Vimal Kumar

A neo-noir thriller based on an incredible true story/account. A mysterious girl infiltrates an order, a cult that practices human sacrifice for wealth and power.

Police Inspector Ram Yadav is a honest, handsome, and incorruptible young man. He lives with his sister-in-law, Shakuntala, and elder brother, Raj . A lovely yet petty thief, Pooja admires Ram so much that she moves in to his house in the guise of a maid-servant, and eventually claims that she is to bear his child. Ram, unable to handle this, agrees to marry her. His duties and investigation lead him to suspect the renowed and influential Appa Rao. Appa Rao is engraged at Ram, and watches and waits for an opportunity to strike back at him. Janardan (Mohnish Behl), Appa Rao's spoiled and way-ward son, initially attempts to pick up a college-girl, when she refuses and humiliates him publicly, he retaliates by setting her on fire in broad daylight, in front of several college students. No one is bold enough to stop Janardan, nor even attempt to save the girl. When Ram finds out, he immediately arrests Janardan and holds him in custody.

Two students are framed for molesting a girl and must leave college. To make ends meet, they pose as tutors to a young lady who they both fall for.

Chided by his family for being the absolute miser, wealthy industrialist Dhaniram (Kader Khan) loves his money as a mother loves a child. This does not auger well with his two sons, Ajay and Vijay (Shashi Kiran and Raj Kiran respectively). The two sons despise their father and find various ways to entrap him, but in vain. Dhaniram gets in the bad books of Income Tax Officer, D.O. Gogi (Shakti Kapoor), and as a result Gogi is arrested and imprisoned. His sister, Dolly (Roshini) and brother, Gulu (Gulshan Grover) both scheme a devious plot that will ensure the death of Dhaniram, and the control of his wealth will rest with them and Gogi.

Alcoholic, arrogant, and a slacker, Atmaram, though coming from a poor family, has visions of grandeur, and believes that everyone else is subordinate to his wishes and instructions. This lands him in hot water with his employer, Seth Usman, and as a result he loses his job. Unable to support his family, namely his wife, Laxmi, and two grown sons, Ravi and Vijay, he starts living at home, dependent on his sons' incomes. Then fate delivers a cruel blow to Atmaram, leaving him alone and desolate. He decides to atone for his mistakes, but will he able to convince others of his good intentions, who are weary of him, and fear that this may be another ploy on his part to fool them again.

Girdharilal (Kader Khan) is a very rich and wealthy man. He has made a number of enemies. One of his enemies asks a beggar to masquerade as Girdharilal for a price, to which the beggar agrees. The switch takes place, with the real Girdharilal being abducted. A series of hilarious and comical events take turn as the beggar attempts to pretend to be a rich, left-handed tycoon.

Achanum Makanum is a 1957 Indian Malayalam-language film, directed by Vimalkumar. The film stars Prem Nazir and Kumari Thankam. The film had musical score by V. Dakshinamoorthy. It is the first movie of actor Jagathy Sreekumar.

An ungrateful, greedy son throws his aged parents out of the house. Years later, he meets the same fate when his son decides to teach him a lesson.

Raja's adoptive father, James Joyner, was once a career-criminal who was gunned down by the police; thus when there are killings in and around the city Raja becomes a suspect - only to learn that he is being framed for someone else's crime; while on the other hand Inspector Vijay Chauhan is looking for evidence to incarcerate him.

Raja's adoptive father, James Joyner, was once a career-criminal who was gunned down by the police; thus when there are killings in and around the city Raja becomes a suspect - only to learn that he is being framed for someone else's crime; while on the other hand Inspector Vijay Chauhan is looking for evidence to incarcerate him.

Raja is a lazy slacker, who wants to have an easy life. He figures that if he gets married to a rich woman, then he will not have to work. So he meets with multi-millionaire Payal, impresses her, and both fall in love. With the blessings of their respective parents' both get married. After the marrige Raja finds out that Payal is the daughter of the multi-millionaire's gardner, and soon leaves her. Fortune visits Payal and her father, when they win a lottery, and themselves become wealthy beyond their imagination. When Raja comes to know about their new-found wealth, he tries to come back into their lives, but the question is will they accept him back?

Raja is a lazy slacker, who wants to have an easy life. He figures that if he gets married to a rich woman, then he will not have to work. So he meets with multi-millionaire Payal, impresses her, and both fall in love. With the blessings of their respective parents' both get married. After the marrige Raja finds out that Payal is the daughter of the multi-millionaire's gardner, and soon leaves her. Fortune visits Payal and her father, when they win a lottery, and themselves become wealthy beyond their imagination. When Raja comes to know about their new-found wealth, he tries to come back into their lives, but the question is will they accept him back?

Mr. Raj K. Saxena is known for his parsimony. Everything he does and thinks is valued with money, and ways he can accumulate it. His daughter, Kiran, is the opposite, a spendthrift. Mr. Saxena borrows money from elderly people, assuring them of returning the loan with a handsome rate of interest after about 20 years, knowing fully well that none of them will survive 20 years. Then he meets with the son of one of such lender, aptly named after him viz. Raj K. Saxena. Mr. Saxena refuses to repay the amount, swallows the proof, the only evidence, and asks Raj to get out, which he does so. Raj is determined to get his money, and wants Kiran to fall in love with him. Kiran does so, and brings him over to introduce him to her shocked and speechless dad. Things change when Raj inherits a large amount of money, ironically left by Mr. Saxena maternal grandmother, and it is Mr. Saxena who is now anxious to get in the good books of Raj, with hilarious results.