Max Rhyser

When four college students trek to the Everglades to conduct extra-credit research for their biology professor, they become prey to a huge man-eating eel with nasty incisors that’s been terrorizing a nearby Florida community, based on a true story concerning an exotic species of eels that are released in the southeast from Asia. They breathe air and can survive on land.

It began with a bump on the head, a stolen kiss, and a surprising infatuation on the eve of marriage equality in New York City. As three young people cross paths, their attempts to reinvent themselves illustrate the screwball wisdom inhabiting Shakespeare's cautionary wit: "The course of true love never did run smooth."

Marian, a classics teacher with regrets about not living life to the fullest, is unaware that she is being tested by the gods as she tries to reach a difficult student.

Zach is looking for something. Is it fun or thrills? Is it family? Or is it love? Alienated from his conservative Jewish family and community, a promising, young, gay schoolteacher seeks solace in New York's barebacking scene. Official Selection: Palm Springs International ShortFest, Brooklyn Film Festival, Provincetown International Film Festival.

Two bisexual characters with opposite approaches to their sexuality get in and out of trouble as they grapple to find love. Their ensemble of friends, family and lovers struggle with the ripple effect of their actions.

The mummy of a cursed pharaoh and a reanimated corpse terrorize a medical university. Only an Egyptologist and a college professor, the deranged Dr. Frankenstein, may be able to stop the creatures before it's too late.

A woman tries to distance herself from her gay friends in an effort to land a straight boyfriend.

When a young gay man has unprotected sex without revealing his HIV status, guilt propels him down a rabbit hole of memory, regret, and surreal manifestations of his past.

Josh has to decide between training a promising young boxer or following his ineffective acting career. A few encounters, with a newly successful ex-boyfriend and a supportive sister lead him toward the life-altering decision.

Jeff doesn't trust his boyfriend Lane, who is sick of trying to prove himself. In a hotel room where countless strangers have become lovers, two lovers become strangers.

Two men, David (a Jewish-American) and Sam (an Arab-American) meet for an afternoon sexual encounter and find that there is more between them than just a visceral connection. But when a flirtatious word-spar about sexual positions turns unwittingly into a debate over something else entirely, both men take sides against the other and replace that could-be beautiful connection with anger, resentment and accusation. OCCUPY ME is about the insidious way outside issues can seep into our interpersonal relationships and invade and cloud our perceptions until love is replaced by anger, truth is pushed out by fear, and potential is destroyed by the past.

The e-DEMON recording is a wakeup call to understand the truth of what’s happening to our world ever since the e-DEMON was released from its prison. Witness that first night of demonic possession as it turns a group of friends against each other. As growing numbers of people get possessed, knowing who to trust is the key to survival.

Nicolas, a young man in his mid 20s, struggles to decide whether or not to go to the wedding of his best friend from high school, Aaron, who he's always been quietly in love with. The two had a falling out years earlier after Nicolas inexplicably kissed Aaron's girlfriend. Nicolas clings to an idealized image of his former friend, unconsciously sabotaging his own happiness in the process. The film is a realistic slice-of-life that poses the question "How do you get over something you never had?"

A collection of six gay-themed short films about relationships and the pain of love, including: REQUITED (directed by Sal Bardo), BOYS LIKE YOU (directed by Daniel Armando), WE ONCE WERE TIDE (directed by Jason Bradbury), REVOLUTION (directed by Abdi Nazemian), THE IN-BETWEEN (directed by Alain Hain) and FROZEN ROADS (directed by Mark Pariselli).

After a chance encounter over the internet, Caleb meets and falls head over heels for Jeremy, and soon the line between love and lies blur.

Six people in New York are adrift. Zeke and Luke work in a sex shop: Zeke takes gay liberation seriously, Luke likes to sparkle and takes nothing seriously. He's offended when Stephen calls him a gay cliché, then, surprisingly, they find each other attractive and interesting. Stephen, it turns out, has a great apartment, trust fund, and artwork he's painted on his walls. Meanwhile, Peter, a neat-freak, and Derek, nice to everyone, move in together. Peter's compulsiveness threatens the relationship. Last, newly-engaged Marilyn, a recovering alcoholic stuck at step 2, can't stop obsessing about wedding details. Can these folks sort out civilization and its discontents?

Two men, David (a Jewish-American) and Sam (an Arab-American) meet for an afternoon sexual encounter and find that there is more between them than just a visceral connection. But when a flirtatious word-spar about sexual positions turns unwittingly into a debate over something else entirely, both men take sides against the other and replace that could-be beautiful connection with anger, resentment and accusation. OCCUPY ME is about the insidious way outside issues can seep into our interpersonal relationships and invade and cloud our perceptions until love is replaced by anger, truth is pushed out by fear, and potential is destroyed by the past.

A man trapped in routine is having a recurrent dream reflecting this entrapment. Eventually he meets a woman that makes his dream change and triggers a change that will lead him to beat the dream and escape routine.