling original "Factory" in midtown Manhattan. Warhol experiments with an early videotape machine, recording a beautiful, laughing Edie Sedgwick - his "superstar" of the moment - for the video portion of "Outer and Inner Space," his filmed record of the "live" Sedgwick juxtaposed against her video image on an adjacent monitor. Also captured is a Warhol show at the Leo Castelli gallery, including the famous Mylar "Clouds," as various unnamed art dealers and critics muse in voiceover about the meaning and significance of Warhol's work.

The movie has a fixed point of view showing a bed with two characters on it, Sedgwick and Piserchio. Chuck Wein is heard speaking but is just out of view. Sedgwick is wearing a lace bra and panties, and Piserchio, wearing only jockey shorts, engage in flirting and light kissing. Wein asks Sedgwick questions seemingly designed to harass and annoy her. Piserchio is more or less a bystander not interacting with Wein. The dialogue seems created adlib and no conclusions are reached in the film. The only conceivable climax is when Sedgwick finally becomes so mad, she throws a glass ashtray at Wein, breaking it.

The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second. The resulting two-and-a-half-minute film reels were then screened in 'slow motion' at 16 frames per second.

Jimi Hendrix Experience’s storied visit to Maui, their performance on the dormant lower crater of Haleakala volcano on the island and how the band became ensnared with the ill-fated Rainbow Bridge movie produced by their controversial manager Michael Jeffery.

A documentary about various singers, musicians, artists, astrologers, etc., who attended a "New Age" gathering in Maui, Hawaii.

Footage from the Jimi Hendrix Experience’s two afternoon performances in Maui captured on July 30, 1970 mixed in both stereo and 5.1 surround sound. Featuring Hendrix, Billy Cox, and Mitch Mitchell at the height of their playing powers, newly restored and mixed by longtime Hendrix engineer Eddie Kramer. Tracklist includes Hey Baby (New Rising Sun), In From the Storm, Foxey Lady, Hear My Train a-Comin', Voodoo Child (Slight Return), Fire, Purple Haze, Dolly Dagger, Villanova Junction, Red House, Freedom, and Stone Free. Gaps in the footage are filled with titlecards. This concert film is part of a collection that features Music, Money, Madness . . . Jimi Hendrix In Maui documentary on Blu-ray with Live In Maui 2CD or 3LP album.

Set on Fire Island, My Hustler depicts competition over the affections of a young male hustler among a straight woman, a former male hustler, and the man who hired the boy's companionship via a "Dial-A-Hustler" service.

Fiction and documentary mingle in a freewheeling portrait of Susan Superstar, a New York celebrity on a drug-fueled downward slide that mirrors Edie Sedgwick’s own self-destructive spiral.

Plot unknown but described as a rock 'n' roll western. Shot in Times Square during New Years Eve of 1973. Possibly unreleased.