Xu Wei

Wu Hongyan is a female bailiff in a regional court in West China dealing with women awaiting execution—more often than not, sentenced for crimes of passion. Every weekend, without much luck, she looks for love at the Good Luck Matchmaking dance, until she meets the husband of one of her prisoners.

When an investigation financed by a wealthy businessman is about to end the operation of a dangerous drug cartel, his daughter and a brave soldier must team up to deliver evidence to the police.

Chang-ho, 12, becomes friends with a North-Korean immigrant about the same age who just crossed the Dooman river, border between North-Korea and China. His mute sister and his wise grandfather accompany him through a series of misfortunes.

The film follows several disaffected youth in the fictional Thirteen Princess High School in Chengdu. Feng, the film's protagonist, is a short-haired tomboy who has a love affair with the jock, Taotao. With the arrival of Bao, a student from Beijing, Feng finds herself gravitating to the new presence.

Huang is a taciturn detective, hired to catch the elusive Li Chonggao in an illicit tryst. Having failed that, he placates himself by collecting evidence: taking pictures of a rumpled bed or attempting to question the locals. When he meets the stunning Yu Ran, he suspects she may be the key to capturing Li, but she has secrets of her own.

Desperate to support her family and earn enough money to get her husband out of jail, a woman with an unusual crying style becomes a professional mourner.

Produced by Crazy Racer director Ning Hao, Lethal Hostage revolves around a drug dealer who falls in love with his hostage and decides to quit the business following one final deal.

Xiao Likun, handsome, sensitive, is fond of poetry.He has a strong ego, but his butcher family background makes him ashamed. Jiang Yue'e is a kinder-garden music teacher, sexy , craving for romance. They meet across, get a crush for each other and get a marriage very soon. However, this happy marriage buries a tragic seed. The conflict due to their different social backgrounds and status intensifies. Unsurprisingly, they get a divorce and Xiao loses everything but the guardianship for his son, Xiao Lei. He revenges Jiang by hiding their son from her. Eventually, Jiang asks for paternity test on the son, and announces this child doesn't belong to Xiao biologically. Xiao is overwhelmed. He wants to revenge Jiang by killing her on his won...

The kind and tolerant grandmother reunites with her granddaughter, who went missing 12 years ago in an accident. From being strangers, they gradually become close, and during their time together, the secrets they carry are slowly revealed.

Eleven, which played at the 2001 Venice Film Festival, is the first short film of director Zhang Lu. He is a forty-year-old writer whose works engage with issues of cultural difference stemming from his own background as a member of the Korean cultural minority in China. Eleven is a fourteen-minute long vignette, virtually silent, of an eleven-year-old boy's encounter with a group of soccer players his own age.

Ten years ago, on a summer night, police officer Yuan Wenshan received a robbery and murder case. During the gradually deepening investigation process, the suspects present that night emerged one by one. However, the truth of the case was far from simple on the surface. Three cases went hand in hand, and a conflict of interests and righteousness intensified. What were the people involved in it? Is it a struggle between emotions and laws, or is it driven by desire? At a moment when the case had a slight appearance, Yuan Wenshan discovered an important clue that he had overlooked.

Phoenix is a film that reflects the love life of modern people. Ji Tong, Chen Lang, and Ma Wen reunite after 10 years. Their lives have changed a lot: Ji is a down-and-out literati, Chen the owner of a small leisure center, and Ma is in jail. Ma asks his former lover, Tong Fei, to come see him on the same day that Chen and Ji visit. Tong's beauty attracts both men — Tong chooses Ji. Chen then pursues a relationship with an online lover, Xia Yi, but once the relationship is consummated, he doesn't know what to do. While at first, this film seems like a typical romantic drama, Ding Jiancheng and Xu Wei - as sixth generation purveyors of the avant-garde - are up to something more here, as is gradually revealed through the relationships between the characters.

Lost in White takes places in the north-east of China, where two bodies have been found under the ice of a frozen lake, their remains made unidentifiable by carnivorous fish, but still bearing the mark of having been dragged with an ice hook. In charge of the investigation is Captain Zhou (Tony Leung Ka Fai), a dedicated cop who's dragging along his teenage daughter Xinyi (Zhou Dongyu). Soon he's joined by Wang Hao (Tong Dawei) a young Shanghai detective who's on a missing person case that has led him to the same village where the murders happened. The two cases prove to be connected: the missing person and the two victims were part of a quartet of businessmen who ten years ago opened a refinery in the region, and disposed of chemical waste in an unethical way that has poisoned the waters and led to malformed babies in the following decade. Is the missing businessman the killer, the next victim or a red herring?

Han Jie’s feature debut draws on his own experiences growing up in a desolate mining district in northern China’s Shanxi province. A Chinese road movie, Walking on the Wild Side charts a young gang’s continuous flights from one kind of trouble to the next. Mirroring the stark and barren landscape, the film relays the grim story of these delinquents’ dreams of liberty and easy money. Played by nonprofessional actors who are real life troublemakers, the film offers a realism that is at once oppressive, cruel, and sympathetic.